When a woman has been found by the police she tells of being kidnapped, drugged and tortured by 'Arminda' (Lina Romay). For many years they have been trying to shut down Arminda's sex ...
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Women's prison tale, with Lina Romay as Maria who is jailed after killing her father, played by director Jess Franco, who tries to rape her. Lesbian wardens, torture, nudity, sex, insanity and conspiracy round out the formula.
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A small-time hood brings the attention of the law with an insurance scam and diamond theft, but things become even more interesting when his moll murders him and is slammed behind bars ... See full summary »
When a woman has been found by the police she tells of being kidnapped, drugged and tortured by 'Arminda' (Lina Romay). For many years they have been trying to shut down Arminda's sex palace called The Pagoda, but can't get close enough as she has friends in high places. But now they have found a woman who will help put Arminda away for years.Written by
We all the know the Jess Franco template for this mid-period run of his films: plenty of nudity, over use of Lina Romay (who must always be nude), re-used vaguely tropical sets and an element of blatant sexploitation.
Well Die Sklavinnen fits all those requirements. If you think you have seen the film before, then you probably have. We have seen it all (with the same cast) in Ilsa the Wicked Warden, Women in Prison or Barbed Wire Dolls.
There is in fact only one slave, Martine Stedl, who is taken hostage and sexed and drugged up by Romay. Drama is provided by her implausibly fat father who apparently wants her back. Romay is the baddie and gets tortured a little, but it is all pretty tame. Reasonable amount of FFN, but we wouldn't like it any other way.
So, one of the lesser Franco outings. Don't expect wall to wall confinement or an outbreak of mass slavery. But hey, I still don't get bored of these early films, so who cares?
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