7.1/10
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Phone Booth (2002)

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Stuart Shepard finds himself trapped in a phone booth, pinned down by an extortionist's sniper rifle.

Director:

Joel Schumacher

Writer:

Larry Cohen
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Popularity
4,286 ( 260)
1 win & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Colin Farrell ... Stu Shepard
Kiefer Sutherland ... The Caller
Forest Whitaker ... Captain Ramey
Radha Mitchell ... Kelly Shepard
Katie Holmes ... Pamela McFadden
Paula Jai Parker ... Felicia
Arian Ash ... Corky
Tia Texada ... Asia
John Enos III ... Leon
Richard T. Jones ... Sergeant Cole
Keith Nobbs ... Adam
Dell Yount ... Pizza Guy
James MacDonald ... Negotiator (as James Macdonald)
Josh Pais ... Mario
Yorgo Constantine ... ESU Commander
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Storyline

Stu Shepard is a fast talking and wise cracking New York City publicist who gets out of trouble and lies with his clever charm, connections, and charisma. Stu's greatest lie is to his wife Kelly, who he is cheating on with his girlfriend, Pam. Upon answering a call in a phone booth in belief it is Pam, Stu is on the line with a dangerous yet intelligent psychopath with a sniper rifle. When realizing it is not a joke, Stu is placed in a powerful mind game of wits and corruption. The New York City Police eventually arrive thereafter and demand Stu comes out of the phone booth- but how can he when if he hangs up or leaves the booth he will die? Written by commanderblue

Plot Summary | Plot Synopsis

Taglines:

New York City...12 million people...22 million phones...one billion connections a day See more »

Genres:

Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for pervasive language and some violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Swahili

Release Date:

4 April 2003 (USA) See more »

Also Known As:

Enlace mortal See more »

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Box Office

Budget:

$13,000,000 (estimated)

Opening Weekend USA:

$15,021,088, 6 April 2003, Wide Release

Gross USA:

$46,566,212, 31 July 2003

Cumulative Worldwide Gross:

$97,837,138
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

During the movie, when the Caller warns Stu not to move, he says "You can get shot 41 times just for pulling out your wallet". This is a reference to the killing of Amadou Diallo, an innocent man who matched the description of a serial rapist. The police approached him and he pulled out his wallet (presumably to show them his ID), they mistakenly thought it was a gun and the four officers on scene fired 41 rounds at him. He was shot 19 times and died as a result of his injuries. See more »

Goofs

The body of the deceased man disappears in the shot where the police cars come around the corner and park, but reappears in subsequent shots. See more »

Quotes

The Caller: This is exciting. You get to choose between them. Kelly. Pam. BAM BAM!
See more »

Crazy Credits

The 20th Century Fox logo blends into the white clouds that open the film. See more »

Connections

Featured in The Tonight Show with Jay Leno: Episode #18.63 (2010) See more »

Soundtracks

Operator
Written by William Spivery
Produced by Nathan Larson
See more »

Frequently Asked Questions

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User Reviews

Synopsis of this flick without spoiling the end.
30 April 2003 | by Jason_LeeSee all my reviews

Have you ever seen a movie that you would actually pay money to watch more than once? What if I told you that this film had a setting of only one main location, two main actors and three supporting cast members? While these elements don't make up what a classic movie sounds like on paper, add director Joel Schumacher (Bad Company, 8mm) into the mix, along with screenwriter Larry Cohen, who had this story handed down to him by Alfred Hitchcock himself about 30 years ago, and you have the perfect blend of blackmail, violence and extortion: Phone Booth. The story begins by showing a glimpse into the life of Stu Shepard (Daredevil's Colin Farrell). Stu is a New York hustler that people love to hate. He is egotistical, two-faced to everyone he knows and does what he can for personal gratification. He even fantasizes about cheating on his wife Kelly (Pitch Black's Radha Mitchell) and the object of that desire is Pamela McFadden (Dawson Creek's Katie Holmes). Pam is a young actress trying to get her first break, while Stu has been grooming her for the big time. To avoid having his calls to Pam appear on his cellular phone bill, Stu calls her from the lone phone booth left in the heart of NYC. However, things would be different on this day. Upon hanging up, he receives a call that would turn his whole world upside down. The caller (24's Kiefer Sutherland) is a sniper, who has been targeting high-profile underhanded suits, just like Stu. He has a few simple rules so that Stu does not meet the same fate that two others had before him: don't leave the booth, don't tell anyone who he's talking to, and most importantly, don't hang up. To prove his seriousness, the caller shoots and kills a pimp who tries to physically remove Stu from the booth for taking too much time with his call. This, as expected, does not help matters, and the fallen pimp's hookers now believe it was indeed Stu who committed the murder. Soon, the NYPD and numerous media outlets are covering this serious situation. Things become increasingly difficult for Stu Shepard as Kelly and Pam both show up. In the meantime, the caller continues to play various mind games, while the sympathetic NYPD Captain Ramey (Twilight Zone's Forest Whitaker) tries to solve the issue. During all of this, Stu tries to maintain his sanity and not risk any more lives. His lies no longer matter. As a result, he must now search his soul, discover himself and attempt to outsmart the caller, taking the game to a whole new level. The cinematography is outstanding. Schumacher uses the right angle for every shot, and manages to keep everyone's attention with quick pans and abrupt cuts. In the end, the 80-minute movie seems longer but not because it is boring. The biggest payoff comes with the twist ending that changes the film's outcome within sixty seconds. There was not one bad performance in Phone Booth. Farrell's ability to convert his Irish brogue to a Brooklyn drawl makes his performance as Bullseye in Daredevil look like a child's school play when compared to the Broadway-level of acting he manages here. While Mitchell and Holmes did not have lengthy parts, their roles added just enough to the story and they managed to perform up to the standards of their characters. Forest Whitaker was a surprisingly great addition to the cast and his role as a sympathetic cop is one that's not often seen, and should thus be welcomed. However, all of these actors are outshined by Kiefer Sutherland, who ends up being extremely creepy and one of the best antagonists in recent movie history by just using his voice. Will this win Best Picture at next year's Academy Awards? It probably won't. However, with a great story, top-notch directing and a cast with great chemistry, what more could you ask for? Out of a possible five stars, I give this the limit of five with desires to go even higher. While I would go see it again and again, not everyone has the same tastes. However, I would put down the $8 for a ticket to see the flick at least once. If nothing else, it will make you stop and think: the next time you enter a phone booth, just who will be watching?


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