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Frequency (2000)

PG-13 | | Crime, Drama, Mystery | 28 April 2000 (USA)
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2:25 | Trailer

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An accidental cross-time radio link connects father and son across 30 years. The son tries to save his father's life, but then must fix the consequences.

Director:

Gregory Hoblit

Writer:

Toby Emmerich
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Popularity
3,103 ( 1,221)
Nominated for 1 Golden Globe. Another 2 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Dennis Quaid ... Frank Sullivan
Jim Caviezel ... John Sullivan
Shawn Doyle ... Jack Shepard
Elizabeth Mitchell ... Julia Sullivan
Andre Braugher ... Satch DeLeon
Noah Emmerich ... Gordo Hersch
Melissa Errico ... Samantha Thomas
Daniel Henson Daniel Henson ... Johnny Sullivan (6 Years)
Jordan Bridges ... Graham Gibson
Stephen Joffe ... Gordo Hersch (8 Years)
Jack McCormack Jack McCormack ... Commander Butch O'Connell
Peter MacNeill ... Butch Foster
Michael Cera ... Gordy Jr. (10 Years)
Marin Hinkle ... Sissy Clark
Richard Sali Richard Sali ... Chuck Hayes
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Storyline

A rare atmospheric phenomenon allows a New York City firefighter to communicate with his son 30 years in the future via HAM radio. The son uses this opportunity to warn the father of his impending death in a warehouse fire, and manages to save his life. However, what he does not realize is that changing history has triggered a new set of tragic events, including the murder of his mother. The two men must now work together, 30 years apart, to find the murderer before he strikes so that they can change history--again. Written by <jgp3553@excite.com>

Plot Summary | Plot Synopsis

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Motion Picture Rating (MPAA)

Rated PG-13 for intense violence and disturbing images | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

New Line | Official Facebook

Country:

USA

Language:

English

Release Date:

28 April 2000 (USA) See more »

Also Known As:

Prava frekvencija See more »

Filming Locations:

New York City, New York, USA See more »

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Box Office

Budget:

$31,000,000 (estimated)

Opening Weekend USA:

$9,025,584, 30 April 2000, Wide Release

Gross USA:

$45,010,278

Cumulative Worldwide Gross:

$68,106,245
See more on IMDbPro »

Company Credits

Production Co:

New Line Cinema See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Elizabeth Mitchell plays Jim Caviezel's mother. In reality, Mitchell is younger than Caviezel. Similarly, though the story and Mitchell's portrayal suggest that her character is about the same age as her husband, played by Dennis Quaid, she is 16 years younger than Quaid. At the time of the film's release, Quaid had just turned 46, Caviezel was 31, and Mitchell was 30. See more »

Goofs

Addresses in Bayside, Queens don't have addresses in triple digit format. All addresses on 42nd Avenue are hyphenated. 343 42nd Avenue is not a possible address, whereas 214-02 42nd Avenue could be. See more »

Quotes

Frank Sullivan: [talking about the future] You're kidding. You mean, like those big field radios they use in the army?
John Sullivan: No, no, it works off of a satellite. You carry it around in your pocket.
See more »

Connections

References The Lion King (1994) See more »

Soundtracks

On the Road Again
Written by Floyd Jones and Alan Wilson
Performed by Canned Heat
Courtesy of EMI Records
Under license from EMI-Capitol Music Special Markets
See more »

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User Reviews

 
A complex, thought provoking thriller that is well acted and directed. ***1/2 out of ****.
25 May 2000 | by Movie-12See all my reviews

FREQUENCY / (2000) ***1/2

It' 1999. Jim Caviezel stars as John Sullivan, a detective whose life is falling apart. Recently, he has split up from his girlfriend, he and his police partner Satch (Andre Braugher), are unable to solve a serial murder case that has been reopened due to the discovery of skeletal remains of a past victim. The thirty year anniversary of the death of his firefighter father (Dennis Quaid), is also approaching. John is beginning to sink in a pit of despair.

One night John stumbles upon his dad's old ham radio. He makes an effort to get the machine to power up once again. When he does and begins conversations with another operator, however, he realizes the person he is communicating with is his long dead father. Somehow, due to the presence of the Northern Lights, John is able to transmit back in time to 1969 and literally alter the course of his existence.

The concept of time traveling communication may seem far-fetched to some, and "Frequency" is a little hard to grasp at times, especially when the film never directly explains why the father and son are able to talk with each other through time. Notwithstanding, the production works as a science fiction thriller with supernatural overtones. While the filmmakers do succeed in convincingly constructing "Frequency," most audiences might have to leave logic at the theater entrance before viewing it.

"Frequency" is a well-structured motion picture; the movie is focused throughout. Although its story changes pace at different periods, for the most part the audience can follow along with the characters. This is a movie with a complicated and challenging story. Because of the film's complexity, we are enormously involved, if slightly confused. Screenwriter Tobias Emmerich links original and fresh feeling material here. Gregory Hoblit produces the right amount of action and suspense, combined with gentle emotions, to generate a film we have not seen before.

Dennis Quaid and James Caviezel are the perfect choices for the principal characters. Quaid performs with intriguing tension and appropriate receptivity. Caviezel dazzles with intricacy and dexterity. Offering refined supporting roles are Andre Braugher ("City of Angels", "Get on the Bus") and Noah Emmerich ("The Truman Show") who furnishes some light-hearted material as John's best friend.

Director Gregory Hoblit ("Fallen," "Primal Fear") clearly executes topics on screen. This film is overflowing with ideas and contains enough plot for a television series. However, "Frequency" is not without flaws. Sullivan's chaotic life is only vaguely portrayed. Although we do care for the character, more development would increase the relationship between the audience and he. Some of the make-up effects depicting age differences were disgraceful. Andre Braugher appeared as if his make up artists were straight out of junior high, slapping too much pancake cream plaster on him. The film's contrived climax concludes with a formalistic fight instead of continuing its battle of wits.

Despite a few unacceptable external problems, internally this is a very effective production. As a whole, "Frequency" contains a very encompassing story and places interesting characters in engaging circumstances. The movie is definitely worthy of recognition, but do not view it unless you plan on thoroughly discussing it afterwards.


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