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Chris Rock: Bring the Pain (1996)

The second HBO stand-up special by Chris Rock.

Director:

Keith Truesdell

Writer:

Chris Rock
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Won 2 Primetime Emmys. Another 1 win & 2 nominations. See more awards »

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Cast

Cast overview:
Chris Rock ... Himself
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Storyline

After two years of performing and refining his material in night clubs, Chris Rock launches his national tour. Written by Julien M.

Plot Summary | Add Synopsis


Certificate:

TV-MA

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

1 June 1996 (USA) See more »

Also Known As:

Крис Рок: Дерзайте See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

In closing credits, special thanks is given to "Little Penny". This was a puppet for which Rock provided the voice in a series of Nike commercials with Anfernee 'Penny' Hardaway. See more »

Quotes

Chris Rock: We don't need the Death Penalty, we have the tossed salad man! If I had to choose between the Electric Chair and the tossed salad man I'd be going "Where do you plug this thing in? Shouldn't I be wet?"
See more »

Crazy Credits

Special Thanks - Little Penny See more »

Alternate Versions

In April 8th, 1997, audio from Bring the Pain was remade into Chris Rock's album: Roll With The New, featuring original skits including Dave Chappelle reprising his role from the Nutty Professor in two skits. See more »


Soundtracks

Touch Me, Tease Me
Composed by Mary J. Blige, Kenny "K-Smoove" Kornegay, Foxy Brown, Schooly-D,
Case, Daryl Young
See more »

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User Reviews

Switch Hitter
8 January 2006 | by tedgSee all my reviews

Rock repels me when he tries to be in a "real" film. But I have to admit that he is a terrific standup guy.

I assume that's true of him as a person, but what I mean is as a comic. I dive into these things from time to time and am frequently disappointed. Oh, sometimes I laugh but its only a half a laugh until you realize what's happening.

Most standup is insult comedy, usually associated with identity comedy. I'm sure there is an immigrant, Vaudeville history there. But most black comics today do the identity thing.

Rock is sort of a genius in what he does, and since it is so finely tuned it must be conscious.

Here's what he does: he'll take the black community to task for some characteristic or behavior that is taboo to mention in the US. He'll hammer on it until it threatens to catch fire. Then in apparent seamlessness, he'll switch from being outside the group to inside and the switch itself will be funny.

For instance, he'll riff on OJ and violent blacks and how OJ's wife deserved to be killed. People will howl with nervous laughter. Then without missing a beat or change tone, he'll make fun of such an attitude. Poking fun at stupid blacks who think this way. The laughter will not start anew but continue from the old, building layer upon layer. Then he'll switch back, talking about slapping a bitch around, Then another switch about how that's not acceptable. People still laughing. Oh, he'd never, never (many nevers) hit a woman....

But he'd shake the bleep out her, and he caps it off by acting out this violence. Weeping, hurting laughter.

Its because the man knows the precise point at which the boundary can be pushed. When he gets just to that point, just barely there, he pirouettes to the other side and pushes back until the boundary is dangerously close to breaking the other way.

It's brilliant, because no one at all talks about that boundary in the US. Not seriously. So we get a couple things. We get to see a dancing concept master do his stuff. We get to confront something we avoid at all costs. We get to see risk in him and it makes us free to take some risks. Oh, we laugh.

But we love the guy too.

I've seen a few other shows. I think this is the best.

Ted's Evaluation -- 3 of 3: Worth watching.


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