A group of tourists arrive in Burkittsville, Maryland after seeing The Blair Witch Project (1999) to explore the mythology and phenomenon, only to come face to face with their own neuroses and possibly the witch herself.
Stephen Barker Turner,
After experiencing what they think are a series of "break-ins", a family sets up security cameras around their home, only to realize that the events unfolding before them are more sinister than they seem.
Three film students travel to Maryland to make a student film about a local urban legend... The Blair Witch. The three went into the woods on a two day hike to find the Blair Witch, and never came back. One year later, the students film and video were found in the woods. The footage was compiled and made into a movie. The Blair Witch Project.Written by
Kevin Overstreet <GrndZero23@aol.com>
The first title for the movie was The Blair Witch Tapes. See more »
When they first try to cross the log, with the camera, to the cemetery, we hear Heather talking as she crosses the log. But her mouth never moves. See more »
[Pointing the video camera at Mike's chest]
It's warm out today so this is the first time that we're seeing Mike's chest. It's really hard to pick up on video actually. Mike has really sporadic hair patterns on his chest. It's like: blank... hairy... blank... hairy.
You should see my ass.
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The beginning and end credits are designed in the style of a documentary, e.g. jumping slightly, static instead of rolling credits. See more »
A film which fell foul of its own publicity machine, `The Blair Witch Project' was abhorred and derided by the mainstream film-going public which it became unfortunately directed at due to its extraordinary and outlandish marketing campaign. `The Blair Witch Project' is not a typical film that the typical cinema-going public would normally be exposed to. The camera-work is jerky, the dialogue repetitive and inane and the action virtually non-existent. At times confusing, annoying, irritating and tedious, this film is nonetheless a brilliant piece of arthouse experimental film-making. This movie is virtually all style-there's hardly any plot, no real action, no semblance of a real script-and one that works on a deeper psychological level than the standard mainstream horror film. Indeed, only the very last image in the film is truly frightening, and only if it can be correlated to an incident at the very beginning. The rest of it only becomes scary afterwards, when the audience has had time to consider what they've seen. It is groundbreaking, manipulative cinema made without a script, with an amateur cast and with little or no post-production values. This is a remarkable film which can only really be appreciated, if the accompanying hype is overlooked, as a unique, avant-garde art film and not the regular Hollywood stock it was presented as to the public.
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