Elvis Presley and a black "JFK" stay in a nursing home where nothing happens - until a wayward Egyptian mummy comes and sucks out the old people's souls thru their a-holes. The two decide to fight back.
Shadow of the Vampire is a film about the making of a German all time classic silent horror-movie from 1922 called Nosferatu-Eine Symphonie des Grauens (Nosferatu-a Symphony of Horror). The production of Nosferatu had to deal with a lot of strange things (some crew members disappeared, some died). This movie focuses on the difficult relationship between Murnau, the director, and Schreck, the lead actor.Written by
Based in part upon a legend that Max Schreck was in reality a vampire which is why he played the role of Orlock/Dracula so well. Some variations of the legend suggest that Nosferatu (1922) was the only film Schreck made, though in reality he was already a stage and screen veteran by the time Nosferatu was shot, and would appear in many non-Vampiric roles before his death in 1936. See more »
When Skrek first sees the picture of Greta the photos do not match between shots. This is because the first shot of the photo is taken from Nosferatu. See more »
Time will no longer be a dark spot on our lungs. They will no longer say 'you had to have been there', because the fact is, Albin, we were.
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Credits end with the sounds of the camera filming and of the phonograph which set the mood for the actors. See more »
It is the age of the silent movie, and German expressionist director F.W. Murnau (John Malkovich) is determined to film his version of the Dracula story, whatever the cost to his cast and crew.
I've never really been a big fan of Nosferatu nor a particular admirer of Willem Dafoe, but this bizarre little movie has made me appreciate both much more. A fictionalised account of the making of F.W. Murnau's 1922 silent horror classic, Shadow of the Vampire toys with the notion that Nosferatu's star Max Schreck (played here by Dafoe) was actually a bona fide member of the undead.
This fanciful idea plays out a little too slowly, perhaps, but offers plenty of opportunity for dark humour, the cast delivering suitably offbeat performances that prove strangely intoxicating, with Dafoe's mesmerising turn as Shreck being the film's strongest suit, the actor's mannerisms and expressions played to perfection.
Casual movie fans who haven't seen Murnau's classic will probably wonder what the hell is going on, so I recommend seeing Nosferatu beforehand, just so that one can fully appreciate the magic of certain scenes and the brilliance of Dafoe's performance.
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