Frannie Avery is a New York City inner city high school English teacher, whose passion is collecting words and phrases that interest her, either because of their meaning and/or just because of the way they sound. The way that she and her paternal half sister Pauline Avery, her closest confidante, deal with men and sex has largely been affected by their father, who is working on marrying wife number five. Frannie thinks about sex more than she has it. Her lack of a sex life is further exacerbated by being the object of obsession of James Graham, a man with who she had a few casual dates and two sexual encounters, which has made her even more cautious. This complete experience is why she has a somewhat inappropriate, albeit non-sexual relationship with Cornelius Webb, one of her students. She eventually embarks on a sexual relationship with NYPD Homicide Detective Giovanni Malloy, who, along with his partner Detective Ritchie Rodriguez, are investigating the murder of a young woman, ...Written by
One of three theatrical feature film collaborations [to date, June 2018] of actor Harvey Keitel and director Jane Campion. The films are: 'The Piano' (1993), 'Holy Smoke' (1999), and 'In the Cut' (2003) (with Keitel acting in the first two). See more »
John Graham and Frannie are walking down the street, and John is walking his dog on a leash. The leash disappears briefly when we see John gesturing with both hands. See more »
What does "broccoli" mean"?
Depends on the context. Pubic hair or marijuana. It's a noun.
Vagina. As in, "He penetrated her Virginia with a hammer".
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Deary me, some people get upset when a film isn't what they want it to be, don't they? How dare the film be what the film-makers set out to make, instead of what someone's narrow expectations dictate it should b?
Fancy In the Cut being gritty, seamy, sexy and deeply disturbing ... just like all the publicity (and the rating) warned us it would be. What a shock. How did the people expecting another Piano, or Meg Ryan Finds True Love Yet Again ever find themselves in the cinema?
As for those who have said they have walked out completely unmoved ... either they must be aliens or robots, or are fooling themselves, not wanting to acknowledge the truth of what they've seen on the screen. Seldom have I seen a film that so truly examines the dark side of our sexual impulses. I walked out quite shattered, and wandered around in a daze for a while.
Meg Ryan completely miscast? Ridiculous and insulting. How dare you tell an actress she has to be Little Mary Sunshine for the rest of her life. And she pulls it off brilliantly. She and Mark Ruffalo give the most stunning lead performances for a long time. Why? Because they're playing real, multi-layered people. Not goody-goodies or baddy-baddies.
Didn't like any of the characters? Must have a very limited range of acquaintances, or alternatively, don't like the real people you do know.
Thriller plot not thrilling? Admittedly it's not the strongest point in the film, but it has all the required shocks and surprises (and, you'd think enough gore for the modern audience), and while the revelation of the murderer is not the biggest twist ending ever, the final shot takes your breath away.
And anyway, Campion, while handling the thriller genre competently, is using it as a means to explore sexuality. And attraction. And how much of love involves physicality, carnality, trust, the desire to dominate, the desire to be dominated, and above all, the attraction of the DANGEROUS. Yes, adult stuff, not often tackled in mainstream films.
I think it's her best film ever (possibly excepting Sweetie), and I give it 9 out of 10.
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