Jack now trusts Crichton, and has unlocked the wormhole knowledge in Crichton's head. Now they race to build a weapon to fend of approaching Scarrans. But an opposing force is even closer waiting for...
When a full-scale war is engaged by the evil Scarran Empire, the Peacekeeper Alliance has but one hope: reassemble human astronaut John Crichton, once sucked into the Peacekeeper galaxy ... See full summary »
In the mid 23rd Century, the Earth Alliance space station Babylon 5, located in neutral territory, is a major focal point for political intrigue, racial tensions and various wars over the course of five years.
A U.S. Marshall becomes the sheriff of a remote cozy little Northwestern town of Eureka where the best minds in the US have secretly been tucked away to build futuristic inventions for the government which often go disastrously wrong.
Stem cells, gene therapy, transplants, and cloning have changed the definition of "humanity" in the modern world, but the darker side contains monsters that only few are brave enough to face, because the future lies in their hands.
Astronaut John Crichton, on an experimental space mission, is accidentally hurled across the universe into the midst of an intergalactic conflict. Trapped among alien creatures wielding deadly technology and hunted by a merciless military race, Crichton is on an epic odyssey more spectacular than anything he has ever imagined.Written by
The series finale, "Bad Timing", is the only episode without music during the ending credits. The only thing that can be heard as the credits roll, is the sound of Moya flying by, marking the passing of the show. See more »
Some syndication packages (in particular the one broadcast by the Canadian cable network Space, incorporate the Season 3 introduction special Farscape Undressed as a regular episode. See more »
I watched about ten minutes of each of a couple of series 1 Farscape episodes and hated it. Cliched plots, characters blatantly lifted from other shows, and *muppets*. Might as well watch the Phantom Menace.
However, after persistent nagging from a hooked friend, I gritted my teeth, sat down and actually watched a whole show. Oh wow. Oh WOW.
Farscape isn't a plot show, it's not a gadget show, it's not even an effects show. It's primarily a character show, and it's a great one, aimed squarely at adults. The characters are often space operatically heroic, but are also believably flawed. They are petty, affectionate, selfish and giving. They are also commendably consistent, and both bear grudges and remember debts.
I find the acting of *all* the main cast outstanding; expressive, genuine and naturalistic. They give it everything, and fully commit to every scene and every line. I understand that viewers in the USA might find this strange when compared to the mugging, grimacing and ostentatious emotionalism that passes for acting on domestic US shows. It's a matter of taste, and I find the reserved but expressive acting of Farscape far more palatable.
Possibly the biggest strength of Farscape is the chemistry between the cast. The amount of physical, emotional and sexual tension rivals that of gritty TV verite rather than fluff SF. Babylon 5 characters are as well written, but not (sorry Babfans) as well acted or as involving.
Farscape has justifiably been accused of having cliched plots and characters. This it does, but no more so than any Star Trek franchise, and even Babylon 5 occasionally lurched into genre hell. True, you'd be hard pressed to tell Andromeda and Farscape apart from a brief precis of the plot and characters, but this only illustrates that there are certain genre elements that are now classic rather than cliched. Farscape starts from a tried and trusted design and then implements it astonishingly well.
On the other hand, it *does* have muppets...
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