Casey McCall and Dan Rydell are sports anchors and best friends. On "Sports Night," their nightly cable program, the two display their unique talent and skills in reporting up-to-the-minute... See full summary »
Satirical newscaster Stephen Colbert provides humorous commentary on the big issues going on in the United States and the rest of the world, with his larger-than-life ego and overly-patriotic spirit along with him every step of the way.
A New Jersey mob boss, Tony Soprano, deals with personal and professional issues in his home and business life, which affects his mental state and leads him to seek professional psychiatric counseling.
Presidential advisers get their personal lives hopelessly tangled up with professional duties as they try to conduct the business of running a country. Fictional Democratic President Josiah "Jed" Bartlet suffers no fools, and that policy alienates many. He and his dedicated staffers struggle to balance the needs of the country with the political realities of Washington, D.C., working through two presidential terms that include countless scandals, threats and political scuffles, as well as the race to succeed Bartlet as the leader of the free world. Written by
The blackboard in Josh Lyman's office, used to keep track of votes, often features the names of real-life U.S. Senators. See more »
During outdoor scenes filmed for the 1999-2000 first season, the Washington Monument can be seen in the background encased in an elaborate blue mesh scaffolding used while the monument was undergoing a major renovation. However, in stock overhead shots used during the same episodes, the Washington Monument appears without the scaffolding (i.e., as it normally appears). See more »
The special post-9/11 episode was broadcast without the regular opening credits. Instead, the episode began with the cast, out of character, speaking about the episode, followed by credits on a black screen. See more »
So much political reporting seems to be an attempt to fake a drama out of little material. I missed the West Wing when it started, but am catching up now, and find that it turns the specifics of politics into gripping human drama with a fast pace.
The camera seems to move as quickly as the people, following one conversation, then picking up another as two corridors intersect, and going off after that conversation instead. It's a remarkably effective dramatic device, that helps generate a sense of many topics, issues and personalities all being constantly on the move in response to events.
The acting is uniformly good, and often not on screen, Martin Sheen's president remains a constant presence shaping every story.
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