If you took the basic plot from Brian DePalma’s unjustifiably maligned science-fiction epic, Mission to Mars, subtracted the pyramids, aliens, and an ending lifted shamelessly from Close Encounters of the Third Kind or even E.T.; The Extraterrestrial, but kept the long, obstacle-fraught journey from the Earth to the red planet, expanded said plot into a 10-episode, prestige-level series, and added a shedload’s worth of emotion-first, intellect-second content in support of a purposely positive, optimistic message about interpersonal and international cooperation, you’d come close to Netflix’s latest science-fiction series, Away. With typically high-end, seamless production values, including visual effects equal to or better than any streaming or premium cable series, multi-dimensional characters, and finely tuned storytelling, Away delivers familiar, if no less welcome, diversionary pleasures. Centered...
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