Three characters in present-day Havana must choose between clinging to their self-restricting beliefs, or getting rid of them to live more freely. Ballerina Mariana has promised God ...
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A young girl's academic asperation conflict with her family's struggle against poverty. Both these aspects are made all the more potent by the clear view they have of Ernest Hemingway's mansion in their home town just outside Havana.
In Havana, Raul dreams of escaping to Miami. Accused of assault, he appeals to Elio to help him reach the forbidden world 90 miles across the ocean. One night, full of hope, they face the biggest challenge of their lives.
Anailín de la Rúa de la Torre,
Javier Núñez Florián
1810. Enrique Faber, a Swiss surgeon, lands in Cuba in search for his son. After a few weeks of investigation, he is told that his son was burnt alive in the attack on a plantation led by a... See full summary »
This Oscar nominated film is the story of two men who are opposites, one gay, the other straight, one a fierce communist, the other a fierce individualist, one suspicious, the other accepting, and how they come to love each other.
Tomás Gutiérrez Alea,
Juan Carlos Tabío
Gustavo is a young Havana Communist who believes in the revolution; he hopes for a scholarship to study aeronautical engineering in Prague. But his faith in the new Cuba is tested: his ... See full summary »
"Not everything is what it seems". This is the motto of Fernando Pérez's Madrigal, an esoteric fable built, in the first part, around a handsome actor's love story with an overweight and ... See full summary »
Carlos Enrique Almirante,
Ana de Armas
Three characters in present-day Havana must choose between clinging to their self-restricting beliefs, or getting rid of them to live more freely. Ballerina Mariana has promised God celibacy if she gets the role of "Giselle"; Social-worker Julia always faints after hearing a certain word; and pot-smoking percussionist Elpidio was abandoned by his mother, coincidentally named Cuba, some time ago and has not yet gotten over the loss.Written by
One has to see carefully this film without loosing any scene. Here the scenes are scattered like a Victor Hugo´s novel, so you must make the links in your mind in order to understand the subtle messages. Elpidio is a Cuban guy, son of a lady called Cuba, so this is the way to say something not about Cuba mother but Cuba country. The plot makes too much emphasis on sex, and when people on the streets listen this word, they fall down. The most interesting scene is when the doctor trying to help an old lady who does not want to listen the word sex, publicly says that double standard should not exist and that everybody should be him or herself. So in these scenes there is a critic to the way of living of several Cuban citizens. The cult Yoruba is also clear how most of the Cubans practise it, being Elpidio an active practiser of this cult. Another aspect shown here is the sexual tourism in Cuba, a foreign lady from unknown country (played excellently by Isabel Santos) falls in love with Elpidio (Luis Alberto García), she had sex with all the erotism of the world with the Cuban guy. The film was very careful not to show the poor state of Havana sites and streets, it only shows the famous Havana Malecon, which is in a very bad conditions. In conclusion, this is a modest Cuban film, probably the director did not want to go beyond certain line to avoid any internal bitter critic.
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