Loosely based on Homer's "Odyssey," the movie deals with the picaresque adventures of Ulysses Everett McGill and his companions Delmar and Pete in 1930s Mississipi. Sprung from a chain gang and trying to reach Everett's home to recover the buried loot of a bank heist they are confronted by a series of strange characters--among them sirens, a cyclops, bank robber George "Baby Face" Nelson (very annoyed by that nickname), a campaigning governor and his opponent, a KKK lynch mob, and a blind prophet who warns the trio that "the treasure you seek shall not be the treasure you find."Written by
Armin Ortmann <firstname.lastname@example.org>
In the scene at the Woolworth store, Ulysees calls his wife Penny a "lying inconstant succubus." That is about as refined a curse as a PG-13 movie will allow. An "inconstant" woman is a faithless woman, and a "succubus" is an ancient reference to an evil spirit who seduces men in their sleep in order to have relations with them. See more »
The song "You Are My Sunshine" by Jimmie Davis was not written until 1939 and not recorded and released until 1940. The calendar at the radio station puts the year at 1937, three years too early. The filmmakers knew this. See more »
Ulysses Everett McGill:
Say, any of you boys smithies? Or, if not smithies per se, were you otherwise trained in the metallurgic arts before straitened circumstances forced you into a life of aimless wanderin'?
See more »
The credit for Alan J. Schoolcraft, the president of operations for Mike Zoss Productions, is all in Spanish: "El Encargado de Mike Zoss Productions" See more »
The Coen Brothers have truly outdone themselves in this wonderful saga of three escaped convicts. Though it is based on "The Odyssey," the ancient work of Homer, you do not have to have read "The Odyssey" to be able to follow the story. The brothers Coen have woven a tapestry of celluloid and aural delights! The soundtrack is intrinsic to the film, indeed it is as though the soundtrack is the product and the film is wrapping paper. Each character is wonderfully exploited and harkens back to the days of old when films were rich with character actors whose very appearance in the film adds richness, texture and authenticity. George Clooney is magnificent as the grease haired Everett Ulysses McGill, a honest con on the run whose pompous linguistics and vocabulary are comical and endearing. O Brother, Where Art Thou is easily the best Coen film to date as well as Clooney's best effort. Clooney is good enough to warrant a best actor nomination as is Tim Blake Nelson's portrayal of the dimwitted friend Delmar, while the film itself is deserving of a Best film nod.
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