At the end of the 1940's, abstract expressionist Jackson Pollock (1912-1956) is featured in Life magazine. Flashback to 1941, he's living with his brother in a tiny apartment in New York City, drinking too much, and exhibiting an occasional painting in group shows. That's when he meets artist Lee Krasner, who puts her career on hold to be his companion, lover, champion, wife, and, in essence, caretaker. To get him away from booze, insecurity, and the stress of city life, they move to the Hamptons where nature and sobriety help Pollock achieve a breakthrough in style: a critic praises, then Life magazine calls. But so do old demons: the end is nasty, brutish, and short.Written by
When Ed Harris fell off the bicycle during the scene where Pollock is trying to ride home carrying a case of beer, you can see him looking at his hand as he gets up. In reality Harris had really hurt his hand, which was bleeding, and had to get 5 stitches. See more »
When the photographer is making the movie of Pollock he "zooms" in on the shoes. But the old 16 mm camera he is using has a three fixed lens turret. He should not be able to zoom. All his other shots are as expected from fixed lenses of different focal lengths. See more »
Moving and mesmerizing look at the painter Pollock
Ed Harris gives it his all and succeeds here, in his (fine) directorial effort. He portrays 40's and 50's painter Jackson Pollock, a man who drank too much, was often crazy about many things, but was a magnificent painter (depending on what you like). Marcia Gay Harden also stars as Lee Krasner, Pollock's guidance into the benign and all. Both Harris and Harden are exqusite here, earning well deserved Oscar nominations (Harris I think would win if it wasn't for Tom Hanks performance), with not much insight going into the method to Pollock's madness, but just his design, which is good in avoiding chiches. Painting scenes are some of the best scenes of last year. A
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