The early 1970s. William Miller is 15-years old and an aspiring rock journalist. He gets a job writing for Rolling Stone magazine. His first assignment: tour with the band Stillwater and write about the experience. Miller will get to see what goes on behind the scenes in a famous band, including the moments when things fall apart. Moreover, for him, it will be a period of new experiences and finding himself.Written by
In the special edition DVD the extended cut of the film is renamed "Untitled". See more »
A scene was filmed in which William plays Led Zeppelin's "Stairway to Heaven" in front of his mother and some high school staff, as well as Darryl (Anita's boyfriend). William introduces the song by saying that it was based on the works of Tolkien. During the song, the group is looking through the lyrics on the inner sleeve and a copy of Rolling Stone. William and Darryl are lip-synching and playing air guitar and drums. Elaine denounces the song, and the scene continues with her saying "no, no, no, no" before finally agreeing to let her go. However, rights problems forced Crowe to cut the scene. The scene is presented on the "Bootleg Cut" two-DVD set. The scene has no music, but there is an on-screen cue telling the viewer when to start the song. See more »
An Excellent Original Insight Into The 70's Rock Scene... With Dazzling Performances.
There was a time in the US rock circuit before music videos and online marketing. That was the time when several little-known bands toured all over the country... accompanied mostly by drugs and groupies. Writer-director Cameron Crowe takes us to that infamous scene of sex, drugs and rock n' roll in the 1970's with this semi-autobiographical work, which is not only equipped with his brilliant direction and screenplay, but also by decent performances by some relatively lesser-known actors.
Here the introduction of a not-too-famous band, an imaginary one called Stillwater, was important. In that sense, Stillwater is a perfect work by Crowe... with a volatile relationship between the vocalist and the guitarist, with a noncompetent manager and everything that comes with. There were also the groupies, who became a matter of substance in Crowe's point of view. But the most extraordinary thing that Crowe did is the image of himself as a 15-year-old writing prodigy, rock journalist William Miller. The viewers watch the movie through Miller's eyes. The character is extremely well-designed and reserved by Crowe. Miller's the one who becomes able to attach all the parts into a complete movie alone.
Billy Crudup was probably the best among the actors as guitarist Russell Hammond. It's true his role was not a tough one, but he's the one who made it look so easy. Young Kate Hudson, as Penny Lane, is perfect and very adorable. She showed her potentials in this movie which seemed even better than her mother, Goldie Hawn. All she needs are decent roles in future. The other actors, namely Jason Lee as vocalist Jeff, Frances McDormand as Williams's over-protective mother and the other band-aids (with Oscar-winner Anna Paquin) performed also quite well. And newcomer Patrick Fugit, as Miller himself, is really brilliant. Gaining more screen time than anyone else, it was a tough test for Fugit and it is all praises for him.
The soundtrack was very good with some fine original songs. There may be some minor flaws in the movie, like some unnecessary sequences, but all over this is a quite masterful work... a feast for the mind and soul, both for a hard rock n' roll fan and for casual viewers.
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