Jerry and Rachel are two strangers thrown together by a mysterious phone call from a woman they have never met. Threatening their lives and family, she pushes Jerry and Rachel into a series of increasingly dangerous situations, using the technology of everyday life to track and control their every move.
Paul is a U.S. truck driver working in Iraq. After an attack by a group of Iraqis he wakes to find he is buried alive inside a coffin. With only a lighter and a cell phone it's a race against time to escape this claustrophobic death trap.
José Luis García Pérez,
Stu Shepard is a fast talking and wise cracking New York City publicist who gets out of trouble and lies with his clever charm, connections, and charisma. Stu's greatest lie is to his wife Kelly, who he is cheating on with his girlfriend, Pam. Upon answering a call in a phone booth in belief it is Pam, Stu is on the line with a dangerous yet intelligent psychopath with a sniper rifle. When realizing it is not a joke, Stu is placed in a powerful mind game of wits and corruption. The New York City Police eventually arrive thereafter and demand Stu comes out of the phone booth- but how can he when if he hangs up or leaves the booth he will die?Written by
Larry Cohen worked on the script for the movie Cellular (2004) while he tried to get his screenplay "Phone Booth" sold. In a New Yorker article, he says he wrote "Cellular" with the intention that it would be the direct opposite to "Phone Booth" ("Phone Booth" is about a man trapped on a phone in a booth, while "Cellular" is about a man who is still trapped on a phone but can go anywhere). However, his friends told him that he had written the same screenplay twice. See more »
When the caller/sniper gets a bit twitchy, threatening to shoot Stu's wife and the police officers, we hear him cocking the rifle five separate times. At no point do we hear him un-cocking the rifle between those moments, but he would have to physically cock and load the rifle every time he needs to fire a round. But since there are two rifles in play (one left with the dead pizza guy, and one the Caller carries in the final scene), the Caller could easily have had an empty rifle that he cocked, seeing how he uses the sound to intimidate Stu. See more »
I only looked at this because a friend loaned it to me so, at zero cost, what could I lose? Well, it was a lot better than I anticipated. Oddly, even though it's only 80 minutes long, I think this could have been better with about 10 minutes chopped off. It starts to repeat itself too much near the end. You have to remember, almost the whole film takes place within a phone booth!
Colin Farrell does a super job playing a sleazy guy held captive in the phone booth by a threatening sniper-caller. The story, although simple, holds your attention because there is great suspense, innovative camera-work, an involving story that hooks you in pretty fast and some great sound. I hope you have a surround sound system because the caller's (Keifer Sutherland) voice on the other end of the line is something to hear!
There is a big moral message in this film, too, about doing the right thing and paying for your sins, which Farrell sure did. It was really refreshing to hear that message, effectively told. Maybe some of us need a sniper to get the message across, but I hope not!
Are there holes in this story? Sure, but it's still good and has a cool ending. The only warning I would give readers here is the language: this is a very profane film with Farrell going overboard on the f-word. If that offends you, then stay out of this phone booth; otherwise, it's pretty entertaining
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