After experiencing what they think are a series of "break-ins", a family sets up security cameras around their home, only to realize that the events unfolding before them are more sinister than they seem.
Three documentary makers, are heading home from Burning Man in their RV and decide to pull off into the desert to camp for the night. Things get creepy. With their 5 RV cams running 24/7, ... See full summary »
Ethan A. Brosowsky,
In 2010, Four documentary filmmakers travel to Thunder Bay, Ontario, Canada in search of clues regarding the ancient myth of Nanabijou, and missing persons cases. Their journey brings them ... See full summary »
A scientific research team investigates and documents the supernatural phenomena surrounding the disappearance of a cattle ranchers 10 year old son. Inspired by true events that shocked the paranormal community around the world.
Britani Bateman Underwood,
A group of filmmakers set out to make the first 3D found footage horror movie, but find themselves in a found footage horror movie when the evil entity from their film escapes into their behind-the-scenes footage.
Alena von Stroheim,
Three film students travel to Maryland to make a student film about a local urban legend... The Blair Witch. The three went into the woods on a two day hike to find the Blair Witch, and never came back. One year later, the students film and video were found in the woods. The footage was compiled and made into a movie. The Blair Witch Project.Written by
Kevin Overstreet <GrndZero23@aol.com>
On the set of Pulp Fiction (1994) actor Bruce Willis might have predicted the success of the movie five years prior to its release "Some day in the next five years someone's gonna take one of these and make a feature film with it. They almost did it with, uh, Bob Roberts (1992). Some kid, some 17-year-old kid, is gonna make this killer, drop-dead, poorly lit video movie that is gonna be the hippest f***ing thing. And then there's gonna be hundreds of them everywhere. And they're gonna cost about... $60,000." he also suggests to director Quentin Tarantino that he be the one to create this video movie that would changes the world. See more »
At the beginning of the movie, when Josh is getting out of the car, a 1997-2003 Ford F-Series pickup can be seen in the background. See more »
I just want to apologize to Mike's mom, Josh's mom, and my mom. And I'm sorry to everyone. I was very naive. I am so so sorry for everything that has happened. Because in spite of what Mike says now, it is my fault. Because it was my project and I insisted. I insisted on everything. I insisted that we weren't lost. I insisted that we keep going. I insisted that we walk south. Everything had to be my way. And this is where we've ended up and it's all because of me that we're here now - hungry, ...
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The beginning and end credits are designed in the style of a documentary, e.g. jumping slightly, static instead of rolling credits. See more »
In October 2001, the FX Network aired this with "never-before-seen footage". This turned out to be a few segments spliced into the closing credits of Heather videotaping Mike saying goodbye to his friends and family, and Heather admitting culpability for the week's occurrences. Mike firmly states that it is not her fault, which is referenced in Heather's later confession to the camera in the theatrical version. Also, all profanities are overdubbed, especially a really bad "let's go" over Heather saying "f**k you" to Josh as he berates her about being lost and hunted on the dusk before he is taken away. See more »
Generation Xers head into woods; we view excellent results
I saw this film last night, LONG after all the hype and reviews were made about it. I settled in with the right mood for any film: no expectations. If you expect too much, you may be let down (take note for any Kubrick film). I watched the entire film without interruption and came out with a great feeling. "The Blair Witch Project" is one darn good movie.
Many critics and moviegoers complained about the film for its length, its amateurish photography/editing, and its lack of adequate acting. I feel these things MADE THE MOVIE. First, the film has to be at most ninety minutes long: any more, and it would be too long and boring. Second, the amateur video take gives the audience the feel that they are actually in the woods, listening to the rippling water of the creek, snapping branches under their boots, and hearing things go bump in the night. I greatly admire the use of two video cameras (one black-and-white, the other color) to denote which character is shooting the film. Lastly, the incessant screaming of whiny Heather, the constant complaining of average-joe Mike, and the Dudley-Do-Rightness of Josh make for great acting. Yes, these are regular people and up-and-coming actors from your local community theater, but YOU KNOW THEM. You've met people like them.
The biggest complaint, however, comes from the film's supposed "lack" of scary moments. This film reminds me of the classic horror film "The Texas Chain Saw Massacre," and though not as gory and as shocking as that film, "The Blair Witch Project" shows just enough fright in the group's search for a way out of the woods, stalked by people and/or things they may never understand. In the older film, the long interval between opening credits and first gory act of violence is about thirty minutes long; it is even longer here, but the suspense/fright (just as in the older film) begins right from the opening credits: you just don't see it until the film's over. These are three people out to make a documentary in the woods with handheld camcorders--these are REAL PEOPLE. And GREAT ACTORS. Heather whines a lot and screams and reminds you of the girl you hate so much you fall in love with her. Her screams sound real, her cries are genuine, and she is DEEPLY DEEPLY sorry for bringing the others into the woods in order to film her documentary.
I really dig the beginning. It seems so real to me I may delve into my old home movies for nostalgia. Heather and Josh pick up Mike, then go to the store for supplies. This opening sequence really packs a punch. These are three Generation Xers out for a camping trip. We all know what happens to them, but we're glued to the screen, intent to know what actually happens.
The interviews give us some detail into the Blair Witch legend, but most of the audience is too busy thinking about the actual trek into the woods that they don't listen. This is wrong. Listening is good. The interviews, which also sound real and not rehearsed in any way, are like movie reviews: the critics tell you what they saw, but mostly they don't want to ruin it for you...unless they hated it.
And that's what I'll do. I won't ruin it for you. 8/10.
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