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Drakula Istanbul'da (1953)

Azmi is a lawyer from Istanbul. Drakula of Romania has assumed a new title. Azmi travels to Romania for legal matters. He is warned of Drakula but Azmi is a strong believer of goodness.


Mehmet Muhtar


Ümit Deniz, Ali Riza Seyfi (novel) | 1 more credit »


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Credited cast:
Annie Ball ... Güzin Arsoy
Cahit Irgat ... Turan
Ayfer Feray ... Sadan
Bülent Oran ... Azmi
Atif Kaptan ... Drakula
Kemal Emin Bara Kemal Emin Bara ... Doktor Naci Eren
Kadri Ögelman Kadri Ögelman ... Usak
Münir Ceyhan ... Doktor Afif
Osman Alyanak ... Tiyatrocu
Eser Tezcan Eser Tezcan
Rest of cast listed alphabetically:
Toron Karacaoglu ... Bülent Oran Seslendirmesi
Esref Kolçak ... Dansci


Azmi is a lawyer from Istanbul. Drakula of Romania has assumed a new title. Azmi travels to Romania for legal matters. He is warned of Drakula but Azmi is a strong believer of goodness.

Plot Summary | Add Synopsis


Fantasy | Horror







Release Date:

4 March 1953 (Turkey) See more »

Also Known As:

Dracula in Istanbul See more »

Company Credits

Production Co:

And Film See more »
Show more on IMDbPro »

Technical Specs


Sound Mix:


Aspect Ratio:

1.37 : 1
See full technical specs »

Did You Know?


No fog machines were available to produce the fog for the graveyard scene; so 30 stagehands puffed on cigarettes just out of camera range to produce the "fog". See more »


There's no ringing sound when the phones ring throughout the movie. See more »

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User Reviews

An atypical Turkish version of the Dracula story
4 July 2016 | by Leofwine_dracaSee all my reviews

Despite the relocation and the update to a contemporary setting (cars and neon signs are seen), Dracula IN ISTANBUL seems to be a fairly faithful retelling of the famous Bram Stoker story, albeit with the addition of a few new characters - namely a creepy hunchbacked servant who appears to be based on the Renfield character. Horror fans are familiar with Universal's Dracula (and, to a lesser degree, the Spanish version filmed at night on its sets) and the sequels that followed, and then Hammer's Dracula in 1958. But Dracula IN ISTANBUL is a film which seems to have slipped from public scrutiny, like most Turkish movies, and can only now be evaluated in an international, Internet-using world.

The movie has a stagy feel to it, due to the fact that it was basically the first genre movie ever made in Turkey at the time and the budget meant the movie was set-bound at all stages. However, the settings and occasional matte shots of a spooky castle are more than enough to give the movie an appropriate and authentic feel to it. The contemporary setting is a bit jarring at first but makes for some fun changes. For instance, the fragile Mina in the book - the main thrust of Dracula's attractions - here becomes a nightclub dancer played by Euro-beauty Annie Ball (I love the bathtub scene in which the camera shyly zooms into her legs at an appropriate moment). The acting appears stilted at times but is adequate for the production, with kudos going to Atif Kaptan who makes for an eerie, alien-looking Dracula. The extreme close-ups of Drac's madly staring eyes are a highly effective portrait of evil.

Speaking of eerie, horror-wise the movie succeeds in working up a few gentle chills, as is the norm for movies made in that period and watched in today's light. Favourite scenes include a hollow-eyed painting from which smoke weirdly billows, a graveyard exhumation, and a midnight walk through a creepy wood (day-for-night filming always looks better in black and white). The music is appropriate and helps to contribute to the atmosphere of the piece. My only complaint is that the lighting is far too dark in some sequences, and combined with the typically poor quality of Turkish movies in today's world, some bits are impossible to fathom.

The special effects used are simplistic in the extreme, with simple tricks like levitating coffin lids, offscreen howls, jump-cuts to make Dracula seem like he appears from nowhere, and fog billowing on to the screen (allegedly the result of a number of crew members frantically smoking just offscreen due to there being no budget for a dry ice machine!). The fact that Dracula has fangs here and walks down the outside of his castle wall, as per Stoker's novel, is a fine touch. This isn't brilliant by any means - it's badly dated and there are one-too-many nightclub dancing interludes. However there are enough elements to make this of interest to intrepid genre buffs and a minor classic of Turkish fantasy cinema.

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