A rag-tag group, led by the eagle-eyed Steve, take to Montreal's chilly rooftops under cover of night. They're on the prowl for the perfect peep desperate to glimpse a "hottie hookup," a "... See full summary »
Set in a dreary urban landscape of Edmonton, LOVE AND HUMAN REMAINS is a dark comedy about a group of twentysomethings looking for love and meaning in the '90s. The film focuses on ... See full summary »
In Montreal, the wanderings of two urban homeless, Marcel, an old timer and Joseph, who just landed in the big city. Both philosophers and resourceful nice bums roam the streets of the ... See full summary »
A shy and insecure delivery truck driver accidentally arrives on the scene of a major crime and happens to pick up two bags of cash and hides them in his truck. Though an interrogation of ... See full summary »
Six stories about Montreal. 1: A young housewife from Toronto samples the nightlife using basic French. 2: The tale of a painting of Montreal's first mayor, Jacques Viger. 3: During a ... See full summary »
A sports photographer in rural Canada sends a picture of a high school athlete, Tina Menzhal, to a Montréal fashion agency. This starts Tina on a career taking her from Canada to Paris to Montréal again, to Manhattan, to the world, and then home, through two boyfriends, two husbands, and innumerable TV interviews, either with nasty smiling scandalmongers or with gushing witless twits. In nearly every case, Tina never gets to finish a sentence. She has a suave agent, paparazzi are everywhere ("What the celebs forget, there's always a camera," says one), and a documentary filmmaker is on hand as well. What is it that Tina thinks, feels, and wants: will we ever find out?Written by
When Tina leaves the hospital, her left arm is in a sling. In subsequent scenes, her right arm is in the sling.
Actually, at 1:05:47, she is clearly shown with her right arm in a sling, just after coming out of hospital. The headshots just prior show the sling to be in a consistent position with this very clear shot. Every shot with the sling is with the right arm in it. See more »
[old guy enthralled by his young lover, obviously doomed relationship]
Look at her.
[beautiful Tina's, in fact, being chatted up on the beach by young stud]
Can you see her?
She's so fucking beautiful.
[smiles proudly, stressed out, takes a sip from drink]
You don't know how beautiful she is. She slides in bed with you naked, you wanna die. It just fucking kills you.
[close-up of her angelic face]
You walk into a room with her, every man, every woman wants her. President of the United States...
[...] See more »
This movie, this... er, movie, the term has to be used very loosely here... This movie does not feel like watching a movie. I had the feeling that I was watching the Special Features, the Making of STARDOM, Behind the Scenes on the set of STARDOM, okay, that was the appetizer, now for the real meat... Oops, you mean, that was it?
It's not that I do not get it. Make your own impression from the evidence given, that sort of thing. It's not that I do not like the glitzy images. Of course I do. But where's the story, people, where's the character-driven real watchable story?
Okay, it's not totally devoid of story. Of character. About every ten or fifteen minutes or so, something along that line, well, sort of, I guess, happens...
There has never been a good story about models. There has been a great movie about fashion, THE DEVIL WEARS PRADA, but about models, no. (Everybody kicks MODELS INC. so I'll be quiet about that) Yet the modeling world is one that could really be the subject of a great movie.
After LOST AND DELIRIOUS, did research on Jessica Paré, and decided to get me STARDOM. There were several warnings posted by reviewers and commentators, but of course, I wanted to see for myself. A downloaded bit, trailer I think, spurred me on. But when watching, you realize how empty the experience is, feels like channel- surfing during Fashion Week. Something here, something there, mostly nothing really.
I give a an exceedingly high score to Jessica Paré's beauty, the look of a newborn thing, I mean, she looks newer than brand-new, ooh wow... But the movie plods on and on without there being any REAL story. This quickly becomes a quagmire of a bunch of looped fashionable images that remains NOT A REAL MOVIE.
I get what they were trying to do, but they should have tackled it in a different way, with a more conventional presentation.
Looks like Second Unit camera work. You know, the guys who film the montage scenes.
Think of what you see here, as the set dressing. Now just add the STORY.
For crying out loud, Jessica Paré deserves better!
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