7.5/10
5,130
54 user 46 critic

Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr. (1999)

A cinematic portrait of the life and career of the infamous American execution device designer and holocaust denier.

Director:

Errol Morris

On Disc

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1 win & 8 nominations. See more awards »

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Cast

Complete credited cast:
Fred A. Leuchter Jr. ... Himself (as Fred Leuchter)
Robert Jan Van Pelt Robert Jan Van Pelt ... Himself
David Irving ... Himself
Caroline Leuchter Caroline Leuchter ... Herself (voice)
James Roth James Roth ... Himself - Analytical Chemist
Shelly Shapiro Shelly Shapiro ... Herself
Suzanne Tabasky Suzanne Tabasky ... Herself
Ernst Zündel ... Himself
David Collins ... Re-enactment cast
Daniel Polsby Daniel Polsby ... Re-enactment cast
Jeff Brown Jeff Brown ... Re-enactment cast
Robert Duerr Robert Duerr ... Re-enactment cast
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Storyline

Documentary about Fred Leuchter, an engineer who became an expert on execution devices and was later hired by revisionist historian Ernst Zundel to "prove" that there were no gas chambers at Auschwitz. Leuchter published a controversial report confirming Zundel's position, which ultimately ruined his own career. Most of the footage is of Leuchter, puttering around execution facilities or chipping away at the walls of Auschwitz, but Morris also interviews various historians, associates, and neighbors. Written by ccampbell

Plot Summary | Add Synopsis


Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements | See all certifications »
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Details

Country:

USA | UK

Language:

English

Release Date:

14 January 2000 (USA) See more »

Also Known As:

Mr. Death See more »

Filming Locations:

Poland See more »

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Box Office

Opening Weekend USA:

$24,125, 2 January 2000, Limited Release

Gross USA:

$495,318, 26 March 2000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

All of the states which bought one of Leuchter's lethal injection machines have subsequently stopped using them because they were too difficult to operate and maintain. See more »

Quotes

Fred A. Leuchter Jr.: The human body is not easy to destroy and it's not easy to take a life humanely and painlessly without doing a great deal of damage to the individual's body.
See more »

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User Reviews

Reluctant revisionist
21 February 2000 | by lou-50See all my reviews

In Errol Morris's film, "Mr. Death", Fred Leuchter Jr. comes across as a passionless, mechanical robot, fitting the engineering profession that he devoted his life to. Leuchter, the innovator of many death penalty devices and subsequently the only scientist willing to testify favorably in a celebrated Canadian trial that questioned the existence of the Holocaust, is either a hero to some or a villain to many. Morris, except for a Frankenstein-inspired opening and closing set in the film, prefers to let Leuchter be Leuchter rather than adding more contempt to a decidedly pitiful figure. The one time Morris does appear to interfere is when he asked Leuchter point blank if he could have been mistaken in any of his analysis. There are also camera tricks which render what Leuchter did as malicious, such as the split screen between what was Auschwitz and now, the slow-motion as Leuchter is chipping away at sites many Jews consider holy ground, and the phasing in and out of color and black and white film as we see Leuchter demonstrate his electric chair. The motivation behind what he did lies at the heart of "Mr. Death". He aspired to perfect the most humane killing machine because he said he believed in capital punishment, not capital torture. He cared that prison guards who knew the death-row inmates well would not have to suffer cleaning up the morbid residuals of those electrocuted. Yet he tried to carry this same mind-set in understanding the gas chambers at Auschwitz. In his mechanical mind, he asked how he could have done a better job of extermination. "Mr. Death" is an unpleasant but needed lesson about the mosaic people who live and work with each of us everyday - a people who seem anti-social yet amoral and who seem to be guided by that inner light that we can barely know or understand.


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