Damian Knox, the President of Darkstar Comics, is searching for a new idea, and asks for Tim's portfolio. Anxiously, Tim organizes his portfolio, being careful to remove anything that might prevent ...
Tim, Daisy, Mike and Brian go into panic mode and try to find Marsha to get her to come back after they find out that she's selling the flat. Sophie is offered a job at Marvel Comics in Seattle, and ...
Bernard Black runs a book shop, though his customer service skills leave something to be desired. He hires Manny as an employee. Fran runs the shop next door. Between the three of them many adventures ensue.
Mark and Jez are a couple of twenty-something roommates who have nothing in common - except for the fact that their lives are anything but normal. Mayhem ensues as the pair strive to cope with day-to-day life.
Alan Partridge a failed television presenter whose previous exploits had featured in the chat-show parody Knowing Me, Knowing You with Alan Partridge, and who is now presenting a programed on local radio in Norwich.
This parody series is an unearthed 80s horror/drama, complete with poor production values, awful dialogue and hilarious violence. The series is set in a Hospital in Romford, which is situated over the gates of Hell.
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother and dealing with an entire community that has returned from the dead to eat the living.
The adventures of Tim and Daisy who rent a room in Marsha Klein's house under the pretense that they are a couple. Also in the house is frustrated painter Brian. Together with TA fanatic Mike and Daisy's girlfriend Twist the duo get into a series of situations with hilarious results.Written by
The badge (red beret on top of crossed knives) on the black beret that Mike often wears is a Soldier of Fortune magazine logo badge which the magazine used to sell. In some episodes of season two, he wears a Royal Signals cap badge (figure with arm raised and crown over the top) on his beret. See more »
That's a nice haircut.
I see you're still massacring yours with peroxide.
See more »
The closing credits of episode 2.6 parody the closing credits of Star Wars Episode V - The Empire Strikes Back (1980), featuring the same music and starfield effect. See more »
Having just watched this series again, I am prepared to say that "Spaced" is definitely one of the greatest comedy shows EVER!
Funny, striking, imaginative, clever, compassionate, sarcastic, inventive, etc, etc, etc. You get the impression that co-stars and co-writers, Simon Pegg and Jessica Stevenson, just cannot write a boring line of dialogue or envisage a predictable scene. Using its "nothing new" premise (mismatched couple pretend to be romantically entangled to find a place to live), this show twists and turns its way off into many brilliant and original directions, while never failing to provide the required belly laughs along the way.
It uses movie in-jokes and references in a way that would make Tarantino envious, and the hipness of its execution makes it both a show that, paradoxically, is of the moment but is also certain to be talked about in ten or twenty years from now.
The cast are all first-rate: Pegg and Stevenson manage to be both madcap and touching, and are backed up by a sterling supporting cast of fresh and exciting talent. Julia Deakin as Marsha, the flirtatious middle-aged landlady and Mark Heap as the pretentious but vulnerable artist from hell, Brian, make a hilarious double act; Nick Frost is a real find as military mad Mike; and Katy Carmichael as the initially snobby Twist manages to be dotty without turning up the annoyance factor.
Even the guest appearances are great. My two personal favourites are Michael Smiley as the chemically enhanced Tyres O'Flaherty, a non-stop raver who even dances to the ringing of a telephone; and the excellent Charles Dale (II), who is usually cast as the heavy, but gives a marvellous comic performance here as the "yes man" security guard who helps our bumbling heroes rescue their beloved pooch, Colin, from an evil freelance vivisectionist!
Credit must also be given to director Edgar Wright who has created a unique and vivid look to the show, enhancing the script's wired look at the banalities of everyday life with his brilliant use of camera movement, lighting, cross-cutting, flashbacks, etc. Even if it wasn't funny (which it most emphatically is), "Spaced" would get top marks for being the best looking show on the box.
I could go on, but "Spaced" is a comedy that needs to be seen to be believed, and then seen again...and again...and again...
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