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Love's Labour's Lost (2000)

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An update of the classic Shakespeare story, Director Sir Kenneth Branagh shot this movie like a classic 1930s musical. This movie tells the story of four best friends who swear off love.

Director:

Kenneth Branagh

Writers:

William Shakespeare (play), Kenneth Branagh (screenplay)
1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Alessandro Nivola ... The King
Alicia Silverstone ... The Princess
Natascha McElhone ... Rosaline
Kenneth Branagh ... Berowne
Carmen Ejogo ... Maria
Matthew Lillard ... Longaville
Adrian Lester ... Dumaine
Emily Mortimer ... Katherine
Richard Briers ... Sir Nathaniel
Geraldine McEwan ... Holofernia
Stefania Rocca ... Jacquanetta
Jimmy Yuill ... Constable Dull
Nathan Lane ... Costard
Timothy Spall ... Armado
Anthony O'Donnell ... Moth
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Storyline

The King of Navarre and his three companions swear a very public oath to study together and to renounce women for three years. Their honor is immediately put to the test by the arrival of the Princess of France and her three lovely companions. It's love at first sight for all concerned followed by the men's highly entertaining, but hopeless efforts to disguise their feelings. Written by Tender Branson

Plot Summary | Add Synopsis

Plot Keywords:

oath | france | king | navarre | friend | See All (97) »

Taglines:

Koi wa hito wo baka ni suru [Japan] See more »


Motion Picture Rating (MPAA)

Rated PG for sensuality and a brief drug reference | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | France | USA

Language:

English

Release Date:

31 March 2000 (UK) See more »

Also Known As:

Peines d'amour perdues See more »

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Box Office

Budget:

$13,000,000 (estimated)

Opening Weekend:

£143,649 (United Kingdom), 2 April 2000, Limited Release

Opening Weekend USA:

$24,496, 11 June 2000, Limited Release

Gross USA:

$284,291, 9 July 2000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Director Kenneth Branagh's role of Berowne is believed to have been played by William Shakespeare when the play was first performed in the late 1500s. See more »

Goofs

During the tearing of the contract, Berowne mouths Longaville's lines along with him. See more »

Quotes

Longaville: Pray you sir, whose daughters?
Boyet: Their mothers', I have heard.
See more »

Alternate Versions

The UK Region 2 DVD contains 5 deleted scenes:
  • The boys are arguing about the girls and about breaking the vows the made.
  • Moth, Constable Dull, Holofernia, Sir Nathaniel and Costard and discussing what to perform for the king, the princess and their company. They descide upon performing ^Óthe 9 worthies^Ô. Parts of this scene can be seen in the news reels.
  • The third extra scene is an extended version of the scene were the girls are discussing and mocking the gifts they received from the men. The extra parts are extra dialogue for Katherine and Rosaline. Katherine tells the story of a girl who died from melancholly. Rosaline has an extended part of dialogue in which she mocks the men and Berowne specifically.
  • There is a alternative scene for the masked dance scene more true to the story of Shakespeare. The boys dress up as Russians who specially came to visit the girls.
  • The fifth scene is the performance of 'the 9 worthies' by the supporting characters.
  • The UK Region 2 DVD does also contain various outtakes. Some of these were cut (ca. 4 seconds) to maintain the "U" rating.
See more »

Connections

References Yankee Doodle Dandy (1942) See more »

Soundtracks

Cheek To Cheek
by Irving Berlin
Performed by Kenneth Branagh, Alessandro Nivola, Matthew Lillard and Adrian Lester
See more »

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User Reviews

 
Darn the critics, full speed ahead!
16 June 2000 | by nitemanSee all my reviews

Something about Love's Labour's Lost is causing critics to sniff and huff and puff like never before. The dance numbers aren't perfectly in sync and the music isn't perfectly performed, they sneer. Shakespeare and Gershwin don't mix. It's sheer fluff. It's bizarre.

Thus saith the critics. The forest that they're missing with their shrubs of discontentment is the overwhelming charm and infectuous fun of this silly little film. Yes, when Branagh and his cronies do a dance number it isn't lock-step choreography (one arm a little high, perhaps, one foot off the beat a bit). When Alicia Silverstone and her ladies-in-waiting cavort and giggle in a pool, they're not quite Esther Williams and company. Instead of picture-perfect Fred & Ginger, they look like real people dancing and singing because dancing and singing are fun. And unless you're Ebenezer Scrooge, The Grinch, or a movie critic, you'll have fun, too.

That's not to say the movie is just sloppy silliness. Branagh stages some gorgeous set pieces, including gondolas lit by Japanese lanterns, a prop-plane goodbye straight out of Casablanca, and a production number in which the film's silliest character kicks the moon like a big silver soccer ball. It's about a third Shakespeare, a third 30's musical, and a third Looney Tunes. What's odd is that the styles mix so well under Branagh's direction.

If you want a picture-perfect musical, rent "The Unsinkable Molly Brown" or some other dull thing. If you want perfect Shakespeare, rent Branagh's "Hamlet." If, however, you want a movie to make you believe in movies again -- if you want to kick up your heels, laugh out loud, and float out of a movie theater humming Cole Porter -- see this movie.


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