Three Giant Men

It's got Spider-Man as a crime lord choking women in bathtubs, Captain America karate kicking guys to kingdom come, not to mention the James Bond theme, what more could you ask for?

One of the most auspicious movie starts in history, yet a walk in the park for movies coming out of Turkey. I thought I had seen everything Turkey had to offer. From Turkish Star Trek and Star Wars to Turkish Superman to Turkish Young Frankenstein. I was not prepared for a mostly green Spiderman, with a red hood and giant, untrimmed eyebrows.

This isn't your Marvel Spiderman though. Turkish Spiderman is leader of a gang. His whole racket involves smuggling artifacts from Turkey to the US, selling them cheaply to dealers and then buying them back with fake money. The opening scene is of Spidey and his gang building a hole in the sand, dropping some woman in a night gown into it and then pushing a boat (the motor is on, propeller spinning) into her face. The Spider (as he is called in Turkey) has no powers whatsoever. He knows movie martial arts, is quite the escape artist and tends to sneak up on people. His primary weapons include a 2-inch knife, a shower head, shish-kabobing people and a complicated torture device involving hamsters. Welcome to Turkey !!

Aytekin Akkaya is Turkish Steve Rogers, a.k.a. Captain America (minus a shield which would have cost extra). You may remember him from Turkish Star Wars. Sadly I cannot forget seeing his shirtless performance as he bounced around on the screen. His partners include a luchidore who stores everything in the crotch of his tights and a female secretarial assistant (who does most of the undercover work). Their mission is to stop the Green menace (thank you Jonas).

This is truly an exercise in Turkish 70's film making. Turkish movies often remind me of the old movie serials (Flash Gordon, Batman and Robin,etc). They seem to be made on the cheap, poorly edited, poorly acted and done very quickly, often with little regard for intellectual property (the music seems to be from a James Bond movie). It is as if this is Turkey's attempt at mimicking the exploitation movies coming out of the US and/or the martial arts movies coming out of Asia. Exploitation is definitely what this movie is going for. It has all the elements for grind-house: a striptease (with pasties), graphic violence, shower scenes in underwear, crappy disco music, sex and alcohol. Well what did you expect, Turkey is a much different place? What was tame for us was probably raunchy for them. Context people, context.

As with all the 70's Turkish movies I have seen, I cannot take them seriously. I find them quite amusing along with the lingering misogynistic undertones (seems like more women died in this movie than men). There also seems to be a lot of time spent in showing running, driving and chasing. If you have never seen a Turkish movie, try to get one with the appropriate subtitles. Understanding the dialog will only help you slightly, as the plots and edits are "complicated" (not to mention the cultural differences). I have seen Turkish movies without the subtitles and I can tell you it gets pretty confusing (Turkish Star Wars, I'm looking at you).

These movies would have been prime candidates for MST3k. If only that were still possible. Maybe in an alternate universe. Until then, make mine a double whiskey. It's for the pain.

It's your unfriendly neighbourhood Spiderman! But he's green! And he's in Turkey! And he's ripped a hole in his mask so you can see his bushy eyebrows! And he can't shoot webs anymore! Or climb up walls! Peter Parker must have been bitten by ANOTHER radioactive spider or something, presumably while on holiday in Turkey, because suddenly he's EVIL and likes nothing better than chopping people up with a knife, skewering them in the shower, and, especially, doing lame ass kung-fu on them.

You know this film is going to be amazing when - BEFORE THE OPENING CREDITS - Spidey buries a girl up to her neck on the beach, then gets two blokes in a boat to reverse the outboard motor blades into her face. Seems the cops were right all along to be suspicious of that ol' web-slinger. Then those opening credits -- photographs (like actual paper photographs) taken on the set have been stuck on a wall next to fridge-magnet letters spelling out the title, and the camera zooms away from them very quickly...this passes for special effects in 70s Turkish cinema. The theme tune has exactly the same melody as "Diamonds Are Forever". There is no Turkish word for "copyright violation" - as if the psycho slasher Spiderman wasn't proof of that already.

As if that wasn't enough, wait -- Evil Spidey is terrorizing Istanbul, so who's the best person to call to deal with the problem? Captain America of course! (well it makes more sense than trusting in the hapless raincoated detective who gets sliced up by Spiderman - who then looks into the camera and says "ho ho ho ho ho. Adios!") Oh, and also Santo, the masked Mexican wrestler. Santo is a trifle fatter than his Mexican version, but at least his blank face mask can be replicated easily - Captain America is a tougher task for the costume designer (who, looking at the costumes, is almost certainly the director's mum). He has the "A" on his head, but he has no shield -- then again, Spidey has no webs, so that evens things out.

You have to see this movie. If necessary, go to Turkey to see it. Even better than the notorious Turkish remake of "Star Wars", and a 500% improvement on the recent Hollywood Spiderman. Did Spidey gruesomely murder a lovemaking couple in that movie? Well exactly.

Priceless statues are being stolen all over Istanbuhl(?). Looks like the work of that infamous, murdering Spiderman. The police call in special outside help in Captain America from the United States and the legendary Mexican wrestler Santo.

It's anyone's guess why Spidey's turned to a life of crime, what the significance of all the stolen art is, or if those are his bangs or his eyebrows sticking out of the holes in his mask. He's also traded-in his web-shooters for a slick little switch-blade,and can quickly clone himself if he's killed (that part gets real tiresome after a while). Captain America is missing his trusty shield and Santo's wrestling skills resemble Flintstone judo.

In fact, nothing seems to make sense at all in this live-action cartoon that makes Tim Burton's 'Batman' look as tame as the 60's TV series. Dozens of people are killed needlessly, sudden jump-cuts take you to sleazy strip clubs, and there's a love scene that's interrupted by the Mr. Rogers' puppets. Even worse, it's all in Turkish. No version in English or English subtitles is available. I'm not painting a pretty pictures here, I know. But I can say it is, without a doubt , one of the BIGGEST film oddities the world over.

This funky Turkish interpretation of graphic novel lore has Spider-Man as an ultra mean bad guy running a gang of thugs in Istanbul on the wrong side of town. He has none of his Spider powers, which I guess is why he is so angry, but makes up for some of it via his ruthlessness and a peculiar ability to come from the dead - multiple times.

In fact Spider-Man while noticeably less agile looks as though he has let himself go a bit and is a tad flabby (What we in Canada refer to as "Molson Muscle"). His costume has some noticeable signs of wear and tear as well and his bushy eyebrows peak out of eye slits in his mask.

Could it be that the makers of this film got their accounts of Spider-Man's exploits only from the slanderous accounts provided by that yellow journalism scandal-sheet the Daily Bugle? If they read the comics they would know that Spider-Man/Peter Parker would never use his powers for evil. What would his Aunt May think of him? Worse what would the spirit of his Uncle Ben think? Clearly this baddie is just some dude who ordered an ill-fitting, cheap imitation Spider-Man costume and couldn't get his money back.

A rather improbable team up of Captain America (Akkaya) and Santo (Selekman) the wrestler/superhero track the Spider Gang to Turkey after Spider-Man's counterfeiting scheme in Mexico leaves a trail of angry people on both sides of the law. Cap's famous shield evidently didn't clear Turkish customs as we don't see it. But his girlfriend Julia came with him to help.

This film is so spectacularly wrong on so many levels as to show the value of copyright protection as preservation of artistic integrity more than proper assignment of royalties. Turkey, then under the control of a military junta in a chaotic struggle with terrorist groups and engaged in a brutal suppression of leftist elements offered no such copyright protection to products of comic book heroism or Western entertainment.

Like the Turkish version of Star Wars and Star Trek the staging of a rip-off like this utterly defies logic. Why not just dub or subtitle the Spider-Man cartoon and Santo movies into Turkish? Or better yet why just make a completely original set of characters with Turkish identities?

There is low-grade production value and then there is no-grade production value. What is shown here is beyond what Hollywood producers would deem incredibly cheap though the cast soldiers on even with the various continuity errors and other goofs.

It doesn't look like they were given a safe working environment to shoot under but really what does that even mean when the Turkish government was rounding up people - very much including artists and locking them up for even being suspected of having leftist sympathies?

In one scene where Captain America rescues Julia from the baddies at the Spider gang's safe-house we see a pretty silly action sequence. Hanging from conveniently placed acrobat rings, Cap attempts to heel-kick one of the baddies behind him but the stunt guys must have messed up the timing because he misses. The thug falls anyway and from the angle of the shot it looks as though the villainous henchman has been knocked unconscious by a devastating, explosive fart to the face from the hero.

Captain America's subsequent fight with Spider-Man betrays the fact that Cap is, for whatever reason, a lot more acrobatic than Spidey. El Santo is, by contrast to Spider-Man in considerably better shape than we have seen him and unlike the real Santo, generally goes unmasked. Santo in the Mexican movies he was hero of was never seen in public without his mask.

The comedic possibilities offered in Santo's time on screen are rife as he infiltrates a dogo serving as a front for the Spider Gang, discovers incriminating papers in a back office and stuffs them in his tights in a manner which looks as though he has done it to make his crotch bulge look bigger.

Unintentional humor throughout offers countless openings for snide one-liners and sarcasm. But no one needs to say anything as this Turkish rip-off lampoons itself so perfectly.