Will and Jake Grimm are traveling con-artists who encounter a genuine fairy-tale curse which requires true courage instead of their usual bogus exorcisms.
The fabled romantic Giacomo Casanova, after failing to win the affection of the Venetian woman Francesca Bruni, strives to discover the real meaning of love.
Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Don Alejandro de la Vega and his wife, Elena, to take action.
Director:
Martin Campbell
Stars:
Antonio Banderas,
Catherine Zeta-Jones,
Rufus Sewell
A tale of war and romance mixed in with history. The story follows two lifelong friends and a beautiful nurse who are caught up in the horror of an infamous Sunday morning in 1941.
Director:
Michael Bay
Stars:
Ben Affleck,
Kate Beckinsale,
Josh Hartnett
Inspired by "The Canterbury Tales," as well as the early life of William Marshall (later First Earl of Pembroke), this is the story of William, a young squire with a gift for jousting. After his master dies suddenly, the squire hits the road with his cohorts Roland and Wat. On the journey, they stumble across an unknown writer, Chaucer. William, lacking a proper pedigree, convinces Chaucer to forge genealogy documents that will pass him off as a knight. With his newly-minted history in hand, the young man sets out to prove himself a worthy knight at the country's jousting competition, and finds romance along the way.Written by
Anonymous
Newsweek revealed in June 2001 that print ads for at least four movies released by Columbia Pictures, including this film and O 'Verdadeiro' Animal (2001), contained glowing comments from a film reviewer who did not exist. The fake critic, "David Manning," was created by a Columbia employee who worked in the advertising department. "Manning" was misrepresented as a reviewer for The Ridgefield Press, a real, small Connecticut weekly paper. See more »
Goofs
Sir Ector, the knight for whom William has squired since childhood, is played by different actors when he is seen dead at the beginning of the movie and alive during William's flashback scenes. However, William is also played by two different actors at these points of the movie, to show a passage of time, so this should not be considered a problem. See more »
As the first credits appear, the camera swings to show a constellation behind William and Jocelyn. The constellation is Orion, the Hunter. Jocelyn refers to William as the Hunter before she learns his name. See more »
Alternate Versions
There is a slight difference between the UK cinema version and the UK DVD release. In the cinematic release, the queen/Robbie Williams version of We Are The Champions starts playing when William and Jocelyn kiss just before the credits, whereas the DVD release has a different song play. However, We Are The Champions still plays over the last half of the credits. See more »
Further On Up the Road
Written by Don D. Robey (as Don Robey) and Joe Veasey
Performed by Eric Clapton
Courtesy of Universal International Music, B.V.
Under license from Universal Music Enterprises See more »
I'd read that Brian Helgeland had been soured by the movie industry due to his mistreatment on his film, "Payback." I use "his film" in the most liberal sense here, as star Mel Gibson wrestled control of the film from Helgeland and imposed his own view on the final editing process. With this situation in mind, I fully expected "A Knight's Tale" to be a creative response to that negative filmmaking experience, a fun and free film that thumbed its nose at tradition and set style and which allowed the director's true vision to shine through with no outside interference. And my friends, that's exactly what I got when I first sat down to watch in back in 2001. "A Knight's Tale" celebrates the classic and vastly misused/underused genre of medieval movies, while at the same time knocking the genre on its ear by instilling the film with modern themes, attitudes and a classic rock score. Sadly, it was these elements which repelled most viewers and led to "A Knight's Tale's" lackluster performance at the box office. Were these people just a little more open minded, they would have allowed themselves a wonderful movie-going experience that celebrates individuality, love, and above all else, friendship. Though the music is crucial to the uniqueness of this film (and a brilliant addition, I might add), it's the relationships amongst the characters that gives this film its heart. William and Jocelyn are the perfect couple: bickering, floundering, and absolutely in love with one another. Wat, Roland, Kate and Geoff, wonderful characters unwilling to be fopped off as simple comic reliefs, show genuine love and loyalty to William, and do as much to contribute and carry the story along as William and the other two leads accomplish. Count Adamar, the film's villain, is a wonderful foil for William. He is cunning and cruel, and even in his moments of defeat, a character to respect. In many cases, such a villain would be made to seem wimpy or, at his moment of defeat, clumsy. Not so here, as Adamar is, throughout the film, a force to be reckoned with. I suppose part of why I love "A Knight's Tale" is my ability to relate to it so personally. I've certainly had my share of challenges, and aspired to be more than what I currently was. And I've also known friendships so loyal and loving that fiction could never invent. Most significantly, I've lived the pursuit of true love and, like William, have obtained it with no small amount of satisfaction. Everyone to some degree or another has also had these experiences in their lives, and its these experiences that built the foundation of "A Knight's Tale," which is exactly what makes it such a wonderful film, more than worthy of a second chance by those who previously doubted it, and much more than worthy of a spot in any fan's movie collection.
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I'd read that Brian Helgeland had been soured by the movie industry due to his mistreatment on his film, "Payback." I use "his film" in the most liberal sense here, as star Mel Gibson wrestled control of the film from Helgeland and imposed his own view on the final editing process. With this situation in mind, I fully expected "A Knight's Tale" to be a creative response to that negative filmmaking experience, a fun and free film that thumbed its nose at tradition and set style and which allowed the director's true vision to shine through with no outside interference. And my friends, that's exactly what I got when I first sat down to watch in back in 2001. "A Knight's Tale" celebrates the classic and vastly misused/underused genre of medieval movies, while at the same time knocking the genre on its ear by instilling the film with modern themes, attitudes and a classic rock score. Sadly, it was these elements which repelled most viewers and led to "A Knight's Tale's" lackluster performance at the box office. Were these people just a little more open minded, they would have allowed themselves a wonderful movie-going experience that celebrates individuality, love, and above all else, friendship. Though the music is crucial to the uniqueness of this film (and a brilliant addition, I might add), it's the relationships amongst the characters that gives this film its heart. William and Jocelyn are the perfect couple: bickering, floundering, and absolutely in love with one another. Wat, Roland, Kate and Geoff, wonderful characters unwilling to be fopped off as simple comic reliefs, show genuine love and loyalty to William, and do as much to contribute and carry the story along as William and the other two leads accomplish. Count Adamar, the film's villain, is a wonderful foil for William. He is cunning and cruel, and even in his moments of defeat, a character to respect. In many cases, such a villain would be made to seem wimpy or, at his moment of defeat, clumsy. Not so here, as Adamar is, throughout the film, a force to be reckoned with. I suppose part of why I love "A Knight's Tale" is my ability to relate to it so personally. I've certainly had my share of challenges, and aspired to be more than what I currently was. And I've also known friendships so loyal and loving that fiction could never invent. Most significantly, I've lived the pursuit of true love and, like William, have obtained it with no small amount of satisfaction. Everyone to some degree or another has also had these experiences in their lives, and its these experiences that built the foundation of "A Knight's Tale," which is exactly what makes it such a wonderful film, more than worthy of a second chance by those who previously doubted it, and much more than worthy of a spot in any fan's movie collection.