Erin Brockovich (2000)

An unemployed single mother becomes a legal assistant and almost single-handedly brings down a California power company accused of polluting a city's water supply.

Director:

Steven Soderbergh

Writer:

Susannah Grant

Stars:

Julia Roberts, Albert Finney, David Brisbin

Won 1 Oscar. Another 31 wins & 58 nominations.

Cast

Cast overview, first billed only:
Julia Roberts	...	Erin Brockovich
David Brisbin	...	Dr. Jaffe
Dawn Didawick	...	Rosalind
Albert Finney	...	Ed Masry
Valente Rodriguez	...	Donald
Conchata Ferrell	...	Brenda
George Rocky Sullivan	...	Los Angeles Judge
Pat Skipper	...	Defending Lawyer
Jack Gill	...	Defendant
Irene Olga López	...	Mrs. Morales
Emily Marks	...	Beth (8 months)
Julie Marks	...	Beth (8 months)
Scotty Leavenworth	...	Matthew
Gemmenne de la Peña	...	Katie (as Gemmenne De la Peña)
Erin Brockovich-Ellis	...	Waitress

Storyline

Erin Brockovich-Ellis is an unemployed single mother, desperate to find a job, but is having no luck. This losing streak even extends to a failed lawsuit against a doctor in a car accident she was in. With no alternative, she successfully browbeats her lawyer to give her a job in compensation for the loss. While no one takes her seriously, with her trashy clothes and earthy manners, that soon changes when she begins to investigate a suspicious real estate case involving the Pacific Gas & Electric Company. What she discovers is that the company is trying quietly to buy land that was contaminated by hexavalent chromium, a deadly toxic waste that the company is improperly and illegally dumping and, in turn, poisoning the residents in the area. As she digs deeper, Erin finds herself leading point in a series of events that would involve her law firm in one of the biggest class action lawsuits in American history against a multi-billion dollar corporation.

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Plot Keywords:

environmental issue | contamination | working single mother | corporate crime | lawsuit | 

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Taglines:

She brought a small town to its feet and a huge corporation to its knees.

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Genres:

Biography | Drama

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Motion Picture Rating (MPAA)

Rated R for language

Details

Country:

USA

Language:

English

Release Date:

17 March 2000 (USA)

Also Known As:

Erin Brockovich - Forte come la verità

Filming Locations:

Santa Ventura Studios - 5301 North Ventura Avenue, Ventura, California, USA

Box Office

Budget:

$52,000,000 (estimated)

Opening Weekend USA:

$28,138,465, 19 March 2000, Wide Release

Gross USA:

$125,595,205

Cumulative Worldwide Gross:

$256,271,286

Company Credits

Production Co:

Universal Pictures, Columbia Pictures, Jersey Films

Technical Specs

Runtime:

131 min

Sound Mix:

DTS Dolby Digital SDDS (8 channels)

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Steven Soderbergh was attracted to Susannah Grant's script because of its linear approach, something that he had largely stayed away from in his own directorial choices.

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Goofs

In the accident, Erin's car is seen being hit broadside by the doctors car obviously running though a red light while she was driving straight across the intersection, but in the telling of the accident in court Erin says that he came around the corner, out of control, as she was "slowly pulling out" of her parking space. In the visual, the doctor is clearly the guilty party but in Erin's courtroom testimony it appears that Erin pulled out of her parking space unsafely into the path of an oncoming cornering car.

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Quotes

Erin Brockovich: [testifying in court about her accident] I was pulling out real slow, and out of nowhere his Jaguar comes racing around the corner like a bat outta hell...
[pause]
Erin Brockovich: They took some bone from my hip and put it in my neck; I didn't have insurance so I'm about $17,00 in debt right now.
[pause]
Erin Brockovich: I couldn't take painkillers 'cause they made me too groggy to take care of my kids...
[pause]
Erin Brockovich: Matthew's six, Katie's four and Beth's just nine months...
[pause]
Erin Brockovich: I just wanna be a good mom, a nice person, a decent ...
[...]

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Crazy Credits

The Los Angeles Times 1999. Reprinted by permission.

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Connections

Referenced in Raising Hope: I Want My Baby Back, Baby Back, Baby Back (2012)

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Soundtracks

Two Shots Of Rye
Written by Paul Kerr & Andy Dewar
Courtesy of Opus 1

User Reviews

When feel-good becomes Oscar-worthy feel-good

The only thing bigger than Julia Roberts' chest in "Erin Brockovich" is the heart this film has. While it is a drama, it would be more apt to describe the plot as a struggle, because it's all about fighting for what you believe in and overcoming the odds and all opposing forces. Nothing bad actually happens in this movie, at all, but it's the complications, the setbacks the moral struggles along the way that make it shine.

"Erin Brockovich" stars Julia Roberts in the title role in a film based on the true story of a twice-married mother of three who is desperate to find a way to make a living and provide for her family. After a failed attempt at suing for damages after a car accident, Brockovich turns to her lawyer, Ed Masry (Albert Finney), for a job doing anything she can at his law firm. Reluctantly he accepts and soon Brockovich finds herself uncovering a potentially huge case.

Roberts had to have been a no-questions-asked best actress winner after this performance. As Brockovich she is incredible playing multiple roles as the loving mother, the driven working-woman, the troubled lover, everything. The mood swings are effortless for her. Perhaps the best element of her performance is that she comes across as glaringly flawed, even if she is quite likable. Her lines are killer and delivered with command. Though some of her rants are over the top, they're really clever nonetheless.

Finney's character is much the same way. He is really enjoyable to watch and gives a great performance even though his character never gets truly dramatic.

This is just a great screenplay by Susannah Grant. It's almost completely devoid of melodrama and yet it tackles so many real life issues. Brockovich's struggle to balance her work with her family brings up an issue that can connect with anyone, although the feminist tones of the film obviously won't connect as strongly with men. Director Steven Soderbergh feels very distant from the film. Every so often a shot or sequence will be artistic, but he allows the story to tell itself for the most part.

"Erin Brockovich" is better than the average feel-good story. When there's little melodrama and great acting, a feel-good story becomes a great movie. Sports films based on true stories are feel-good stories, but they don't get nominated for best picture. While it may all seem too good to be true and the positive seems to trump the negative more times than it ought to, the film still feels very real and one that no one should miss.