Alex, a hit man, tries to get out of the family business, but his father won't let him do so. While seeking the help of a therapist, he meets a sexually charged 23-year-old woman with whom he falls in love.
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Julia Jay Pierrepont III
Alex, a sad-eyed mournful man, goes into psychotherapy: he discloses he's a hit man. He also tells the doctor, after a few sessions, that he's attracted to a young woman he's met in the waiting room. She's Sarah, 23, quick, edgy, and perhaps attracted to him as well. But he's married, the dutiful father of a young precocious boy, so Sarah brushes him off. In flashbacks we see him get his start as a killer, at his father's prompting: it's the family business. Dad gives Alex his next assignment: to kill the therapist. Alex keeps returning to Sarah, calling her, stopping by her apartment, as he decides what to do about the hit, his father, his marriage, and his malaise.Written by
Panic has a great cast. The acting is superb. An illogical and unrealistic plot, however, dooms the film. Maybe, I've been spoiled by the Godfather movies or other well-constructed crime films, but big-time hit men earning the money it takes to live in Macy's neighborhood, as depicted in this film, don't walk, talk and live like college professors. They have heavy mob connections or if international killers, live shadow lives away from common life. Macy is obviously pushing 50, yet we are to believe that after earning his living by contract killing since his youth, he is suddenly overcome by the realization that his chosen "profession" and his father are evil? What planet do you live on people? That's a farce!
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