5.6/10
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379 user 156 critic

Coyote Ugly (2000)

PG-13 | | Comedy, Drama, Music | 4 August 2000 (USA)
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Aspiring songwriter Violet Sanford, after getting a job at a women-run NYC bar that teases its male patrons, comes out of her shell.

Director:

David McNally

Writer:

Gina Wendkos
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Popularity
1,668 ( 309)
4 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Piper Perabo ... Violet Sanford
Adam Garcia ... Kevin O'Donnell
John Goodman ... Bill
Maria Bello ... Lil
Izabella Miko ... Cammie
Tyra Banks ... Zoe
Bridget Moynahan ... Rachel
Melanie Lynskey ... Gloria
Del Pentecost Del Pentecost ... Lou
Michael Weston ... Danny
LeAnn Rimes ... LeAnn Rimes
Jeremy Rowley ... William Morris Receptionist
Ellen Cleghorne ... Music Publishing Receptionist
John Fugelsang John Fugelsang ... Richie the Booker
Bud Cort ... Romero
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Storyline

Sexy, romantic comedy about a girl in her early 20s named Violet Sanford going to NYC to pursue a dream of becoming a songwriter. Violet gets a "day" job as a bar maid at a nightclub called Coyote Ugly. Coyote Ugly is the city's newest hot spot where the employees are a team of sexy, resourceful women that provoke the clientele and press with their mischief. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

The Boss. The Law. The Dreamer. The Flame. The Heartbreaker. The Girls of Coyote Ugly. See more »

Genres:

Comedy | Drama | Music | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for sensuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

4 August 2000 (USA) See more »

Also Known As:

Barul Coyote Ugly See more »

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Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend USA:

$17,319,282, 6 August 2000, Wide Release

Gross USA:

$60,786,269, 5 January 2001

Cumulative Worldwide Gross:

$113,916,474
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

Kevin Smith revealed on the Dogma (1999) commentary track that he did uncredited work on the script. He has also said that the one story element of this movie that most would believe could be attributed to him (Adam Garcia's character being into comic books) wasn't his idea at all. See more »

Goofs

When Zoe comes back and the water is being poured on her, Zoe's shirt alternates between wet and dry in between shots. See more »

Quotes

Zoe: Is this a church meeting or is this a bar? Make some noise!
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Alternate Versions

Unrated extended cut restores scenes (ca. 6 minutes) that were deemed "unsuitable" for the American market and threatened the desired PG-13 rating. Added back was additional/extended footage in virtually every dance scene, a shopping scene with Cammie and Violet and a sex scene with Violet and Kevin. See more »


Soundtracks

Cailin
Written by Wade Youman, Steve Morris, Scott Russo, Rob Brewer
Performed by Unwritten Law
Courtesy of Interscope Records
Under license from Universal Music Enterprises
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Frequently Asked Questions

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User Reviews

 
Insubstantial but highly entertaining
22 February 2001 | by FlickJunkie-2See all my reviews

Producer Jerry Bruckheimer seems to have an innate sense of what makes money in cinema. He seldom makes a film that isn't profitable and has numerous blockbusters on his resume over the past 30 years (American Gigolo, Flashdance, Beverly Hills Cop, Top Gun, The Rock, Con Air, Armageddon). Bruckheimer is a populist producer. He is more concerned with giving audiences what they want than he is about producing films of any artistic value or substance. In that regard, `Coyote Ugly' fits right in.

This film is energetic, entertaining, scintillating and fun to watch. The story is "Flashdance" lite, and is reminiscent of the popular but vacuous `Cocktail' with Tom Cruise, only with a decent plot woven in. Violet Sanford (Piper Perabo) is a young aspiring songwriter who leaves South Amboy, New Jersey traveling to New York City to be discovered. When things don't go as planned, she takes a job as a bartender in a raucous singles bar where the sexy female bartenders dance provocatively on the bar to the shrieks of the rowdy patrons below. Of course, there is a love story to go along with the quest for fame, completing the populist formula.

Bruckheimer defies the conventional Hollywood big budget approach by using an ensemble cast of veritable unknowns and a first time director. Other than John Goodman in a minor role, and supermodel Tyra Banks who hasn't done much acting, most of the actors have extremely short resumes. This gives the film a freshness and energy that comes from the cast's exhilaration at just being on the set.

Piper Perabo is an incredible find. She is not simply acting in this film, but living the role. Just like her character Violet, this film is her big break so her ability to understand the character and the role is implicit (another stroke of Bruckheimer genius). Perabo is an excellent actor with tremendous ability and potential. It is likely that this film will be the launch pad for a bright career. Maria Bello also gives a fabulous performance as Lil, the tough and successful owner of the nightclub. Australian actor Adam Garcia has great chemistry with Perabo as Violet's love interest. His pleasant demeanor and good looks have many people comparing him with Mel Gibson, although it remains to be seen whether he can handle roles that are more substantial. John Goodman provides one of the film's best moments when he gets up on the bar and dances as Violet auctions him off to the screaming women in the crowd.

The DVD is packed with interesting special features about the making of the film. It also includes a DTS audio option, which I like better than Dolby Digital 5.1. The soundtrack is pulsating and explosive and pumps the film up with excitement.

This is not great filmmaking, but it is great entertainment. It is an amiable film that sparkles with energy and is easy to watch. I rated it a 7/10. Many people were surprised by how much they enjoyed it, but I'm never surprised when I like a Jerry Bruckheimer film. He knows how to push our buttons.


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