A rare mutation has occurred within the vampire community. The Reaper. A vampire so consumed with an insatiable bloodlust that they prey on vampires as well as humans, transforming victims who are unlucky enough to survive into Reapers themselves. Now their quickly expanding population threatens the existence of vampires, and soon there won't be enough humans in the world to satisfy their bloodlust. Blade, Whistler (Yes, he's back) and an armory expert named Scud are curiously summoned by the Shadow Council. The council reluctantly admits that they are in a dire situation and they require Blade's assistance. Blade then tenuously enters into an alliance with The Bloodpack, an elite team of vampires trained in all modes of combat to defeat the Reaper threat. Blade's team and the Bloodpack are the only line of defense which can prevent the Reaper population from wiping out the vampire and human populations.Written by
When Blade, Whistler and Scud confront the head Vampire, an earlier shot of Whistler talking, but with the audio removed, is used as a reaction shot, leaving Whistler to appear to foolishly mouth a line he has just said. See more »
Nobody goes cold turkey from the thirst in just one night.
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No real reapers were hurt during the making of this film. See more »
The New Line Platinum Series DVD contains several deleted scenes, including: An extended opening scene establishing Prague. A flashback sequence showing Blade's first encounter with Whistler, part of which can be seen in the film's title credits. An extended version of the ninja fight in the warehouse, with Blade using some fencing tactics to keep Asad at bay. A scene of Whistler shying away from the growing daylight outside. An alternate take of Blade's first meeting with Damaskinos, with Damaskinos wearing, according to Guillermo del Toro, a "Michael Bolton wig". A scene in which Damaskinos explains the effects vampirism has had on him. A much longer version of the House of Pain sequence, including a scene with Nyssa finding a room upstairs with a man unpacking human entrails from a box, a scene that was meant for Michael Jackson. A line by Whistler about "the power of the pussy" A Bloodpack "meeting" of sorts, with Chupa attempting to urge the others to kill Blade and go after the Reapers on their own. A scene in a bathroom after the House of Pain sequence of Lighthammer discovering how far his infection with the Reaper strain has gone. An extended scene of Damaskinos' dinner and blood bath, in which he tells of the fate of his human heart. An extended scene of the lawyer's torture of Blade A "dirty" version of the final scene, in which semen is streaked on the windows that was digitally removed in the final cut of the film because test audiences complained. See more »
Blade I was what I call a good rental for "popcorn eater": good action scenes, descent acting but nothing more. Blade II is what I call a true motion picture, a cinematic experience. How many sequels (in the horror genre) are better than the original movie? Moreover how many good comics adaptation do we know of? "Few" is the answer for both questions and Blade II might be among those "few". It is a multi-layers movie where the action/horror fanatic will have what they're looking for, a Vampire/Kung Fu flick (and that's fine) however those of us who are asking for more than just another Blade sequel might discover a very thought through movie blend in a myriad of details with extraordinary fight sequences (thanks to Donnie Yen) and a "design" feel to it. Obviously the main critic against Blade II is a very "simplistic" scenario when you know from the beginning what is going to happen: the story is about Blade (Wesley Snipes) who is half vampire, half human and refuses his vampire nature trying to fight the "bloodlust" he suffers. His hatred for the vampire and therefore half of himself is unlimited. In this sequel Blade forms an uneasy alliance with the vampire nation in order to face an even greater enemy: the reapers who feed on vampires as well as on human (who are luckily to us close to Blade's heart). The scenario is simple but not simplistic and Guillermo del Toro "tour de force" is to give volume to this scenario by blending it in a very design atmosphere exploring the notion of "Duality". Blade's duality is obvious: he is fighting half of himself like a metaphoric evil within each and every one of us. The secret of his redemption does not lie in what he is but in what he does and what he feels. His quest for humanity ends at the same time as his hatred for the vampires but moreover for himself. On the opposite the reapers are bodies/corpses, their reasons for being are purely physical, basics (they live to feed) their appearance pushes the limits of horror (reaching the borders of gore) in order to demonstrate how unhuman they really are, in other words how "Essence" (where you come from) in that case human or vampire is not what matters. This gap between the beauty of Blade (Wesley Snipes) or Nyssa Damaskinos (Leonor Varela) and the reapers (Luke Goss etc...) emphasis the gab between "Soul" and "Soulless". Guillermo del Toro delivers his best movie (after Mimic in 1997). Unlike Mimic which was a well directed but average horror movie Blade II is an exceptional horror movie supported by terrific actors (Kris Kristofferson, Ron Perlam etc...). Witnessing on screen the birth of a Soul is not a usual thing. Guillermo del Toro managed to do it in a paradoxical beautiful manner.
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