A famous actor leaves the theater without reason to live at his friend's tugboat. The people from his surroundings find out more about his move and come to the riverbank, trying to live freely themselves. The question is who found what.
A comedy about a screenwriter (Robert Wuhl), whose old movie script is read by a producer (Martin Landau) and the search for financial backers begins. But it seems that each money source (... See full summary »
David Merrill (Robert De Niro), a fictitious 1950s Hollywood Director, returns from filming abroad in France to find that his loyalty has been called into question by the House Committee on... See full summary »
Robert De Niro,
In 2008, rookie journalist Jay Bahadur forms a half-baked plan to embed himself with the pirates of Somalia. He ultimately succeeds in providing the first close-up look into who these men are, how they live, and the forces that drive them.
As a contribution to the United States commemoration of its bicentennial, the American Film Institute (AFI) releases this splendid compilation of scenes from over 80 renowned films, none of which lacks interest to cinephiles, since AFI accesses works from all studios, whereas most cinematic anthologies are limited to but one, and this standing advantage, heightened through superior production values, results in a nigh two hour feature of notable variety. Charlton Heston reads the excellent text penned by Theodore Strauss for a film that is divided into five segments - The Land: (essentially the West), concerning which, as Heston relates, "Hollywood didn't always get history right, but told the dream"; The Cities: (mainly New York); The Families; The Wars; and the best section, The Spirit, during which, as Heston affirms, "America was not just a destination, but a journey into the possible", and also "There is more truth in the dream than in the facts," Most of the clips are long enough to generate an emotional response in a viewer and the entire production is adroitly edited, giving one an overall perception of distinction surrounding the selections, intensified by the clarity and succinctness of Heston's narration. In this instance, documentary makers have it right, proving that cinema, as with the United States, "...began in the imagination".
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