Elvis Presley and a black "JFK" stay in a nursing home where nothing happens - until a wayward Egyptian mummy comes and sucks out the old people's souls thru their a-holes. The two decide to fight back.
Shadow of the Vampire is a film about the making of a German all time classic silent horror-movie from 1922 called Nosferatu-Eine Symphonie des Grauens (Nosferatu-a Symphony of Horror). The production of Nosferatu had to deal with a lot of strange things (some crew members disappeared, some died). This movie focuses on the difficult relationship between Murnau, the director, and Schreck, the lead actor.Written by
Murnau's line, "If it isn't in the frame, it doesn't exist", is a paraphrase of a piece of advice the real Murnau gave to the young Alfred Hitchcock when the latter visited the Ufa Studios in Berlin before becoming famous. Hitchcock never forgot this advice and was still quoting it when making his final movie in the mid-1970s. The use of the quotation in the context of "Shadow Of The Vampire" is a distortion of what the real Murnau meant. See more »
When Max Schreck catches a bat in mid air and starts to drink from it (approximately 52:30 into the movie), as he is holding the bat, one of his fingernails comes loose from his finger. See more »
Our battle, our struggle, is to create art. Our weapon is the moving picture. Because we have the moving picture, our paintings will grow and recede; our poetry will be shadows that lengthen and conceal; our light will play across living faces that laugh and agonize; and our music will linger and finally overwhelm, because it will have a context as certain as the grave. We are scientists engaged in the creation of memory... but our memory will neither blur nor fade.
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Credits end with the sounds of the camera filming and of the phonograph which set the mood for the actors. See more »
Disclaimer: It really helps you to understand and appreciate this film if you have an interest in or knowlege of early cinema or Germany or the film "Nosferatu". I have watched it 5+ times and i find something new everytime~.
If you're looking for a horror movie, that's not what SOTV is. You'll probably be bored or dissapointed. The strength of this film is the dialogue and interacion betw. the characters (IMHO)
John Malkovich is F.W. Marnau, the great german director of the 20s and Willem Dafoe plays Max Schreck, the Nosferatu of Marnau's classic. This film chronicles the making of this kooky and classic film. It's not a literal interpertation though. (at least i hope not)
The characters were supposed to be German, but each spoke in their own unique tongue. In particular, John Malkovich's Marnau spoke in the same hybrid accent Malkie uses in every movie.
Cary Elwes-- I don't know what kind of accent he had, but it was fantastic. His swashbuckling camera-whiz is a bright light of raw sexuality in this otherwise darkly comic venture.
This isn't a funny movie, but it definitely has its comic moments. Pay attenion to Malkie's passionate soliloquies...they are hilarious. And Dafoe is just classic. The interaction between the two makes the movie.
Anyone whose been to film school or art school knows kids who are just like Malkie's obsessed "you're overwhelming my composition!" director.
This film is quite an experience. And i will never tire of watching it.
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