Shadow of the Vampire (2000)

The filming of Nosferatu (1922) is hampered by the fact that its star Max Schreck is taking the role of a vampire far more seriously than seems humanly possible.

Director:

E. Elias Merhige

Writer:

Steven Katz

Stars:

John Malkovich, Willem Dafoe, Udo Kier

Nominated for 2 Oscars. Another 14 wins & 24 nominations.

Cast

Cast overview, first billed only:
John Malkovich	...	Friedrich Wilhelm Murnau
Willem Dafoe	...	Max Schreck
Udo Kier	...	Albin Grau
Cary Elwes	...	Fritz Arno Wagner
Catherine McCormack	...	Greta Schröder
Eddie Izzard	...	Gustav von Wangenheim
Aden Gillett	...	Henrik Galeen
Nicholas Elliott	...	Paul (as Nicholas Elliot)
Ronan Vibert	...	Wolfgang Müller
Sophie Langevin	...	Elke
Myriam Muller	...	Maria
Milos Hlavac	...	Innkeeper (as Milos Hlavak)
Marja-Leena Junker	...	Innkeeper's Wife
Derek Kueter	...	Reporter 1
Norman Golightly	...	Reporter 2

Storyline

Shadow of the Vampire is a film about the making of a German all time classic silent horror-movie from 1922 called Nosferatu-Eine Symphonie des Grauens (Nosferatu-a Symphony of Horror). The production of Nosferatu had to deal with a lot of strange things (some crew members disappeared, some died). This movie focuses on the difficult relationship between Murnau, the director, and Schreck, the lead actor.

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Plot Keywords:

vampire | nosferatu | actor | costume horror | film actress | 

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Taglines:

An Unspeakable Horror. A Creative Genius. Captured For Eternity.

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Genres:

Drama | Horror

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Motion Picture Rating (MPAA)

Rated R for some sexuality, drug content, violence and language

Details

Country:

UK USA Luxembourg

Language:

English German Luxembourgish

Release Date:

26 January 2001 (USA)

Also Known As:

Burned to Light

Filming Locations:

Delux Productions, Contern, Luxembourg

Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend USA:

$150,171, 1 January 2001, Limited Release

Gross USA:

$8,293,784

Cumulative Worldwide Gross:

$11,155,214

Company Credits

Production Co:

Saturn Films,Long Shot Pictures,BBC Films

Technical Specs

Runtime:

92 min

Sound Mix:

SDDS Dolby Digital

Color:

Black and White Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Based in part upon a legend that Max Schreck was in reality a vampire which is why he played the role of Orlock/Dracula so well. Some variations of the legend suggest that Nosferatu (1922) was the only film Schreck made, though in reality he was already a stage and screen veteran by the time Nosferatu was shot, and would appear in many non-Vampiric roles before his death in 1936.

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Goofs

At the beginning one of Murnau's assistants calls him one of the greatest movie makers ever, with D.W. Griffith and Sergei M. Eisenstein. In 1921 Eisenstein had not yet directed any movie (his first movie is from 1923).

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Quotes

F.W. Murnau: Death of centuries! Moonchaser! Blasphemer! Monkey! Vase of prehistory. Finally to Earth, and finally born.

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Crazy Credits

Credits end with the sounds of the camera filming and of the phonograph which set the mood for the actors.

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Connections

Referenced in Film Geek (2005)

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Soundtracks

Tristan Und Isolde - Overture
Written by Richard Wagner
Courtesy of KPM Music Limited

User Reviews

An enjoyable piece of filmmaking.

Shadow of the takes the viewer to 1921 to "witness" the making of F. W. Murnau's silent classic vampire film Nosferatu. Shadow of the Vampire does not pretend to be a documentary; it is a highly stylized, fictional work that delves into its very own imaginative speculations about a filmmaker's creative process.

Having assembled his crew, Murnau (John Malkovich) travels to a small town in Czechoslovakia, where he intends to recreate before his camera the story of Bram Stoker's "Dracula". Set on creating the most realistic vampire film, Murnau secretly recruits a real vampire (Willem Dafoe), promising to recompense the creature with leading lady Greta (Catherine McCormack). Murnau cautiously introduces the vampire to his producer Albin Grau (Udo Kier) and scriptwriter Henrick Galeen (John Gillet) as "Max Schreck", a truly professional "method actor" trained by Stanislavsky. Schreck performs his scenes suspiciously well, only appearing on the set at night and in character, keeping his end of the bargain with the director. Soon, however, his blood thirst takes over and he fearlessly threatens to eliminate, one by one, Murnau's most dispensable crew members.

Shadow of the Vampire stems from the premise that its protagonist, the fictional Murnau (Malkovich), must hire a real vampire in order to ensure a truly authentic representation of the vampire character, "Count Orlock", for his film Nosferatu. The viewer who seeks a more accurate portrayal of the making of the real Nosferatu may find this premise strained and far-fetched, and may even consider the film's ensuing humor a bit aimless. However, Shadow of the Vampire integrates the humorous premise to its metaphorical exploration of the artistic process and of the inevitable struggle between the star, the director and the crew. (In one scene, Schreck tries to secure his interests --a new victim-- by negotiating with Murnau. He reflects: "I don't think we need the writer any longer.") Aside from the film's complex treatment of the film within the film and of the character within the character (where Shadow of the Vampire re-presents Nosferatu, and Shadow's cast plays Nosferatu's cast), the film's most enjoyable aspect is its careful reconstruction of specific Nosferatu scenes. When demonstrating how Murnau shoots these well-known scenes, Shadow's own shots shift between black & white and color; from a full-frame to one enclosed by an iris. Shadow's recreation of the classic scenes are often accompanied by Murnau's off-screen voice-over instructions to the actors, who in turn stop in mid-shot, enter, or exit the frame. These choices offer a fantastic depiction of silent film technique, and they as well add new life and a sort of magical dimension to the original Nosferatu scenes. Undoubtedly, Shadow of the Vampire may be most fully appreciated by the viewer that has already developed a sensitive appreciation for Nosferatu's unforgettable images. Still, Shadow of the Vampire may be enjoyed as well by those fascinated by filmmaking or --as Shadow's Murnau put it-- by "the science of the creation of memory."