The film is based loosely around events in December 1995 that culminated in the murders of three drug dealers in Rettendon, Essex, UK. On 6th December Patrick Tate, Craig Rolfe and Tony ...
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In 1995, drug suppliers and career criminals Tony Tucker, Patrick Tate and Craig Rolfe were blasted to death by a shot gun whilst waiting in a Range Rover in Rettendon, Essex. The film ... See full summary »
On December 6th 1995, three members of the notorious Essex Boys firm were brutally executed in the most infamous gangland murders in British history. Many believe Jack Whomes and Michael ... See full summary »
Steve Nipper Ellis,
Frankie decides he's had enough with his life as a street thug living on a South London estate, and jets off to spain where he meets big time businessman Charlie, who's currently running ... See full summary »
Four policemen go undercover and infiltrate a gang of football hooligans hoping to root-out their leaders. For one of the four, the line between 'job' and 'yob' becomes more unclear as time... See full summary »
The film is based loosely around events in December 1995 that culminated in the murders of three drug dealers in Rettendon, Essex, UK. On 6th December Patrick Tate, Craig Rolfe and Tony Tucker, three drug dealers well known to the police, were lured to Workhouse Lane, Rettendon. There they were blasted to death with a shot gun while sitting in their Range Rover. They had been lured to their deaths on the pretext of a lucrative drugs deal. The three bodies were found the following morning, 7 December 1995.Written by
See 'im, Peter, he's the top boy - he runs the show. And 'im, Wayne, does whatever Peter tells 'im. And Jason, well, every firm needs a mad acid-bath murderer, don't they?
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Statement in opening titles: "This story is inspired by a single true event. It left three men dead, two serving life imprisonment and another living under an assumed identity. The rest is fiction, as are all the characters." See more »
A good film on several levels. The unflattering comparisons that some critics have made between it and The Usual Suspects are completely misguided as directorial intent and effect in the two pictures are dissimilar. Winsor's film, it seems to me, brilliantly evokes both the drabness and cruelty of the criminal mindset. It does this partly through the choice of dull, flat Essex landscapes with their coastal marshes, grey motorway links, flash nouveau riche mansions and the tawdry glamour of seafront locations. The characters are both repellent and yet curiously mesmerising. This is not a film in which it is easy to lose interest. Nobody can do psycho-thug better than Sean Bean, and Charlie Creed-Miles has created a dangerously weak character as Billy, whom it is almost possible to feel sorry for without actually liking. The film is very well lit, though I did find sound levels a little dodgy at times It's a film that, despite critics' comments, is not a million miles from Get Carter in quality.
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