Culture Clash in AmeriCCa is an anthology of hilarious and thought-provoking skits and monologues portraying diverse AmeriCCan immigrants, whose personal stories are captivating, highly ... See full summary »
A Los Angeles detective is murdered because she has microfilm with the recipe to make cocaine cookies. A "Lethal Weapon" style cop team tries to find and stop the fiends before they can ... See full summary »
Samuel L. Jackson,
During an argument, a divorced executive and his 11 year old son casually touch a magical Tibetan skull, releasing a mysterious power that transfers the father's mind to the body of the son and vice versa. Their problems have just begun.
Based on the true story of Jim and Artie Mitchell, two brothers who entered the porn industry in the early 60's. After creating such legendary porn films as "Behind the Green Door" and "Inside Marily Chambers", they later became addicted to drugs and began a downward spiral leading to bankruptcy and murder.Written by
Geoffrey Blake who plays Attorney Michael Kennedy was also work with Charlie Sheen and Emilio Estevez on Men at Work and Young guns. See more »
When Jim is driving to Artie's place at the end of the film, when he leaves his house, it is pouring rain, and when he arrives at Artie's it is pouring rain, but between these two shots, there is a high altitude shot of his car on the Golden Gate Bridge, and not only is it not raining, but the ground is clearly not even wet. See more »
It's been a while since I've seen this, so I'll keep it short. I saw the film, and read the book. I guess the idea of making the film came a little too close to the "Boogie Nights" success. Both brothers, however, show that they are good actors, even if Charlie's trying a little too much to be Hunter S. Thompson (unless the character was actually like that.) It's a good movie about the porn industry whereas "Boogie Nights" wasn't really about the porn industry, which was used mainly a subplot (or one of many... I loved that film, I just don't think these two movies should be compared-- this is a straight bio-pic.) The demise of the Mitchell brothers wasn't the demise of porno. But, it should be noted, the demise of film making (for real) in porno. They tried like hell to make real films, and probably could have (some might say, with the budget, should have.) So the characters made a fairly respectable film that came along a bit too late.
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