Loosely based on Homer's "Odyssey," the movie deals with the picaresque adventures of Ulysses Everett McGill and his companions Delmar and Pete in 1930s Mississipi. Sprung from a chain gang and trying to reach Everett's home to recover the buried loot of a bank heist they are confronted by a series of strange characters--among them sirens, a cyclops, bank robber George "Baby Face" Nelson (very annoyed by that nickname), a campaigning governor and his opponent, a KKK lynch mob, and a blind prophet who warns the trio that "the treasure you seek shall not be the treasure you find."Written by
Armin Ortmann <email@example.com>
The character of Pappy O'Daniel is based on W. Lee (Pappy) O'Daniel, who served as Governor of Texas (not Mississippi) from 1939-41 and later as U.S. Senator. He was a flour baron with a radio show and sang with The Light Crust Doughboys. He was famous for refusing to vote in protest of the poll tax. See more »
In the movie theatre, clearly posted above each door is a modern red-lit EXIT sign, however at the time movie films were printed on Nitrate film which is highly flammable, and because of tragedies caused by the film catching fire, movie theaters were one of the first places where illuminated EXIT signs were required by law. See more »
Ulysses Everett McGill:
Say, any of you boys smithies? Or, if not smithies per se, were you otherwise trained in the metallurgic arts before straitened circumstances forced you into a life of aimless wanderin'?
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The credit for Alan J. Schoolcraft, the president of operations for Mike Zoss Productions, is all in Spanish: "El Encargado de Mike Zoss Productions" See more »
One of the finest pieces of story telling ever to hit celluloid. The performances are so perfect and dead-on, and the nuances so subtle, that this movie defies description. It is no wonder that the reviews you read run the gamut from "piece of junk", to "superb" to just plain confused. This is a must-see movie, and from there you're on your own, you have to decide for yourself. Note, however, that this film follows its own course -- *loosely* based on Ulysses, and with its own symbolism, characters, and themes. To spot them all you will need to watch carefully, think constantly, and, in all likelihood, see the film many times more than once. Not to worry, it improves with each viewing.
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