Raskolnikov, an impoverished ex-law student, kills an old pawnbroker and her sister, perhaps for money, perhaps to prove a theory about being above the law. He comes to police attention ... See full summary »
Living in squalor, a former student and loner (Raskolnikov) murders an old pawnbroker woman in order to confirm his hypothesis that certain individuals can pretermit morality in the pursuit of something greater.
A son is stuck with caring for his Alzheimer victim father, a former professor who can now barely communicate. Depressed and struggling to make ends meet, an old buddy tries to get him to ... See full summary »
Four best girlfriends hatch a plan to stay connected with one another as their lives start off in different directions: they pass around a pair of secondhand jeans that fits each of their bodies perfectly.
This mini-series is the ultimate psychological thriller with a powerful sense of guilt and retribution, set in St. Petersburg in the second half of the nineteenth century. Rashalnikov is a ... See full summary »
This is a contemporary fable loosely based on Fyodor Dostoyevsky's "Crime and Punishment". Roseanne is outwardly a perfect and popular teen. However, her image is hiding the abuse at her stepfather's hands, and she decides to take revenge. The events that follow are a mix of dark humor and an exploration of modern morality as Roseanne faces not only a fellow suburbanite who knows, but her own conscience as well.Written by
When I first heard about this being based on Dostoyevsky's Crime and Punishment I was fearful that it was going to be another half-hearted teen version of a classic. I am so glad I was wrong.
While Dostoyevsky made his point with words, Rob Schmidt did the same with the films imagery which truly was both narcotic and haunting. He would make you feel as if you were in some drug induced dream/nightmare. You felt as if you were trapped between Heaven and Hell, happiness and sorrow, love and loss.
As the story progresses you watch the ghosts of Roseanne (Monica Keena) slowly absorb her. She goes from this glowing image of beauty to a shadow of a human being. It's stark and disturbing. While Vincent (Vincent Kartheiser) the seemingly gloomy one, who loves her from the beginning of the film is the sole voice of reason, hope, and beauty in her slowly cascading world of tragedies.
The film epitomizes the continuous hopelessness that many today feel but refuse to acknowledge. Although, I think what the film does best is that it shows us these sadnesses while reinforcing us with the concepts that we can make anything happen if we want to badly enough. Good or bad, we are the only ones responsible for our fates.
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