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Moulin Rouge! (2001)

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A poet falls for a beautiful courtesan whom a jealous duke covets.

Director:

Baz Luhrmann
Popularity
963 ( 464)
Won 2 Oscars. Another 84 wins & 129 nominations. See more awards »

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Cast

Cast overview, first billed only:
Nicole Kidman ... Satine
Ewan McGregor ... Christian
John Leguizamo ... Toulouse-Lautrec
Jim Broadbent ... Harold Zidler
Richard Roxburgh ... The Duke
Garry McDonald Garry McDonald ... The Doctor
Jacek Koman ... The Unconscious Argentinean
Matthew Whittet ... Satie
Kerry Walker Kerry Walker ... Marie
Caroline O'Connor Caroline O'Connor ... Nini Legs In The Air
Christine Anu Christine Anu ... Arabia
Natalie Mendoza ... China Doll
Lara Mulcahy ... Môme Fromage
David Wenham ... Audrey
Kylie Minogue ... The Green Fairy
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Storyline

The year is 1899, and Christian, a young English writer, has come to Paris to follow the Bohemian revolution taking hold of the city's drug and prostitute infested underworld. And nowhere is the thrill of the underworld more alive than at the Moulin Rouge, a night club where the rich and poor men alike come to be entertained by the dancers, but things take a wicked turn for Christian as he starts a deadly love affair with the star courtesan of the club, Satine. But her affections are also coveted by the club's patron: the Duke. A dangerous love triangle ensues as Satine and Christian attempt to fight all odds to stay together but a force that not even love can conquer is taking its toll on Satine... Written by O.G.

Plot Summary | Plot Synopsis

Taglines:

Club Moulin Rouge - an experience you won't forget! See more »

Genres:

Drama | Musical | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

Australia | USA

Language:

English | French | Spanish

Release Date:

1 June 2001 (USA) See more »

Also Known As:

Moulin Rouge See more »

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Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend USA:

$167,540, 20 May 2001, Limited Release

Gross USA:

$57,386,607

Cumulative Worldwide Gross:

$179,213,434
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

For much of the film, Satie (Matthew Whittet) is wearing a long, colorful scarf very reminiscent of the trademark scarf worn by Tom Baker on Doctor Who (1963). The scarf Baker wore was inspired by a long red scarf worn in the painting "Ambassadeurs: Aristide Bruant dans son cabaret" by famous bohemian Henri de Toulouse-Lautrec, who is a character in this movie. See more »

Goofs

The scar under Warner's eye switch sides throughout the movie. In the scene where the Duke calls Toulouse "pig," it switches several times between cuts. See more »

Quotes

[first lines]
Toulouse-Lautrec: [singing] There was a boy, a very strange enchanted boy...
See more »

Crazy Credits

At the end of the film the following title cards are displayed: This story is about / TRUTH / BEAUTY / FREEDOM / But above all / LOVE. See more »

Connections

Featured in Hollywood's Top Ten: Hit the Dance Floor (2011) See more »

Soundtracks

Sparkling Diamonds
Featuring:
"Diamonds Are A Girl's Best Friend"
Written by Jule Styne and Leo Robin
Performed by Nicole Kidman, Jim Broadbent, Natalie Mendoza (as Natalie Mendoza), Lara Mulcahy, and Caroline O'Connor
Natalie Mendoza performs courtesy of EMI Music Australia Pty (Limited)
"Material Girl"
Written by Peter H. Brown and Robert Rans (as Robert S. Rans)
Performed by Nicole Kidman, Natalie Mendoza (as Natalie Mendoza), Lara Mulcahy, and Caroline O'Connor
Natalie Mendoza performs courtesy of EMI Music Australia Pty (Limited)
Produced by Blam, Josh G. Abrahams, Craig Armstrong, and Marius De Vries (as Marius Devries)
See more »

Frequently Asked Questions

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User Reviews

A stunning, visual feast
12 June 2001 | by Gouda-3See all my reviews

At the risk of sounding overly bombastic, "Moulin Rouge" is the best film I've seen all year, perhaps the best one I've seen in over a year. It is operatic in the best sense of the word, being at once massively outlandish and deeply personal. It is clear that a lot of people took career risks in choosing this film, and although "Moulin Rouge" may not rack up a huge box office, I think this film will become a classic alongside his other two films "Strictly Ballroom" and "Romeo + Juliet."

In the showing of "Moulin Rouge" I saw last week, at least 5 people walked out. At the same time I heard audience members audibly gasping at the films visuals and talking back to the screen. The source of these strong reactions? Baz Luhrmann's confidence in his garish cinematic vision and the commitment his actors have in him. The cast fills their roles with relish, even when the entire scene totters on the edge of overkill--but oddly enough, it is the focus that sets "Moulin Rouge" apart from other films these days. Whereas some actors sleepwalk through their roles as they collect their paychecks, everything about "Moulin Rouge" is done in earnest.

This movie is the anti-"Pearl Harbor," because instead of being a hodgepodge of market-tested ideas, "Moulin Rouge" presents a bold vision and dares the audience to accept or reject it. I, for one, accepted it with delight. A telling comparison: Luhrmann has Nicole Kidman and Ewen MacGregor sing the film's love song. Very daring. For "Pearl Harbor" Michael Bay chose Faith Hill. Very safe. Too safe. Can you imagine Ben Afleck belting out "There You'll Be"?

"Moulin Rouge" glitters with such bold decisions. It is a sumptuous feast for ear and eye featuring gorgeous costumes, intricate sets (Nicole Kidman's boudoir in a gigantic elephant is a case in point), and outlandishly choreographed dance numbers are paraded with frenetic relish. And the music, the MUSIC! As you probably know by now, Luhrmann has thrown into his period piece a collage of musical snippets from, among many bits, "The Sound of Music," Madonna, The Police, and Elton John. In most cases, no one song gets performed without intersplicing. Witness Luhrmann's audacity: the opening number includes a melding of Labelle's "Lady Marmalade" with Nirvana's "Smells Like Teen Spirit." And here's the spooky part: it works.

The entire movie plays this way, and for the most part it works. Most surpising is that "Moulin Rouge" has a solid, deeply sincere emotional core. Although the film professes to be about love, I'd add that it is equally about loss. The Moulin Rouge is a playground where adults pretend they are children with the added spice of sensuality.

All the performances are excellent, but the hidden gem is Jim Broadbent as Zidler. Broadbent for years has been doing majestically understated supporting work, from "Brazil" to "Enchanted April" to "Topsy-Turvy." In "Moulin Rouge" he manages to be both repulsive and endearing. His spirited rendition of "Like a Virgin" is classic. Too bad it's not on the soundtrack.

Expect to be overwhelmed by "Moulin Rouge" in the most unexpected, delightful ways. It will make you wonder why other films can't or won't dare to be that bold.


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