7.3/10
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Wonder Boys (2000)

14A | | Comedy, Drama | 25 February 2000 (USA)
Trailer
2:26 | Trailer
An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.

Director:

Curtis Hanson

Writers:

Michael Chabon (novel), Steve Kloves (screenplay)
Won 1 Oscar. Another 20 wins & 46 nominations. See more awards »

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Cast

Cast overview, first billed only:
Michael Douglas ... Grady Tripp
Tobey Maguire ... James Leer
Frances McDormand ... Sara Gaskell
Robert Downey Jr. ... Terry Crabtree
Katie Holmes ... Hannah Green
Rip Torn ... Q
Richard Knox Richard Knox ... Vernon Hardapple
Jane Adams ... Oola
Michael Cavadias ... Miss Sloviak
Richard Thomas ... Walter Gaskell
Alan Tudyk ... Traxler
Philip Bosco ... Emily's Father
George Grizzard ... Fred Leer
Kelly Bishop ... Amanda Leer
Bill Velin Bill Velin ... Officer Pupcik
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Storyline

Grady Tripp is a professor/writer living in Pittsburgh who is struggling with writer's block. Whilst doing this, he also manages to get the chancellor pregnant. In the meantime, he and a college student, James Leer are trying to find a rare jacket once owned by Marilyn Monroe, and a college girl, Hannah Green boarding with Grady has a bit of a crush on him. Written by Dave Lean <davelean@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

A weekend from hell became the time of his life. See more »

Genres:

Comedy | Drama

Certificate:

14A | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

The term "Wonder Boys," a derivative of the German "wunderkind," refers to someone who has greatly succeeded in their profession or art at an early age. In the movie, Grady applies the term "Wonder Boy" to James specifically. During the DVD extras, Curtis Hanson also applies it to Grady, though not in an entirely flattering way, since in Grady's case, the term refers to his early literary promise on which he has failed to deliver. In Michael Chabon's novel "Wonder Boys" (upon which this movie is based), the term also doubles as the title of Grady's giant unfinished manuscript, and "Wonder" is the last name of the brothers who are the main characters in that book. See more »

Goofs

When Tripp is looking around James' room, he opens a books by Sherwood Anderson. In the next shot, the book is closed and Tripp opens it again. See more »

Quotes

[first lines]
Grady Tripp: "The young girl sat perfectly still in the confessional listening to her father's boots scrape like chalk on the ancient steps of the church, then grow faint, then disappear altogether. She could sense the priest beyond the grate..." On that particular Friday afternoon, last February, I was reading a story to my Advanced Writers' Workshop by one James Leer, Junior Lit major and sole inhabitant of his own gloomy gulag.
See more »

Alternate Versions

In the theatrical version Tobey Maguire mistakenly refers to Alan Ladd's death as a suicide. After complaints from Ladd's family, Paramount removed the offending line in all future releases of the film, including home video. VHS and DVD releases carry a disclaimer, shown before the feature, warning that the film has been edited for content. See more »


Soundtracks

Shooting Star
Written & Performed by Bob Dylan
Courtesy of Columbia Records
by arrangement with Sony Music Licensing
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User Reviews

 
small, oddball little film with a definite, quirky, dark sense of humour and a cast of eccentric characters that are never colourful for the sake of it.
10 May 2000 | by dr. gonzoSee all my reviews

I have to admit that when i first saw the trailer for this film, I thought, "Sweet Jesus, this looks a lot like Rushmore!" complete with a dishelved Michael Douglas doing the Bill Murray/Mr. Blume thing and Tobey Maguire as a rambunctious, upstart kid a la Max Fischer. Man, was I wrong. Wonder Boys is the kind of small, oddball little film with a definite, quirky, dark sense of humour and a cast of eccentric characters that are never colourful for the sake of it. Michael Douglas disappears completely into the role of Grady Tripp, a burnt out English professor, who once wrote a much celebrated novel but has since been having a hard time with his follow-up. He just keeps writing and writing with no end in sight (current page count sits around 2100 pages!). the film starts at the beginning of a truly hellish day for Tripp as his wife leaves him, his girlfriend tells him she's pregnant and he almost gets killed by her husband's blind dog. throw in an eccentric writing protege (Tobey Maguire), Tripp's bi-sexual literary agent (Robert Downey, Jr.) and his transvestite date, and you've got quite an interesting mix of characters. in some ways, Douglas' character is a pot-smoking burn-out like the Dude from THE BIG LEBOWSKI. he is content to live outside of society, putt around, write his novel, teaching his classes but when he crosses paths with Maguire's character, he realizes that he's got to change. Douglas is more than up for this role. i'm not a huge fan of the man's work (WALL STREET and THE GAME excepted) but he's perfectly cast in this film. he hits just the right note of world-weary cynicism but with a romantic streak buried underneath. you can tell that he's got the capacity to do something about his miserable lot in life and during the course of the film his character undergoes a fascinating arc. the real stand out of this film, though, is Tobey Maguire. i've only seen him in a few things, here and there and i never really noticed him all that much before (although, he was great in PLEASANTVILLE. everyone in the film keeps harping on what a genius writer Douglas' character is, but it quickly becomes apparent that Maguire's character is the true genius. he writes pages and pages of beautiful prose in minutes. and like any true talent, it just comes pouring out of him effortlessly. Maguire nails that kind of visionary talent perfectly. his character is so different from his peers and you are never sure what makes him tick, until 3/4 of the way through when another side of his intriguing personality is revealed. at first, you think his character is pretty one-dimensional -- the oddball genius -- but Maguire provides all sorts of layers and subtle nuances to his character that are great to watch. it doesn't hurt that Steve Kloves' script is a solid piece of writing. clever, insightful dialogue that tells you volumes about these characters. the dialogue is humourous and offbeat in one scene, touching and thoughtful in the next. Kloves also wisely avoids the usual cliches... ie. the romance between the older man and younger woman. just when you think it's going to go there, the film veers off to something different and better. every character has their moment to really define themselves with the possible exception of Katie Holmes who seems to be sorely underused. which is too bad, really, because the scenes she does have are good. it's nice to see that she can do more than just DAWSON'S CREEK. and lastly, the mood and atmosphere of this movie is so magical. to me, the best films are ones that you lose yourself in completely. the characters and the world they inhabit are so real, so three-dimensional that you can't help but get sucked in. WONDER BOYS does that so well. the attention to detail -- a snowy winter in Pittsburgh -- is beautiful realized. esp. the night time scenes, like one in which Douglas and Maguire talk outside in a backyard while the snow falls gently around them... are so well done, i felt like i was right there. and isn't that what a good film should do? make it able for you to escape for a couple of hours? hard to believe that the guy who made L.A. CONFIDENTIAL did this one. a complete change of pace and mood and... everything. amazing stuff. anyways, i reallly dug WONDER BOYS. it's the first film i've seen this year that has really affected me in a profoundly personal way. a film that as soon as it was over, i wanted to go right back in and watch it again.


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Details

Country:

USA | Germany | UK | Japan

Language:

English

Release Date:

25 February 2000 (USA) See more »

Also Known As:

Des garçons épatants See more »

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Box Office

Budget:

$55,000,000 (estimated)

Opening Weekend USA:

$5,808,919, 27 February 2000

Gross USA:

$19,393,557

Cumulative Worldwide Gross:

$33,426,588
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
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