Birthday Girl (2001)

A thirtysomething bank clerk from St Albans has his small-town life exploded by the arrival of his Russian mail-order bride.

Director:

Jez Butterworth

Writers:

Tom Butterworth, Jez Butterworth

Stars:

Nicole Kidman, Vincent Cassel, Ben Chaplin

1 win.

Cast

Cast overview, first billed only:
Nicole Kidman	...	Sophia, alias Nadia
Ben Chaplin	...	John
Vincent Cassel	...	Alexei
Mathieu Kassovitz	...	Yuri
Kate Lynn Evans	...	Clare (as Kate Evans)
Stephen Mangan	...	Bank Manager
Alexander Armstrong	...	Robert Moseley (as Xander Armstrong)
Sally Phillips	...	Karen
Jo McInnes	...	Waitress
Ben Miller	...	Concierge
Jonathan Aris	...	D.I. O'Fetiger
Katya Barton-Chapple	...	Young Sophia
Rebecca Clarke	...	Bank Colleague
Mark Gatiss	...	Porter
Raj Ghatak	...	Bank Colleague

Storyline

Internet love connections and mail-order brides rarely ever work out, and John should have known. Having never been lucky in the game of love and tired of waiting for the perfect woman to come along, John decides to take his chances and orders a mail-order bride from Russia online. At first, things seem perfect: his new bride Nadia is a gorgeous woman, and although she may not speak much English, her skills in the bedroom more than make up for any communication problems. When Nadia's 'cousins' unexpectedly arrive to celebrate her birthday, John is drawn into their web of corruption and crime.

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Plot Keywords:

mail order bride | sex scene | tied up while barefoot | tied feet | bank clerk | 

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Taglines:

Before They Share A Future, They Have To Survive Her Past.

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Genres:

Comedy | Crime | Thriller

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Motion Picture Rating (MPAA)

Rated R for sexuality and language

Details

Country:

UK USA

Language:

English Russian

Release Date:

1 February 2002 (USA)

Also Known As:

Ruleta rusa

Filming Locations:

Ashridge Park, Little Gaddesden, Hertfordshire, England, UK

Box Office

Budget:

$13,000,000 (estimated)

Opening Weekend USA:

$2,370,809, 3 February 2002, Wide Release

Gross USA:

$4,919,896, 17 February 2002

Company Credits

Production Co:

FilmFour, HAL Films, Mirage Enterprises

Technical Specs

Runtime:

93 min

Sound Mix:

Dolby Digital SDDS

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Jan Sverák refused to direct it.

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Goofs

When John knocks out Alexei with the guitar it clearly misses by quite some distance and doesn't break.

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Quotes

John: Excuse me. It's two Russians are staying here. Do you know which floor they're on?
Porter: Yes, I know which floor they're on.
John: [takes a banknote out of his pocket and holds it] And which floor would that be?
Porter: [taking the banknote] We've only got one floor.

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Connections

References Gran Turismo (1997)

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Soundtracks

Pocasna Loza (VIP Lounge)
Composed by Dash
Produced by Dash for Blackout Entertainment
Published by HDS / Zamp
Performed by Sick Rhyme Sayazz featuring Koolade & Dash
Licensed by Menart / Blackout Entertainment

User Reviews

Black comedy takes some odd right and left turns, never seeming fully satisfied with itself...

Mild-mannered bachelor bank teller near London advertises for a Russian wife on the internet, and is disappointed when the young lady who shows up at the airport doesn't speak any English (she's a willing sport in bed, however); when two of her Russian buddies show up at his house, the man realizes he's been set up to rob his own bank, yet still feels a connection to this strange, sexy woman. Peculiar, darkly comic series of confusions, double crosses, bedroom fetishes (and ants!) written by the team of Tom and Jez Butterworth (Jez also directed, while Steve Butterworth produced). It was obviously a labor of love for the group, and they could not have found better leads than Nicole Kidman and handsome Ben Chaplin, both excellent in their roles. Still, the script disappoints--it's all over the map--and by the third act we've lost something intrinsic in the characters. Chaplin (who amusingly resembles both Joaquin Phoenix and Steve Carrell) is never humiliated on-screen (he's treated badly but always rebounds and looks after himself); still, the man's anger is released in odd ways (too much slapping) and we never understand his attachment to Kidman's Russian vixen. Is this an emotional connection or is it purely physical? Well-made movie has some fine, prickly moments (mostly in the first hour). It loses itself in its circular twists, swallowing its tail in the bargain, however the film is still a decent attempt at something different. ** from ****