Presidential advisers get their personal lives hopelessly tangled up with professional duties as they try to conduct the business of running a country. Fictional Democratic President Josiah "Jed" Bartlet suffers no fools, and that policy alienates many. He and his dedicated staffers struggle to balance the needs of the country with the political realities of Washington, D.C., working through two presidential terms that include countless scandals, threats and political scuffles, as well as the race to succeed Bartlet as the leader of the free world.Written by
After being advised by Josh that "she (C.J. Cregg) likes goldfish", Danny Concannon mistakenly gives C.J. a live goldfish in a bowl, as opposed to the snack-food variety. The goldfish and goldfish bowl then become permanent parts of C.J.'s office decor, and whenever the bowl appears on camera, the centerpiece decoration is always changed to match a popular theme from that episode, or the relevant holiday season, for example, a turkey, a Christmas tree, a space shuttle, a podium, and so on. See more »
Secret Service code names for the First Family always begin with the same letter (for example, the Obama family code names are Renegade, Renaissance, Radiance, and Rosebud), which means that if President Bartlet's code name was Eagle, Zoey's would not have been Bookbag. Her code name would have begun with the letter E as well. See more »
Episode titles are usually the first thing shown on screen (after recaps). This is one of the only American series to show episode titles before its opening credits. See more »
The original broadcast and syndicated versions of the entire second season were in a 1.33:1 full-screen format, except on select HD broadcasters. The DVD versions of the second season episodes are in the filmed wide-screen format of 1.78:1 See more »
So much political reporting seems to be an attempt to fake a drama out of little material. I missed the West Wing when it started, but am catching up now, and find that it turns the specifics of politics into gripping human drama with a fast pace.
The camera seems to move as quickly as the people, following one conversation, then picking up another as two corridors intersect, and going off after that conversation instead. It's a remarkably effective dramatic device, that helps generate a sense of many topics, issues and personalities all being constantly on the move in response to events.
The acting is uniformly good, and often not on screen, Martin Sheen's president remains a constant presence shaping every story.
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