What's Cooking?

What a grand idea - to celebrate America and also to highlight cultural diversity, let's have an African-American, Hispanic, Jewish, and Vietnamese family all meet at Thanksgiving with their own turkey feast. "What's Cooking" starts out as a meaningful discourse on our ethnic differences but ends up as a superficial, patronizing mess. Using food as a focal point, "What's Cooking" could have reveal much about the importance of family to these four cultures. Instead, we are treated to silly plots (do you really believe all four families lived in the same block) and four equally sanitized endings to some very difficult contemporary problems - acculturation, same-sex relationships, infidelity, and racial prejudice. The filmmakers also casted big name stars in misplaced roles to gain commercial success at the risk of losing its credibility - Joan Chen as Vietnamese, Mercedes Ruehl as Hispanic, and Kyra Sedgwick and Julianna Margulies as a lesbian couple. You think back on "Babette's Feast", "Like Water for Chocolate", and "The Big Night" and you feel connected to food as an overpowering statement on human passion and compassion. In "What's Cooking", food is treated no better than the commercial that adorns the city bus. Fittingly the film takes places in Los Angeles where people there could stomach this Pablum as real food. Fortunately, for the rest of us, we can spot a fake even if it looks like an old-fashioned turkey.

We've had AMERICAN PIE, AMERICAN BEAUTY, and AMERICAN PSYCHO. This is AMERICAN STEW.

The film is entertaining as it mixes drama and comedy into an interesting recipe. To use other metaphors, the film is the American tossed salad or mixing bowl. We see four quite different families experiencing Thanksgiving day in seemingly different ways. But underneath, we see also the similarities of the joys, pains, and struggles as the various families deal with the reality hidden beneath the holiday veneer.

As the family members connect with and disconnect from each other and with members of the other families, the surface is pulled away, and we see what is really underneath the pleasantries and polite facades. This is a very accurate depiction of the sadness and humor that surround family holidays, and the film might be a good thing to watch just before or during such holidays. We see ourselves reflected in the mirror of the movie and can learn that holidays can be hilarious pains.

Really wonderful movie about families and communities from different cultures and backgrounds gathering for Thanksgiving dinner. I thought that each of their stories were very interesting and showed how much each family could be dysfunctional in their own way. Would definitely recommend!

This movie is a comedy about the U.S. Thanksgiving holiday. It follows four families (black, Latino, Jewish, and Vietnamese) during their holiday celebrations, with all the messes that crop up during big family gatherings. Each of the families has its own problems, which are to some extent intertwined.

An example of one of the family messes: A young man in the Latino family bumps into his father (who had moved out some time earlier) at the grocery store, and invites him to Thanksgiving dinner. His mother is furious, because she doesn't want anything to do with her estranged husband, particularly during a big holiday event.

The acting and directing are very good, but the writing and editing are really wonderful. The cast is huge, but the editing manages to make it easy for the audience to keep track of everyone. It's full of laughs (and some light drama), but aside from some stereotyping, mostly realistic. Even though there are quite a number of name actors, the screen time is divided among the cast to fit the story, not to fit the actors' egos -- an impressive balancing act for the director and producers.

The food scenes, aside from a few kitchen disasters, were enough to inspire quite an appetite. It's a good thing the Seattle International Film Festival scheduled the screening in the afternoon, so I could have dinner right after the movie.

This is one of the best recent comedies I've seen.

With the exception of A WALK ON THE MOON starring Diane Lane and Viggo Mortensen, this film is easily my favorite indie film. I first saw it four years ago when my sister was home from San Diego state for Easter vacation and we rented the DVD the following day from Blockbuster. Some of the most talented names in film (Oscar-nominee Alfre Woodard, Oscar-winner Mercedes Rheul, Lainie Kazan and Joan Chen) and up-and-coming talent (Dennis Haysbert of FAR FROM HEAVEN and the ALLSTATE commercials) star in this terrific ensemble film with a brilliant script and first-rate performances most notably from Woodard, Rheul and Kyra Segewick.

The story (set throughout the Fairfax district of L.A.) revolves around four different families (focusing primarily on the women of each) all of four different ethnicities: one African-American, one Hispanic, one Jewish and one Vietnamese and the family conflicts they deal with over the Thanksgiving holiday weekend. Woodard's family is dealing with a marriage that is on the brink of a divorce with two subplots of an extremely irritating mother-in-law (Ann Weldon) and a troubled son in his early twenties; Rheul's family is confronting the fact that she has separated from her husband (Victor Rivers) and has moved on with her life and has a promising relationship with her boyfriend (A Martinez) despite what her son wants. Kazan's family is up in arms with her daughter (Segewick) involved in a lesbian relationship with her recently married life-partner (Julianna Margulies). Chen's family is most definitely the most dysfunctional while their daughter is involved in a relationship with a young white boy, their eldest son uses his midterms schedule as a false pretense to avoid coming home for the holidays and is seeing Rhuel's daughter and Chen's teenage son has been suspended from school for stealing a test while also being dangerously involved with a gang. One highlight of the films is where Woodard's friends come over to her house for Thanksgiving dinner and their rebellious, uptight teenage daughter wants nothing to do with any of them. When confronted by Woodard's mother-in-law about what she and Woodard's little daughter and her friend are doing, she states that "we're playing Thanksgiving... she's the mommy, she's the daddy and I'm the alcoholic, cult-worshiping, Satanic stepmother!"

The story moves in a very transitional pattern alternating between the four families with very interesting scenarios for each. Gurinder Chadha (director of BEND IT LIKE BEKHAM and the upcoming BRIDE AND PREJUDICE) has really outdone herself with the unique and oft-times exasperating ties that bring these families together. Another engaging aesthetic in this film (possibly the most important) is the incredibly diverse variety of delicious food each family cooks throughout the midsection of the film in preparation for the holiday tradition. You can almost smell the enticing scents of the apple and pumpkin pies and the turkey and mashed potatoes as well as the Asian and Hispanic dishes. The special features on the DVD of the films offers six different recipes as they were used in the actual film.

This is one film that my whole family and I love to watch every year on Thanksgiving and one we watch throughout the year as well. Go rent it sometime this weekend and see what you think. I really think you'll love it!