| Cast overview, first billed only: | |||
| Cecilia Roth | ... | Manuela | |
| Marisa Paredes | ... | Huma Rojo | |
| Candela Peña | ... | Nina | |
| Antonia San Juan | ... | Agrado | |
| Penélope Cruz | ... | Hermana Rosa | |
| Rosa Maria Sardà | ... | Madre de Rosa (as Rosa María Sardá) | |
| Fernando Fernán Gómez | ... | Padre de Rosa | |
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Toni Cantó | ... | Lola |
| Eloy Azorín | ... | Esteban | |
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Carlos Lozano | ... | Mario |
| Fernando Guillén | ... | Doctor en 'Un tranvía llamado Deseo' | |
| Manuel Morón | ... | Doctor 1 | |
| José Luis Torrijo | ... | Doctor 2 | |
| Juan José Otegui | ... | Ginecólogo | |
| Carmen Balagué | |||
Manuela is a hard-working single mom who has raised her son Esteban by herself since the time he was born. On his 17th birthday they go to the theater and after the show, Esteban tries to get the main actress' autograph but is run down on the street and dies. Manuela is beside herself with grief and decides to return to Barcelona to tell the boy's transgender father Lola, about the death of the son he never knew he had. He is nowhere to be found but Manuela does find an old friend, Agrado and meets up with a pregnant nun, Rosa. Together they form a life and become fast friends - until tragedy strikes again. Written by garykmcd
What I like most about Almodovar's films, this one in particular, is the way he will grab you and pull you into a world you would not normally know and then, confront you with people's lives, emotions, relationships. Manuela, the mother who at the beginning seems so in control and clinical, earnest in her love and with the best intentions for her son, is shown to be much like you and me... full of doubts, questions, a need for answers and trying to understand how her life course has brought her to the present day and made her who she is. Barcelona in winter is richly filmed and serves as a backdrop for the renewing of old satisfying friendships and the budding of new ones, happening simultaneously and somewhat unexpectedly. It rings so true. The slow realisation that we are never really complete, that it's the people we love and live with, or avoid and later regret having done so, that makes us who we are. Almodovar sees the human condition and paints it carefully in this film.