7.8/10
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Kikujiro (1999)

Kikujirô no natsu (original title)
PG-13 | | Drama, Comedy | 26 May 2000 (USA)
Trailer
1:39 | Trailer
A young, naive boy sets out alone on the road to find his wayward mother. Soon he finds an unlikely protector in a crotchety man and the two have a series of unexpected adventures along the way.

Director:

Takeshi Kitano

Writer:

Takeshi Kitano
4 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Takeshi Kitano ... Kikujiro (as Beat Takeshi)
Yusuke Sekiguchi Yusuke Sekiguchi ... Masao
Kayoko Kishimoto ... Kikujiro's Wife
The Great Gidayû The Great Gidayû ... Biker (as Gurêto Gidayû)
Rakkyo Ide ... Biker's Friend
Akaji Maro ... Crazy Man
Yûko Daike ... Masao's Mother
Fumie Hosokawa Fumie Hosokawa ... Juggler Girl
Nezumi Imamura Nezumi Imamura ... An-chan
Beat Kiyoshi Beat Kiyoshi ... Man at Bus Stop (as Bîto Kiyoshi)
Daigaku Sekine Daigaku Sekine ... Yakuza Boss
Yoji Tanaka Yoji Tanaka ... Yakuza Henchman
Makoto Inamiya Makoto Inamiya ... Yakuza Henchman
Hisahiko Murasawa Hisahiko Murasawa ... Yakuza Henchman
Tarou Suwata Tarou Suwata ... Stall-keeper
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Storyline

Brash, loudmouthed and opportunistic, Kikujiro hardly seems the ideal companion for little Masao who is determined to travel long distances to see the mother he has never met. Their excursion to the cycle races is the first of a series of adventures for the unlikely pair which soon turns out to be a whimsical journey of laughter and tears with a wide array of surprises and odd ball characters to meet along the way. Written by L.H. Wong <lhw@sfs.org.sg>

Plot Summary | Add Synopsis

Genres:

Drama | Comedy

Motion Picture Rating (MPAA)

Rated PG-13 for a threatening incident | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

The football uniform the kid is wearing to the practice where he is the only one there is one of the Dutch national team's away game outfits. See more »

Goofs

Around 00:42:09, when the man is jumping down, we can see the ground moving up, so it's a fake one. See more »

Quotes

Kikujiro: [to the teenagers who have stolen Masao's lunch money] Hand over more money or I'll kill you guys!
Kikujiro's Wife: Quit playing gangster!
See more »

Crazy Credits

There's one more scene after the credits. See more »

Connections

References Stand by Me (1986) See more »

Soundtracks

Summer
Written by Joe Hisaishi
See more »

User Reviews

 
Beat Takeshi's Audacious, Edgy and Heartwarming Road Movie
13 December 2005 | by EUyeshimaSee all my reviews

In the title role of this highly original 1999 road movie, Beat Takeshi - with his twitching eye and bow-legged shuffle - looks and acts like a cross between Mickey Rourke and Harvey Keitel with a heavy dose of Walter Matthau's sourpuss demeanor (circa "The Bad News Bears") for good measure. He creates a truly memorable character - cynically profane, unapologetically insulting, childishly manipulative and somehow likable. As the director and screenwriter of said film, Takeshi Kitano - the same guy - has fashioned something quite unique from a tired premise - a boy's search for his mother and the gruff man who begrudgingly helps find her. What could have been a predictable and sentimental wallow, especially with the indiscriminate use of angels as a pervasive symbol, is instead an idiosyncratic, emotionally adroit film that sometimes simmers on the cusp of violence.

Yet it becomes ultimately affecting almost in spite of itself. In fact, Kitano does such a resolutely offbeat job that at certain times, the film reminds me of the narrative ellipses and low steady shots that were the trademark of Yasujiro Ozu's home dramas, intermingled with a surprisingly intense Quentin Tarantino-like, in-your-face edginess. The protagonist of the film is really the latch-key nine-year old, Masao, who is on a quest to find the mother whom his grandmother says is "away working". With his sad eyes and cherubic face, Yusuke Sekiguchi is perfectly cast as Masao providing the moral compass for the story. Whether he is running with his arms flailing or forlornly playing soccer by himself, he is poignant without being saccharine and completely natural. It is Masao's scrapbook that provides the framework for the film lending each chapter a descriptive title. Every chapter has a distinct character that is, in various turns, playful, hilarious, disturbing, surreal and heartbreaking. Case in point: Kitano is not afraid to use a child molester as first an uncomfortable source of black humor and then as the subject of Masao's nightmare. My favorite scenes come toward the end when Kikujiro organizes a motley crew of misfits to play games with Masao and have them masquerade as Indians, aliens, marine life and even watermelons. The variety in tone between chapters makes for unexpected tonal shifts, but somehow it works and adds to the greater context of the story.

That Kitano is able to manage a consistent film-making style with a strong visual sense is a credit to the talent behind the camera - not only Kitano's direction, script and film editing but also his artwork showcased throughout the movie, Katsumi Yanagishima's sharply rendered cinematography and Joe Hisaishi's evocative Windham Hill-like score. There are some funny sideline performances from Gidayu Great and Rakkyo Ide as Fatso and Baldy, two bikers who turn out to be the Abbott and Costello of soft-hearted slackers; Nezumi Mamura as a free-spirited drifter; Fumie Hosokawa as a relentlessly perky girl with a talent for juggling; and in the opening sequence, Kayoko Kishimoto as Kikujiro's take-no-prisoners wife. Kitano, however, elicits the most laughs if only for the film's central conceit that he gets away with his infantile gangster behavior. One would think the story would climax when Masao comes upon his mother, but Kitano confounds expectations with every new scene. The DVD really has no extras other than a couple of trailers not related to the film (not coincidentally, one is for Walter Salles' "Central Station" which has a similar story structure). I know this film has its detractors, especially among fans of Kitano's bloodier work, but I find it intriguingly ambiguous and thoroughly enjoyable.


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Frequently Asked Questions

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Details

Country:

Japan

Language:

Japanese

Release Date:

26 May 2000 (USA) See more »

Also Known As:

Kikujiro See more »

Filming Locations:

Tokyo, Japan

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Box Office

Opening Weekend USA:

$28,079, 28 May 2000

Gross USA:

$200,920

Cumulative Worldwide Gross:

$461,259
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »

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