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The Blair Witch Project (1999)

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Three film students vanish after traveling into a Maryland forest to film a documentary on the local Blair Witch legend, leaving only their footage behind.

Directors:

Daniel Myrick, Eduardo Sánchez (as Eduardo Sanchez)

Writers:

Daniel Myrick, Eduardo Sánchez (as Eduardo Sanchez)
Popularity
1,892 ( 87)
18 wins & 23 nominations. See more awards »

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Cast

Complete credited cast:
Heather Donahue ... Heather Donahue
Joshua Leonard ... Joshua 'Josh' Leonard
Michael C. Williams ... Michael 'Mike' Williams (as Michael Williams)
Bob Griffin Bob Griffin ... Short Fisherman
Jim King Jim King ... Interviewee
Sandra Sánchez Sandra Sánchez ... Waitress (as Sandra Sanchez)
Ed Swanson Ed Swanson ... Fisherman With Glasses
Patricia DeCou ... Mary Brown
Mark Mason Mark Mason ... Man in Yellow Hat
Susie Gooch Susie Gooch ... Interviewee with Child (as Jackie Hallex)
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Storyline

Three film students travel to Maryland to make a student film about a local urban legend... The Blair Witch. The three went into the woods on a two day hike to find the Blair Witch, and never came back. One year later, the students film and video were found in the woods. The footage was compiled and made into a movie. The Blair Witch Project. Written by Kevin Overstreet <GrndZero23@aol.com>

Plot Summary | Plot Synopsis

Taglines:

Everything you've heard is true. See more »

Genres:

Horror | Mystery

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

30 July 1999 (USA) See more »

Also Known As:

El proyecto Blair Witch See more »

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Box Office

Budget:

$60,000 (estimated)

Opening Weekend USA:

$1,512,054, 18 July 1999, Limited Release

Gross USA:

$140,539,099

Cumulative Worldwide Gross:

$248,639,099
See more on IMDbPro »

Company Credits

Production Co:

Haxan Films See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (Special Edition)

Sound Mix:

Dolby SR

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

The three leads believed the Blair Witch was a real legend during filming, though, of course, they knew the film was going to be fake. Only after the film's release did they discover that the entire mythology was made up by the film's creators. See more »

Goofs

When Heather is showing off the contents of her pack there is a survival book on how to stay alive in the woods. It could have helped them, but they never used it. However, the reason they can't escape the woods is a supernatural one. The Blair Witch has control of the filmmakers and the woods, and a survival book would not have helped there. See more »

Quotes

Joshua Leonard: [Looking through Heather's camera] It's not the same on film is it? I mean, you know it's real, but it's like looking through the lens gives you some sort of protection from what's on the other side.
See more »

Crazy Credits

The beginning and end credits are designed in the style of a documentary, e.g. jumping slightly, static instead of rolling credits. See more »


Soundtracks

America The Beautiful
Lyrics by Katharine Lee Bates (as Katherine Lee Bates)
Music by Samuel A. Ward
Sung a cappella by Joshua Leonard
See more »

Frequently Asked Questions

See more »

User Reviews

Not your average horror film
21 June 2000 | by GoreripperSee all my reviews

A film which fell foul of its own publicity machine, `The Blair Witch Project' was abhorred and derided by the mainstream film-going public which it became unfortunately directed at due to its extraordinary and outlandish marketing campaign. `The Blair Witch Project' is not a typical film that the typical cinema-going public would normally be exposed to. The camera-work is jerky, the dialogue repetitive and inane and the action virtually non-existent. At times confusing, annoying, irritating and tedious, this film is nonetheless a brilliant piece of arthouse experimental film-making. This movie is virtually all style-there's hardly any plot, no real action, no semblance of a real script-and one that works on a deeper psychological level than the standard mainstream horror film. Indeed, only the very last image in the film is truly frightening, and only if it can be correlated to an incident at the very beginning. The rest of it only becomes scary afterwards, when the audience has had time to consider what they've seen. It is groundbreaking, manipulative cinema made without a script, with an amateur cast and with little or no post-production values. This is a remarkable film which can only really be appreciated, if the accompanying hype is overlooked, as a unique, avant-garde art film and not the regular Hollywood stock it was presented as to the public.


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