The descendant of the servant of a cruel and vicious samurai returns to the town where she was born, only to find that a cat who is possessed by the spirits of those murdered by the samurai is trying to kill her.
A journalist is saved by a giant submarine captained by a 200 year old man who takes him to an underwater paradise city where no one ages. That's when monsters and mutants sent by the captain's rival, a 200 year old scientist, attack.
THE HUNDRED MONSTERS is a very bizarre little Japanese film and the first part of a 'YOKAI MONSTERS' trilogy. These films were remembered in the new millennium when none other than Takashi Miike directed his own version of the story (THE GREAT YOKAI WAR). Like other period monster flicks from Japan in the 1960s such as DAIMAJIN, THE HUNDRED MONSTERS feels very much like a traditional samurai movie with added monster action.
The story is a simple and familiar one about some ruthless property developers kicking a bunch of worthwhiles out of their homes. Even worse, they destroy a sacred shrine in the process. This storyline could be told in any country or era, but at least the characters are sufficiently interesting to keep viewers watching. And then we have the monsters, which are among the most bizarre ever filmed. I can't really describe them here, but there's stuff that'll have your jaw dropping, particularly the umbrella monster. A mix of practical and visual effects combine very well to create some fantastic scenes that certainly stick in the mind.
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