Drama series about a crew making a film about witchcraft. The director gets rather carried away and endangers the lives of his cast.
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Episodes

Seasons


Years



1  
1992  

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Cast

Series cast summary:
Peter McEnery ...  Jamie Matheson 2 episodes, 1992
Lisa Harrow ...  Meg Oakfield 2 episodes, 1992
Alan Howard ...  Alan Oakfield 2 episodes, 1992
Judy Campbell ...  Juliet 2 episodes, 1992
Clive Wood Clive Wood ...  Rick Mason 2 episodes, 1992
Georgia Slowe ...  Judy Lomax 2 episodes, 1992
Rosemary McHale Rosemary McHale ...  Ruth 2 episodes, 1992
Dorian Healy ...  Derwent Lane 2 episodes, 1992
David Ryall ...  Oxford Librarian 2 episodes, 1992
Jason Flemyng ...  Assistant Director 2 episodes, 1992
Chris Sanders Chris Sanders ...  Soundman 2 episodes, 1992
Suzannah Lipscomb ...  Emma 2 episodes, 1992
Kit Owen Kit Owen ...  Thomasina 2 episodes, 1992
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Storyline

Drama series about a crew making a film about witchcraft. The director gets rather carried away and endangers the lives of his cast.

Plot Summary | Add Synopsis

Genres:

Horror | Mystery

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Details

Country:

UK

Language:

English

Release Date:

14 December 1992 (UK) See more »

Company Credits

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Technical Specs

Sound Mix:

Stereo

Color:

Color

Aspect Ratio:

1.33 : 1
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User Reviews

Interesting premise, abysmal acting
7 April 2007 | by bluedieselectricSee all my reviews

Without doubt, this has to be one of the most appallingly acted TV dramas I have seen for a very long time. The lead character, Judy, played by Georgia Slowe (now playing Perdy in Emmerdale) is convincing enough in the central role, but unfortunately she is badly let down by the supporting cast. The main problem, arguably the only problem - but a big one nevertheless) - is that it is all just so over inflated, like a soufflé allowed to burn. Indeed, the phrase 'overacting' barely even bares to cover it. Not only that - and this is what I find most irritating of all - is that it's a drama production within a drama production, if you see what I mean, and as such it really is far, far too pleased with itself; smug and self satisfied, populated by the usual Oxford and Cambridge contingent. Best lines? When Georgia's character is already on the gallows for the hanging scene at the end: 'When do I put my head into this noose?' and 'Can you gag her, Steve?' For all that, it is entertaining enough in its own way - just don't expect Shakespeare, that's all. Ironic, really, since Georgia Slowe is a product of the Royal Shakespeare Company, God bless her!


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