In 2977, mankind has space colonies, machines do all the work and everyone just wants to have fun. When deadly plant-based aliens that look like women attack the Earth in order to colonize it, only one rogue captain can stop them.
It's been three years since the destruction of planet La Maetel, but the Machine Empire is as great of a threat as ever. Teen Tetsuro, now a rebel fighter, learns that Galaxy Express 999 is returning and that Maetel is on it.
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Escaping from Vega's evil forces, the young Prince of planet Fleed leaves his destroyed homeland aboard the UFO Robot Grendizer, a powerful war machine, and makes it to Earth. Rescued by a ... See full summary »
In this extended version of Galaxy Express 999 third episode, the main character, a boy Tetsuro, befriends Crystal Claire who works on the space train and has a glass body. He thinks he also saw his mother, but he's dead wrong.
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In the distant future, people are able to take on artificial bodies and achieve immortality. A poor orphan, Tetsuro Hoshino, strives to obtain a mechanical body for the triple incentive of eternal life, of revenge (his mother was gunned down by machine men) and to fulfill her dying wish (that he acquire a mechanical body to live forever, and not die like her). He plans to board the Galaxy Express 999, a space train that comes to Earth once a year, and head to the Prometheum, a planet that gives out machine bodies for free. To his surprise, Maetel, a mysterious woman who resembles his mother, selects him as her companion aboard the 999. And thus begins Tetsuro's trip through the stars, where he encounters incredible worlds and makes many friends. But as he travels with Maetel, he witnesses the hardships of mechanical life and wonders, is it worth it? And what secret is the inscrutable Maetel hiding? Written by
Q. Leo Rahman
Galaxy Express 999 will always hold a special place in my heart, on the benefit of quite possibly being the first anime I ever saw when I was a child. Back then, all I had was a handful of videotapes to choose from, which provided a nice window into this universe envisioned by Leiji Matsumoto.
Roll two decades later, I finally have an oppoturnity to watch the entire series, an oppoturnity I would surely not miss. Finally, I would be able to witness the entire journey of Tetsuro to acquiring his mechanical body, with the assistance of a mysterious woman named Maetel, an odyssey that would slowly teach him that maybe eternal life isn't all it's cracked out to be.
However, as time passed and I dove deeper into this universe, I began to discover how deeply flawed it was. While I was prepared for the series eschewing any kind of scientific accuracy and realism in favour of delivering a story, I wasn't quite expecting it to cheat. Let me elaborate; in the early episodes, an auxiliary character attempting to steal Tetsuro's ticket is a very common plot device. However, as the series progresses, we are introduced to an increasing amount of the railroad company's rules and regulations which eventually amount to such theft never having been really possible in the first place. What's worse, these rules are sometimes introduced and then promptly forgotten or altered. For example, a passenger may be let onboard in an emergency, however what exactly constitutes an "emergency" varies wildly and nonsensically; an abusive husband counts as such, while having your entire home planet about to explode doesn't. The most jarring example is an episode where Tetsuro and Maetel are kidnapped (this also happens frequently) and we are told of a regulation that entitles the railroad company to send an armored train to free them. Not only has this rule never been brought up on previous occasions, it is never brought up again in subsequent episodes! For those who do not understand the implications of this; this kind of blatant cheating in terms of storytelling spoils the drama completely as it comes across as a cheap method of introducing unpredictability into the series. What's worse, despite the series' relatively long run, there seems to be absolutely no character development in regards to Tetsuro, leading me to believe that there was very little communication or planning between the several writers; the lack of a story bible is obvious.
It's really difficult to give this show any kind of score. The numerous failings of this series don't really become obvious until about a third or a quarter into it's run, so I guess I could be generous.
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