This bold and unconventional film portrait reveals America's foremost Social Realist painter doing what he does best: skewering corrupt politicians, raging over social injustices, and satirizing the petty foibles of humankind. Throughout the film, we see Levine painting a portrait of his daughter, Susanna. "A peach of a collaboration between subject and Sutherland displays both their geniuses." (New England Monthly)—David Sutherland
