One of puppet-maker Geppetto's creations comes magically to life. This puppet, Pinocchio, has one major desire and that is to become a real boy someday. In order to accomplish this goal he ... See full summary »
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Geppetto the carpenter carves the object of his hidden desires out of a log: a puppet that will keep him company and will be like a son to him. He will call him Pinocchio. Imagine his ... See full summary »
While Pincchio's creator-'daddy' Gepetto is ill in bed, the rascal and mate visit the circus. There cross-dressing freak-show boss Lorenzini 'Madame Flambeau' ends up selling them an elixir as 'cure', which actually enables him to recruit the debtors as his freak acts.Written by
I have to concede that this movie is a very deficient sequel to the original Pinocchio plot. As I watched it I expected better images - this is a real point of criticism here. A movie like this one, which actually features substantial magical input and imposes visual challenges for the producers ought to meet the requirements and try to live up to the premise it is built on.
Thus this brings down the rating significantly. I would normally be more indulgent with low budget productions, but as stated above, Pinocchio lives and dies with the transformation of visuals and the quality of the images. Some were acceptable, the majority indifferent, and some simply ludicrous and a real shame.
What makes me award this weakly equipped movie with a solid 6 though is based on two reasons:
1. The British actor Gabriel Thomson as Pinocchio. Gabriel Thomson is one of very few young actors who have natural skills and the ability to project their characters' sensibility with very subtle and decent acting. I was stunned by his genuine performance and the way he is able to express so much with so little endeavor. He shines here as he does in his most notable appearance in 'Enemy at the Gates'. He manages to vitalize Pinocchio in a way that makes the audience relate to him as a character - something that is not always the case in movies featuring a preposterous edge as 'Pinocchio' does. Gabriel's performance is very intriguing and much better than everything else this movie has to offer.
2. The story itself detached from the actual transcription. I do not know if this sequel to the well-known Pinocchio-plot has a literary artwork as a basis. Anyway, I think the idea itself of how the original story can be continued is true to the original concept and properly developed. There are some nice messages and the story proceeds at a smart pace that compensates for some of the visual flaws.
'The New Adventures of Pinocchio' is not for everyone and it could have been done significantly better regarding its decor. However, if you are looking for a well-developed story and a brilliant Gabriel Thomson as Pinocchio, you might want to give it a try.
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