A poor Bohemian poet in 1890s Paris falls for a beautiful courtesan and nightclub star coveted by a jealous duke.A poor Bohemian poet in 1890s Paris falls for a beautiful courtesan and nightclub star coveted by a jealous duke.A poor Bohemian poet in 1890s Paris falls for a beautiful courtesan and nightclub star coveted by a jealous duke.
- Won 2 Oscars
- 89 wins & 133 nominations total
Ozzy Osbourne
- The Green Fairy
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
What an insane movie. For the most part, in a good way. That being said: there were moments in it, and some aspects, that I found incredibly frustrating... yet there was a lot that did work, and I found it growing on me as the movie went along.
I tried watching this about 8 or 9 years ago and couldn't stomach the first fifteen minutes, and so shut it off. I think it was right around the time they started singing Nirvana; I just said 'nope,' not for me.
Returning to it now, those first fifteen minutes were still a fairly tough sit. The editing and loudness is just ridiculous. I didn't know whether it was supposed to be funny or cool or what- I was overwhelmed and confused, whilst still recognising that technically it was at least interesting.
Things got better slowly- an extended comedic sequence filled with innuendo felt like it was from an Austin Powers movie, and tonally the whole thing felt all over the place. Nothing was given room to breathe, and certain stunning shots would only last a second or so before a jarring cut to something else. There were a few brief moments here and there where I literally couldn't comprehend what was going on.
I think the movie did slow down a little in its second hour, or maybe I just grew more used to the style... maybe both? I started to enjoy the music, bold colours, fast-paced musical numbers, and the acting more. The latter is quite good, honestly, especially when it comes to Ewan McGregor, who was excellent. I hated John Leguizamo in this movie though- his character was super irritating, even by Baz Luhrmann standards.
And while the final act feels a little drawn out, it's got some stunning moments, and probably the best music in the whole film.
Overall, it's exhausting and insane, but for me at least it mostly worked. I can understand people loving this movie. I can understand people hating this movie. And honestly, I can understand anyone being anywhere inbetween on this movie.
I tried watching this about 8 or 9 years ago and couldn't stomach the first fifteen minutes, and so shut it off. I think it was right around the time they started singing Nirvana; I just said 'nope,' not for me.
Returning to it now, those first fifteen minutes were still a fairly tough sit. The editing and loudness is just ridiculous. I didn't know whether it was supposed to be funny or cool or what- I was overwhelmed and confused, whilst still recognising that technically it was at least interesting.
Things got better slowly- an extended comedic sequence filled with innuendo felt like it was from an Austin Powers movie, and tonally the whole thing felt all over the place. Nothing was given room to breathe, and certain stunning shots would only last a second or so before a jarring cut to something else. There were a few brief moments here and there where I literally couldn't comprehend what was going on.
I think the movie did slow down a little in its second hour, or maybe I just grew more used to the style... maybe both? I started to enjoy the music, bold colours, fast-paced musical numbers, and the acting more. The latter is quite good, honestly, especially when it comes to Ewan McGregor, who was excellent. I hated John Leguizamo in this movie though- his character was super irritating, even by Baz Luhrmann standards.
And while the final act feels a little drawn out, it's got some stunning moments, and probably the best music in the whole film.
Overall, it's exhausting and insane, but for me at least it mostly worked. I can understand people loving this movie. I can understand people hating this movie. And honestly, I can understand anyone being anywhere inbetween on this movie.
I have seen Moulin Rouge at least 25 times. I think it is the most extraordinary movie of my generation and breaks every limit set by the industry. I have heard all the traditional complaints...people didn't like the music, the editing was too swift, or it wasn't "their taste". Moulin Rouge took a risk. A risk films like A Beautiful Mind and Shakespeare in Love don't. It risked by being controversial. To make a likeable movie isn't hard, follow the Hollywood mold and stick in a few attractive actors, some bland dialogue and viola you have a film. Moulin Rouge was made knowing that not everyone would like it, but knowing everyone would at least appreciate it for its artistic ingenuity. Visually it is superb, an indulgent feast for the eyes with every breathtaking, artistic scene. Everything about it is over the top, every scene more stunning than the next, and as it continues your heart becomes more and more intertwined in the love story. The editing in the Roxanne scene rushes through your body and is the most incredible of any movie in history. Nicole Kidman and Ewan McGreggor are the most passionate on-screen couple; entirely convincing as their voices meld them together into one. Never has a movie done what Moulin Rouge did. It realized that the world of film is only being represented in one small way, whereas Moulin Rouge uses a camera and screen to make something bigger and more extraordinary than has ever been made before. It pushes against the confines of convention and leaves you breathless.
Despite dazzling visuals and lavish production numbers, MOULIN ROUGE is almost all style and no substance. Frankly, I'd rather watch one of the MGM musicals from the '40s and '50s than sit through this more than once.
Kidman and McGregor are in fine physical form except that neither one has a true singer's voice.
Much of it is rather frenetic and grotesque, but no one can accuse it of lacking a colorful stylized life of its own. The best performance comes from Roxburgh as The Duke--excellent job.
It will appeal to fans of Kidman and McGregor but is certainly not the sort of musical suited to everyone's taste.
Kidman and McGregor are in fine physical form except that neither one has a true singer's voice.
Much of it is rather frenetic and grotesque, but no one can accuse it of lacking a colorful stylized life of its own. The best performance comes from Roxburgh as The Duke--excellent job.
It will appeal to fans of Kidman and McGregor but is certainly not the sort of musical suited to everyone's taste.
This movie blew my mind. Watch it, then watch it again. 'Moulin Rouge' made me laugh, cry, and dream. It's boldness and confidence to produce something so original and different impressed me. At times the scenery was as surreal as something you would experience in a dream, which only makes this movie more amazing. 'Moulin Rouge' shows love from all angles. It includes the raw passion, infatuation, vehemence, intensity, ecstasy, jealousy, and pain that is found in true love. The acting was staggering. Ewan McGregor is unrealistically perfect, combining sweet innocence with masculinity. Kidman perfectly brings out the seductive side of Satine, yet never loses the vulnerable soul that lies behind it. Roxburgh(The Duke) and Leguizamo(Lautrec) bring out just the right amount of comic relief in this intense drama. There is nothing I would change about this movie. One warning, though: Moulin Rouge is not for the artistically deprived. It is quite a contemporary movie, so you may not like it if you prefer to watch simple movies(ex. 'American Pie', 'Scary Movie').
I have not ever felt for a movie the way I do about "Moulin Rouge." It is not just a movie...it is a cinematic experience the likes of which I have never before seen. The story, the music, the acting, the visual imagery strikes emotion in me I never before thought possible from a film. It is without a doubt the most brilliant piece of cinematic art I have ever seen. It is dizzy, maddening, beautiful, and heartbreaking! The music is rapturous, and Ewan McGregor and Nicole Kidman's voices compliment each other and the story perfectly. This movie takes its story to a mythic level and surrounds these two star-crossed lovers with music and imagery that simply will take your breath away. The story is grand, huge, and operatic, as is the music. The brilliant score skillfully weaves many modern, popular songs, and rescores them as the libretto to this grand opera. There are some images in this film unlike anything you have ever seen. And the performances are absolutely incredible, particularly Nicole Kidman's. I truly felt for these two people, and truly felt that they were in love. My heart broke into a million pieces for them every time I saw this movie, and I've seen it 8 times. It's an absolutely breathtaking, visionary, masterpiece that did not get the credit it deserved by American critics, who seem to complain that every movie is the same. Yet when an original, daring, shocking film like this comes along, they don't know what to do with it. But then again, this really is not just a film. No mere film could strike me the way this one has, in a way that reaches to the very fibres of my being in a way only "The Wizard of Oz" ever has before. Yes, the story is sad, but what a journey it takes you on! A journey I will be sure to repeat over and over and over again.
Did you know
- TriviaFilming was halted for two weeks in November 1999 after Nicole Kidman fractured two ribs and injured her knee while rehearsing a dance routine for the film. Many of the scenes where she is seen only from the chest up, including "a real actress," were shot while she was in a wheelchair.
- GoofsSatine goes to great time and effort to be bound into a red dress before her meeting with "the Duke". Why would she then change into the black negligee in which she arrives at the Elephant Room?
- Crazy creditsTheatre stage curtains open and close the film.
- SoundtracksNature Boy
Written by Eden Ahbez
Performed by John Leguizamo
Produced by Blam, Josh G. Abrahams, and Craig Armstrong
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Amor en rojo
- Filming locations
- Madrid, Spain(studio, reshoots)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $50,000,000 (estimated)
- Gross US & Canada
- $57,386,607
- Opening weekend US & Canada
- $167,540
- May 20, 2001
- Gross worldwide
- $184,935,252
- Runtime2 hours 7 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content