6.8/10
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Moloch (1999)

Molokh (original title)
Not Rated | | Drama | 13 October 1999 (France)
In 1942, in Bavaria, Eva Braun is alone, when Adolf Hitler arrives with Dr. Josef Goebbels and his wife Magda Goebbels and Martin Bormann to spend a couple of days without talking politics.

Director:

Aleksandr Sokurov
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7 wins & 8 nominations. See more awards »

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Cast

Credited cast:
Elena Rufanova Elena Rufanova ... Eva Braun
Leonid Mozgovoy Leonid Mozgovoy ... Adolf Hitler
Irina Sokolova ... Dr. Josef Goebbels (as Leonid Sokol)
Yelena Spiridonova Yelena Spiridonova ... Magda Goebbels
Vladimir Bogdanov ... Martin Bormann
Anatoliy Shvederskiy ... Priest
Rest of cast listed alphabetically:
Franco Moscon Franco Moscon ... Nazi Officer
Natalya Nikulenko Natalya Nikulenko
Rosina Tsidulko
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Storyline

In 1942, in Bavaria, Eva Braun is alone, when Adolf Hitler arrives with Dr. Josef Goebbels and his wife Magda Goebbels and Martin Bormann to spend a couple of days without talking politics.

Plot Summary | Plot Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

Russia | Germany | Japan | Italy | France

Language:

German

Release Date:

13 October 1999 (France) See more »

Also Known As:

Moloch See more »

Company Credits

Production Co:

Arte,Fabrica,Fusion Product See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby SR

Color:

Color

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Official submission of Russia for the 'Best Foreign Language Film' category of the 72th Academy Awards in 2000. See more »

Connections

Followed by Faust (2011) See more »

Soundtracks

Siegfried's Funeral March from DIE GÖTTERDÄMMERUNG
By Richard Wagner
See more »

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User Reviews

 
Stylish snoozefest hardly hints of the greatness to come in Sokurov's "The Sun"
26 February 2006 | by Chris KnippSee all my reviews

Part of a tetralogy that includes the recent, amazing "The Sun" about Hirohito (2005, shown at the New York Film Festival but as yet without a US distributor), as well as "Taurus" (Telets, 2002), about a mortally ill Lenin. (The fourth I think is not yet made.) All concern men of great power at decisive and tragic moments. "Moloch" concerns Hitler in 1942 in an eagle's nest castle in the Bavarian Alps, isolated, as in other portraits, among his cadres and Eva Braun, indulging in grumpy vegetarian dinners and tossing about weird racist remarks about other nationalities. This is acted by strong members of the theater of St. Petersburg, Elena Rufanova as Eva Barun, Leonid Mosgovoi as Hitler, Leonid Solol as Goebbels, Yelena Spirindonova as Frau Goebbels, Vladimir Bogdanov as Martin Bormann, whose lines are dubbed by German actors, and this is done well. The whole is bathed in a murky green-gray or verdigris fog -- saturated, someone has written, with a kind of patina characteristic of old Agfa films -- the fogginess typical also of Sokurov's style elsewhere, with (as in The Sun) a sumptuous feel in the mise-en-scène and amazing, evocative period realness to objects (photo books, ashtrays, serving dishes) which seem at once solid and delicate. Yes, this is remarkable film-making. But the film as a whole is yawn-inducing. Hitler spends most of his screen time moaning about his health. Ten minutes are devoted to Eva's wandering around naked without a word spoken. She is graceful and athletic; but why? Well, to evoke the boredom and idleness of the isolated concubine -- but is such length necessary? "Moloch" is very different from, and rather disappointing in comparison to, "The Sun's" stunning, touching portrayal of Hirohito, which dwells also on trivial moments, but always in the cause of a sensitive exploration of character and situation. There is a hushed intimacy about "The Sun" that "Moloch", though it has a few grand moments and may even evoke Lang's "Metropolis," never attempts. Hitler doesn't even really talk enough, and this brings us to the inevitable fact that at this date, 2006, "Moloch" is thoroughly overshadowed by the far more conventional, sometimes heavy-handed, but nonetheless richly detailed and accurate and breathlessly exciting recreation of the last days in the Bunker achieved recently by Oliver Hirschbiegel in his "Downfall" ("Der Untergang," 2004), released in the US last year and containing Bruno Ganz's powerful performance as the Nazi dictator.


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