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Moloch (1999)

Molokh (original title)
Not Rated | | Drama | 13 October 1999 (France)
In 1942, in Bavaria, Eva Braun is alone, when Adolf Hitler arrives with Dr. Josef Goebbels and his wife Magda Goebbels and Martin Bormann to spend a couple of days without talking politics.


Aleksandr Sokurov
7 wins & 8 nominations. See more awards »


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Credited cast:
Elena Rufanova Elena Rufanova ... Eva Braun
Leonid Mozgovoy Leonid Mozgovoy ... Adolf Hitler
Irina Sokolova ... Dr. Josef Goebbels (as Leonid Sokol)
Yelena Spiridonova Yelena Spiridonova ... Magda Goebbels
Vladimir Bogdanov ... Martin Bormann
Anatoliy Shvederskiy ... Priest
Rest of cast listed alphabetically:
Franco Moscon Franco Moscon ... Nazi Officer
Natalya Nikulenko Natalya Nikulenko
Rosina Tsidulko


In 1942, in Bavaria, Eva Braun is alone, when Adolf Hitler arrives with Dr. Josef Goebbels and his wife Magda Goebbels and Martin Bormann to spend a couple of days without talking politics.

Plot Summary | Plot Synopsis




Not Rated | See all certifications »



Russia | Germany | Japan | Italy | France



Release Date:

13 October 1999 (France) See more »

Also Known As:

Moloch See more »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:

Dolby SR



Aspect Ratio:

1.66 : 1
See full technical specs »

Did You Know?


Directed by Russian filmmaker Aleksandr Sokurov, the film is the first in Sokurov's tetralogy of power. It was succeeded by Taurus (2001), about V.I. Lenin, The Sun (2005), involving Japanese emperor Hirohito, and Faust (2011), based on the old German legend Faust. For production, Aleksandr Sokurov employed Russian actors from Saint Petersburg to shoot the film, but their voices were later dubbed by German theater actors from Berlin. See more »


Followed by The Sun (2005) See more »


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User Reviews

A tyrannical power propitiated by human subservience
21 April 2009 | by monty-57See all my reviews

The year is 1942. Hitler is at the height of power. He and his inner circle retreat to a misty mountaintop castle in the Alps. Eva Braun, nearly naked and alone, basks in solitude on the ramparts. It is her only escape from the burden of loving a human chimera. Thus begins Alexander Sokurov's film MOLOCH, which won the Best Screenplay Award at the 1999 Cannes Film Festival.

Webster's Third International English Dictionary describes Moloch as an ancient Semitic deity, and the figurative definition runs as, "A tyrannical power propitiated by human subservience or sacrifice." The latter is definitely in evidence as the film explores Braun's personal world and tribulations, as well as the grotesque behavior of Hitler and his obsequious associates. The film does not attempt to mirror history; rather it is a bold speculation that takes its cues from the past.

Leonid Mozgovoy's performance as Hitler is uncanny. He is nervous, annoyed, self-absorbed, even vulnerable, and oblivious to the strained relations around him, including his troubled relationship with Braun, played by Yelena Rufanova. Their final scene is particularly compelling, where Braun in sympathetic tones tells Hitler as he is about to be driven away in his sedan, "Death is Death. It cannot be defeated."

In a unique maneuver, Sokurov had his entirely Russian cast voice the dialogue in German, after which they were dubbed by native German actors from Berlin, creating a nearly seamless result.

Unfortunately, the Russian version of the film in theaters had a voice-over translation (done entirely by Mozgovoy), which interferes with the German text, defeating the whole purpose of going to all that trouble. This decision was made in deference to Russian audiences, which are used to – and even sometimes prefer – this type of translation, but subtitles would have worked much better. Luckily, the Russian DVD has this option (Russian subtitles only).

The film is more streamlined than other Sokurov efforts, and may be called one of his best works, if not the best. The editing and pacing are smoother than that of many of his other films. The recently released video version of the film contains 21 minutes of footage not seen in the theatrical version. The long version plays well, with more rich detail, more expository elements such as additional manifestations of Eva's mischievous nature and Adolf's sensitivity to smells and foodstuffs.

Sokurov studied history at Gorky State University before becoming a filmmaker. He makes highly idiosyncratic, strikingly atmospheric and ponderously paced works, drawing inspiration from classical literature and music – what he calls "Old World art." He crafted the film from a screenplay entitled "The Mystery of the Mountain" (originally the title of the film), written by Yury Arabov, with whom he has collaborated frequently.

The film can rightfully be called a cinematic milestone because of its portrayal of Hitler. For the first time in narrative film history, Hitler is shown to be human. This is ultimately a valuable artistic judgment, for it fosters understanding of the political forces that he set in motion.

Sokurov notes, "Erich Fromm wrote that until we learn to understand Hitler's human nature, we will never understand anything about Nazism or learn to discern potential monsters in those lusting for power."

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