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A conservative judge is appointed by the President to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict. Two DEA agents protect an informant. A jailed drug baron's wife attempts to carry on the family business.

Director:

Steven Soderbergh

Writers:

Simon Moore (miniseries Traffik), Stephen Gaghan (screenplay)
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Popularity
1,082 ( 571)

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ON DISC
Won 4 Oscars. Another 69 wins & 84 nominations. See more awards »

Photos

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Cast

Cast overview, first billed only:
Benicio Del Toro ... Javier Rodriguez
Jacob Vargas ... Manolo Sanchez
Andrew Chavez Andrew Chavez ... Desert Truck Driver
Michael Saucedo ... Desert Truck Driver
Tomas Milian ... General Arturo Salazar
Jose Yenque ... Salazar Soldier / The Torturer
Emilio Rivera ... Salazar Soldier #2
Michael O'Neill ... Lawyer Rodman
Michael Douglas ... Robert Wakefield
Russell G. Jones ... Clerk
Lorene Hetherington Lorene Hetherington ... State Capitol Reporter #1
Eric Collins Eric Collins ... State Capitol Reporter #2
Beau Holden ... DEA Agent - CalTrans
Peter Stader Peter Stader ... DEA Agent - CalTrans
James Lew ... DEA Agent - CalTrans
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Storyline

An intertwined drama about the United States' war on drugs, seen through the eyes of a once conservative judge, now newly-appointed drug czar, his heroin-addicted daughter, two DEA agents, a jailed drug kingpin's wife, and a Mexican cop who begins to question his boss's motives.

Plot Summary | Plot Synopsis

Taglines:

It's a dirty, dirty war! And no one comes away clean See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for pervasive drug content, strong language, violence and some sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Germany

Language:

English | Spanish

Release Date:

5 January 2001 (USA) See more »

Also Known As:

Traffik See more »

Filming Locations:

California, USA See more »

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Box Office

Budget:

$48,000,000 (estimated)

Opening Weekend USA:

$184,725, 27 December 2000, Limited Release

Gross USA:

$124,115,725

Cumulative Worldwide Gross:

$207,515,725
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (rough cut)

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

[41:40]Ray Castro (Luis Guzmán) says he has dreams about busting the top white people. Ray Ayala is clearly not white, nor is Steven Bauer who plays him. See more »

Goofs

When Javier Rodriguez Rodriguez and his partner are stopped by General Salazar's men in the opening sequence, Javier holds his hands against the steering wheel in a "surrender" position. As the scene plays out, his hands are alternately in the air or on the steering wheel. See more »

Quotes

[first lines]
Javier Rodriguez: [in Spanish] Last night I had an ugly nightmare.
Manolo Sanchez: [in Spanish] Oh yeah? What happened, man?
See more »

Crazy Credits

F****d up Bowman: Corey Spears See more »

Alternate Versions

The European DVD features 24 deleted scenes, including:
  • A scene at Manolo's house. Manolo is paranoid that the Cartel is after him
  • An extended scene between Manolo and Javier in the car, where Javier asks Manolo to keep his mouth shut about the Cartel
  • The assassin buying some hi-tech gadgets, including a cell-phone that can not be tapped (probably the one he later uses to communicate with Helena during his assassination attempt)
  • A scene where Judge Wakefield and Carlos Ayala's defence attorney meet at the congress party, showing that the two are old friends
  • A sequence of Helena going to a fancy party
  • An extended scene between Helena and Arnie Metzger
  • Two short scenes involving Manolo and Javier bringing Salma Hayek to the drug lord
  • An alternate scene of Helena visiting Carlos in prison
  • A scene where Helena tries to pawn her paintings
  • A scene where Helena discusses something over her cell-phone
  • An alternate sequence of Judge Wakefield looking for Caroline, involving Seth.
  • A scene where Helena asks Arnie to introduce her to the Obregón Cartel
  • A scene where Helena visits the factory where the cocaine dolls are made
  • A scene where Judge Wakefield searches Caroline's room for drugs, finding some in her diary
  • Three scenes involving Helena having to smuggle drugs into the US, as a test for the Obregón Cartel. She ends up not doing it.
  • Helena meeting the Obregón assassin at the playground
  • Judge Wakefield taking a stoned Caroline home after he found her. She tells him that she did it all because of a 'school assignment'.
  • Javier meeting Judge Wakefield after the drug bust
  • Javier meeting with Obregón, asking him for lights at baseball fields. He agrees.
  • Gordon sitting in the surveillance van in front of the Ayala residence with his new partner, listening to Carlos telling someone over the phone that they are 'back in business' and 'completely untouchable'
See more »

Connections

Referenced in Archie's Final Project (2009) See more »

Soundtracks

Going Under (Love & Insanity Dub) - K&D Sessions
Written by Glyn Bush, Richard Whittingham and Patrick Plummer
Performed by Rockers Hi-Fi
Courtesy of Warner Bros. Records Inc./Warner Music Company
By Arrangement with Warner Special Products
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Frequently Asked Questions

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User Reviews

 
A Sodebergh Binge
1 January 2005 | by don_aguSee all my reviews

Yep, I'm on a full Sodebergh binge. I've been crazy about him ever since "King of The Hill" and he, very rarely, lets me down. I couldn't say that about many people including siblings and lovers. "Traffic" is not a departure for Sodebergh, all of his films are. He is an artist with a golden touch. He can travel through opposing universes with amazing ease. In "Traffic" the universe is uncomfortable, muddy, almost ugly and yet, it fascinates and attracts with the power of a magic magnet. Benicio del Toro and Erika Christensen are the two inhabitants of this peculiar universe that get under your skin and carry with you as if they were part of a personal experience. No, not if. They do, they are, they become part of a personal experience. The film allows you that. It makes you learn without preaching. How many films today manage that?


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