In Montreal, the wanderings of two urban homeless, Marcel, an old timer and Joseph, who just landed in the big city. Both philosophers and resourceful nice bums roam the streets of the ... See full summary »
Set in a dreary urban landscape of Edmonton, LOVE AND HUMAN REMAINS is a dark comedy about a group of twentysomethings looking for love and meaning in the '90s. The film focuses on ... See full summary »
The Burghers of Vancouver is the second collaboration between Denys Arcand and Adad Hannah. Shot on location in Paris and Vancouver it tells the stories of six individuals hired by a ... See full summary »
Six stories about Montreal. 1: A young housewife from Toronto samples the nightlife using basic French. 2: The tale of a painting of Montreal's first mayor, Jacques Viger. 3: During a ... See full summary »
A rag-tag group, led by the eagle-eyed Steve, take to Montreal's chilly rooftops under cover of night. They're on the prowl for the perfect peep desperate to glimpse a "hottie hookup," a "... See full summary »
A sports photographer in rural Canada sends a picture of a high school athlete, Tina Menzhal, to a Montréal fashion agency. This starts Tina on a career taking her from Canada to Paris to Montréal again, to Manhattan, to the world, and then home, through two boyfriends, two husbands, and innumerable TV interviews, either with nasty smiling scandalmongers or with gushing witless twits. In nearly every case, Tina never gets to finish a sentence. She has a suave agent, paparazzi are everywhere ("What the celebs forget, there's always a camera," says one), and a documentary filmmaker is on hand as well. What is it that Tina thinks, feels, and wants: will we ever find out?Written by
The majority of shots of Jessica Pare are broadcast or reflected images: she is seen in video clips, on the monitor of cameras, reflected in mirrors, glimpsed through glass, or in still photos, but rarely directly. See more »
When Tina leaves the hospital, her left arm is in a sling. In subsequent scenes, her right arm is in the sling.
Actually, at 1:05:47, she is clearly shown with her right arm in a sling, just after coming out of hospital. The headshots just prior show the sling to be in a consistent position with this very clear shot. Every shot with the sling is with the right arm in it. See more »
[old guy enthralled by his young lover, obviously doomed relationship]
Look at her.
[beautiful Tina's, in fact, being chatted up on the beach by young stud]
Can you see her?
She's so fucking beautiful.
[smiles proudly, stressed out, takes a sip from drink]
You don't know how beautiful she is. She slides in bed with you naked, you wanna die. It just fucking kills you.
[close-up of her angelic face]
You walk into a room with her, every man, every woman wants her. President of the United States...
[...] See more »
In the vein of "This is Spinal Tap" and the other mocumentary films out there, "Stardom" manages to take shots at almost every aspect of celebrity, Canadian-ness, high-fashion and a lot more. I found this one while looking for something to watch on a slow Friday night, "Third Watch" having gone on summer hiatus. I have always liked Akroyd and the plot looked like fun. Of course, had I seen a picture of Jessica Paré, I wouldn't have needed anything more. She looks very much like Liv Tyler, minus the famous and luscious Tyler lips. Paré's character, Tina Menzhal, is the epitome of a beautiful tomboy -- yeah, as one viewer said she looks too pretty to be a trade-school hockey player; she has all her teeth -- but anomalies do exist.
There are some slow moments, but the movie mostly moves along well, blending the footage shot by the obsessive film maker, (played so well by Robert Lepage) -- mostly in B&W -- with stuff from other points of view. It isn't a deep character study -- although we do get to see a bit of what goes into some of the main characters -- but it is a very funny movie. I won't spoil it, but Frank Langella has one scene which represents what a lot of people might want to say, and I bet he enjoyed it. He, Akroyd, Gibson and the other supporting actors do great work. In fact it is some of the best work I've seen Akroyd do since the high days of SNL.
I've never seen Denys Arcand's work before -- and understand this is atypical -- but don't think he has anything to be ashamed of. This is a well made, biting but very funny satire of fame, the media and life in our modern world. Highly recommended at 7.5 out of 10. Really.
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