A young, naive boy sets out alone on the road to find his wayward mother. Soon he finds an unlikely protector in a crotchety man and the two have a series of unexpected adventures along the way.
Dropping out of high school, two friends at first find success, one as a up-and-coming boxer and one as a low level gangster. Yet, their life decisions still find a way of catching up on them.
The blind masseur/swordsman comes to a town in control of warring gangs, and while bunking with a farming family, he meets two women with their own agenda.
A Japanese gangster is exiled to Los Angeles where his brother lives with a small but respectable multi-racial gang, who he inspires to expand their influence.
Obsessed with the idea of owning his first car so he can have sex in it, a young man takes any job he can find and ends up in an escalating series of crazy situations.
Machisu is a painter. He never had the success he thinks he is entitled to. Regardless of this, he always remains trying to be successful. His wife Sachiko keeps supporting him, despite all setbacks.
Beat Takeshi, a prominent actor, meets a lookalike named Kitano, who is a struggling actor, but after the meeting, Kitano's dreams take a violent, surreal turn.
Brash, loudmouthed and opportunistic, Kikujiro hardly seems the ideal companion for little Masao who is determined to travel long distances to see the mother he has never met. Their excursion to the cycle races is the first of a series of adventures for the unlikely pair which soon turns out to be a whimsical journey of laughter and tears with a wide array of surprises and odd ball characters to meet along the way.Written by
L.H. Wong <lhw@sfs.org.sg>
Takeshi Kitano made this gentler film as an antidote to his usual violent gangster movies. See more »
Quotes
Kikujiro:
[to the teenagers who have stolen Masao's lunch money]
Hand over more money or I'll kill you guys!
Kikujiro's Wife:
Quit playing gangster!
See more »
Crazy Credits
There's one more scene after the credits. See more »
Western audiences basically only know Beat Takeshi for his tough guy persona. Japanese audiences have seen many sides to him for a long time, and probably regard him as a comedian more than anything else. Maybe this is the reason why 'Kikujiro' isn't all that well known. Takeshi wrote and directed this movie as a follow up to his most celebrated work 'Hana-bi', but as it isn't a yakuza crime drama, it seems to have been largely overlooked. And that's a damn shame, because it's a very good movie, and anyone who enjoys Kitano's work will enjoy it. On paper the plot looks very Disney-like (grumpy old coot hits the road with an unhappy kid), but hey, this is Beat Takeshi, so what he does with it is always original and surprising. Much of the movie is playful, but then much of 'Sonatine' was too, only 'Kikujiro' doesn't mix that up with the orgy of violence you might expect from watching Kitano's better known movies. However it does have some dark moments that you would NEVER see in a Hollywood film dealing with similar "heart warming" subject matter, especially the "scary man" sequence featuring Akaji Maro, an actor you might recognise from Tarantino's 'Kill Bill'. I enjoyed 'Kikujiro' a lot, and the more Kitano movies I see, the more I think he is one of the most underrated directors working today.
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Western audiences basically only know Beat Takeshi for his tough guy persona. Japanese audiences have seen many sides to him for a long time, and probably regard him as a comedian more than anything else. Maybe this is the reason why 'Kikujiro' isn't all that well known. Takeshi wrote and directed this movie as a follow up to his most celebrated work 'Hana-bi', but as it isn't a yakuza crime drama, it seems to have been largely overlooked. And that's a damn shame, because it's a very good movie, and anyone who enjoys Kitano's work will enjoy it. On paper the plot looks very Disney-like (grumpy old coot hits the road with an unhappy kid), but hey, this is Beat Takeshi, so what he does with it is always original and surprising. Much of the movie is playful, but then much of 'Sonatine' was too, only 'Kikujiro' doesn't mix that up with the orgy of violence you might expect from watching Kitano's better known movies. However it does have some dark moments that you would NEVER see in a Hollywood film dealing with similar "heart warming" subject matter, especially the "scary man" sequence featuring Akaji Maro, an actor you might recognise from Tarantino's 'Kill Bill'. I enjoyed 'Kikujiro' a lot, and the more Kitano movies I see, the more I think he is one of the most underrated directors working today.