Two Family House

Late afternoon on a monday, flipping through my 8 chanels of HBO, I found this little number and feel all the richer for it. Good acting and genuine make a shoestring budget feel and slightly implausible plot fade into the recesses of your disbelief. A warm, poignant story about the kind of guy that we can all relate to.

I like many things about this movie, not the least is a cast of nearly unknowns. Being from the western US, the community of Staten Island was completely unknown to me and a departure from the New York I've seen in depicted in most movies. I found the story, while not startlingly original, well told and the characters mostly believable. I reluctantly have to admit that some characters -- especially the fifties housewives -- are more stereotypical than I would have liked, comporting with most east coast Italian coming of age movies we all have seen.

I was delighted that the story stopped short of being maudlin while still telling a story with a moral about perseverance and risk taking. I think others will find the story to be believable and wonderful.

TWO FAMILY HOUSE (2000) *** Michael Rispoli, Kelly Macdonald, Katherine Narducci, Kevin Conway, Matt Servitto, Michele Santopietro, Louis Guss, Rosemary DeAngelis, Anthony Arkin, Saul Stein, Vincent Pastore, John Pizzarelli. Rookie filmmaker Raymond De Felitta based this semi-autobiographical nostalgic romantic drama set in Staten Island circa 1956 on his beloved and well-intentioned late uncle with Rispoli as a working stiff who dreams of opening his own bar to sing in with no help from his totally unsupportive wife Narducci sending him into the unlikely arms of the unwed Irish mother of a biracial baby (the very pretty Macdonald) who is a tenant in their recently bought household.

Rispoli gives a heart-felt performance that echoes Jackie Gleason as a beaten upon husband who just wants something better and the rest of the ensemble adds some color to what could have been a retread of 'Moonstruck', its distant third cousin in theory.

Wonderful period piece and a gem of a sleeper.

Buddy's repressed. A young Italian-American man living in Staten Island in 1956, he sees opportunity all around him. It's laying there waiting for him to pick it up and run with. Except for one major obstacle, his wife Estelle. She wants only for Buddy to find his narrow niche in the local community, with its dead-end job and familiar surroundings, and exist quietly in her idea of the American dream.

But it's not Buddy's vision. So Buddy perseveres, undercut at every turn by Estelle. He finally manages to buy a two-family house to turn into his dream; a bar on the first floor, his home on the second. The current occupants are a foul-mouthed white trash Irish immigrant family, the very young wife in a very pregnant way. When she gives birth to a child whose father is obviously black, the older husband abandons her. And from this point Buddy's life journey takes a remarkable turn.

Two Family House is a prototypical Indie film in all its positive aspects. It does very well with little budget, maximizing the contributions of cast and crew. The uplifting story is told without pandering or exploitation. The movie's not great, but it is effective, and most importantly, very enjoyable.

Well, football is over, so I caught this on an early Sunday evening watching HBO. Never heard of it, and I honestly don't know how I started watching it - just flipping around I guess and I heard an Irish accent, so I watched for a bit. Turned out to be a very good movie, not a great movie, but interesting nonetheless. Michael Rispoli wins you over with his Italian nice-guy performance, and Kelly MacDonald is wonderful (for some reason reminded me of Donna Reed in It's a Wonderful life). Really, this was just a slice of life picture with some characters that were interesting and compelling. I know this isn't a really great review I'm writing here - I guess I just want to say that if you come upon the movie, give it a chance. It's not going to change your life, but you'll probably talk about with anyone you see who happened to see it to, and that's always a good thing.