A high-school boy is given the chance to write a story for Rolling Stone Magazine about an up-and-coming rock band as he accompanies them on their concert tour.
A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis, and Carl Perkins.
After being kicked out of his rock band, Dewey Finn becomes a substitute teacher of an uptight elementary private school, only to try and turn them into a rock band.
When a sports agent has a moral epiphany and is fired for expressing it, he decides to put his new philosophy to the test as an independent agent with the only athlete who stays with him and his former secretary.
Director:
Cameron Crowe
Stars:
Tom Cruise,
Cuba Gooding Jr.,
Renée Zellweger
The early 1970s. William Miller is 15-years old and an aspiring rock journalist. He gets a job writing for Rolling Stone magazine. His first assignment: tour with the band Stillwater and write about the experience. Miller will get to see what goes on behind the scenes in a famous band, including the moments when things fall apart. Moreover, for him, it will be a period of new experiences and finding himself.Written by
grantss
At the age of 18, director Cameron Crowe wrote the liner notes to the "Frampton Comes Alive!" album by rocker Peter Frampton. Frampton returns the favor here by acting as a music consultant for the film. See more »
Goofs
William Miller appears in underwear with the "Fruit of the Loom" name printed all around the waistband. That style was first produced in the 1990s. See more »
Quotes
[first lines]
Elaine Miller:
I can't believe you wanna be Atticus Finch. Oh, that makes me feel so good.
Young William:
I like him.
See more »
Crazy Credits
Photographs of Stillwater, William, and the Band-Aids are shown during the final credits. See more »
Alternate Versions
A scene was filmed in which William plays Led Zeppelin's "Stairway to Heaven" in front of his mother and some high school staff, as well as Darryl (Anita's boyfriend). William introduces the song by saying that it was based on the works of Tolkien. During the song, the group is looking through the lyrics on the inner sleeve and a copy of Rolling Stone. William and Darryl are lip-synching and playing air guitar and drums. Elaine denounces the song, and the scene continues with her saying "no, no, no, no" before finally agreeing to let her go. However, rights problems forced Crowe to cut the scene. The scene is presented on the "Bootleg Cut" two-DVD set. The scene has no music, but there is an on-screen cue telling the viewer when to start the song. See more »
On a rating scale of 0 to 100; I gave Almost Famous a score of 95.
One of the most critically acclaimed movie experiences of the year 2000, Almost Famous is the second feature film to come out Cameron Crowe, and he beats his first effort, Jerry Maguire by a mile. Almost Famous is a stunning, thought-provoking film that comes at you directly from the eye of the camera and hits you with a hard bang. It's a movie not only for people who love 70's rock bands, but for all movie-goer's who really love the feeling of coming out of the cinema feeling totally fulfilled.
A 15 year old boy named William Miller (Patrick Fugit) gets an opportunity to travel with a rock band, Stillwater on a 1973 tour. As a younger boy, his sister (Zooey Deschanel) and his widowed mother Elaine (Frances McDormand) had fought about the mother's control over the family and her denial of rock music. The sister leaves home and leaves the young boy her record collection, which immediately seizes his attention. As a teen, he makes record reviews for an underground newspaper. He submits those to Creem magazine writer Lester Bangs (Phillip Seymour Hoffman) and gets his attention. The two become fast friends and Bangs acts as his mentor as Rolling Stone magazine comes calling. Slipping into an inner group connected with Stillwater, Rolling Stone agrees to bankroll him on a trip with the group. There he meets the "Band Aids", a group of girls that refuse to be called groupies because they are dedicated only to specific bands. "Penny Lane" (Kate Hudson), the Band Aid's leader is enamored with the group leader (Billy Crudup), but befriends the teen. He responds with complete infatuation with her, but he is equally enamored with the charismatic guitarist. While accepted by the band (other members are Jason Lee, John Fedevich and Mark Kozeleck), they nonetheless refer to him as "the enemy - a rock critic".
The film is classically cool and endlessly enjoyable, making it by far one of the top 5 movies of last year. The film boasts absolutely incredible performances, Patrick Fugit is a newcomer and has terrific potential, Frances McDormand is emotionally stunning as an over-protective mother and Billy Crudup, who I underrated at first, gives a performance of believability and power. However, it comes as no surprise that the film's acting star is Kate Hudson, daughter of Goldie Hawn. Hudson gives a masterful performance as Penny Lane, she pulls off all Lane's facial expressions effortlessly brilliantly, and God knows she is one of the most stunning young performers of her current time, and she gives one of the most memorably exciting performances of 2000. Cameron Crowe gets a big pat on the back too for arranging the movie delicately and with absolute dedication.
Cameron Crowe's instant classic is a hard one to beat, and is surely the closest thing we have to a perfect `rock movie' these days. Absolutely unmissable.
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On a rating scale of 0 to 100; I gave Almost Famous a score of 95.
One of the most critically acclaimed movie experiences of the year 2000, Almost Famous is the second feature film to come out Cameron Crowe, and he beats his first effort, Jerry Maguire by a mile. Almost Famous is a stunning, thought-provoking film that comes at you directly from the eye of the camera and hits you with a hard bang. It's a movie not only for people who love 70's rock bands, but for all movie-goer's who really love the feeling of coming out of the cinema feeling totally fulfilled.
A 15 year old boy named William Miller (Patrick Fugit) gets an opportunity to travel with a rock band, Stillwater on a 1973 tour. As a younger boy, his sister (Zooey Deschanel) and his widowed mother Elaine (Frances McDormand) had fought about the mother's control over the family and her denial of rock music. The sister leaves home and leaves the young boy her record collection, which immediately seizes his attention. As a teen, he makes record reviews for an underground newspaper. He submits those to Creem magazine writer Lester Bangs (Phillip Seymour Hoffman) and gets his attention. The two become fast friends and Bangs acts as his mentor as Rolling Stone magazine comes calling. Slipping into an inner group connected with Stillwater, Rolling Stone agrees to bankroll him on a trip with the group. There he meets the "Band Aids", a group of girls that refuse to be called groupies because they are dedicated only to specific bands. "Penny Lane" (Kate Hudson), the Band Aid's leader is enamored with the group leader (Billy Crudup), but befriends the teen. He responds with complete infatuation with her, but he is equally enamored with the charismatic guitarist. While accepted by the band (other members are Jason Lee, John Fedevich and Mark Kozeleck), they nonetheless refer to him as "the enemy - a rock critic".
The film is classically cool and endlessly enjoyable, making it by far one of the top 5 movies of last year. The film boasts absolutely incredible performances, Patrick Fugit is a newcomer and has terrific potential, Frances McDormand is emotionally stunning as an over-protective mother and Billy Crudup, who I underrated at first, gives a performance of believability and power. However, it comes as no surprise that the film's acting star is Kate Hudson, daughter of Goldie Hawn. Hudson gives a masterful performance as Penny Lane, she pulls off all Lane's facial expressions effortlessly brilliantly, and God knows she is one of the most stunning young performers of her current time, and she gives one of the most memorably exciting performances of 2000. Cameron Crowe gets a big pat on the back too for arranging the movie delicately and with absolute dedication.
Cameron Crowe's instant classic is a hard one to beat, and is surely the closest thing we have to a perfect `rock movie' these days. Absolutely unmissable.