7.6/10
196,487
902 user 203 critic

Traffic (2000)

A conservative judge is appointed by the President to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict. Two DEA agents protect an informant. A jailed drug baron's wife attempts to carry on the family business.

Director:

Steven Soderbergh

Writers:

Simon Moore (miniseries Traffik), Stephen Gaghan (screenplay)
Reviews
Popularity
1,835
Won 4 Oscars. Another 70 wins & 87 nominations. See more awards »

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Cast

Cast overview, first billed only:
Benicio Del Toro ... Javier Rodriguez
Jacob Vargas ... Manolo Sanchez
Andrew Chavez Andrew Chavez ... Desert Truck Driver
Michael Saucedo ... Desert Truck Driver
Tomas Milian ... General Arturo Salazar
Jose Yenque ... Salazar Soldier / The Torturer
Emilio Rivera ... Salazar Soldier #2
Michael O'Neill ... Lawyer Rodman
Michael Douglas ... Robert Wakefield
Russell G. Jones ... Clerk
Lorene Hetherington Lorene Hetherington ... State Capitol Reporter #1
Eric Collins Eric Collins ... State Capitol Reporter #2
Beau Holden ... DEA Agent - CalTrans
Peter Stader Peter Stader ... DEA Agent - CalTrans
James Lew ... DEA Agent - CalTrans
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Storyline

An intertwined drama about the United States' war on drugs, seen through the eyes of a once conservative judge, now newly-appointed drug czar, his heroin-addicted daughter, two DEA agents, a jailed drug kingpin's wife, and a Mexican cop who begins to question his boss's motives.

Plot Summary | Plot Synopsis

Taglines:

It's a dirty, dirty war! And no one comes away clean See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for pervasive drug content, strong language, violence and some sexuality | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

The characters from Wakefield never meet any characters from Ayala. The only central link is Mexico. See more »

Goofs

When Javier Rodriguez Rodriguez and his partner are stopped by General Salazar's men in the opening sequence, Javier holds his hands against the steering wheel in a "surrender" position. As the scene plays out, his hands are alternately in the air or on the steering wheel. See more »

Quotes

[first lines]
Javier Rodriguez: [in Spanish] Last night I had an ugly nightmare.
Manolo Sanchez: [in Spanish] Oh yeah? What happened, man?
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Crazy Credits

F****d up Bowman: Corey Spears See more »

Alternate Versions

Home video versions released in 2001 omit direct reference to Cincinnati Country Day school, after school officials complained about the images depicted of the student body. In the scene where Caroline is being interrogated after her arrest, the theatrical version has her answering the question "Are you in school?" with "Cincinnati Country Day." On home video, she simply answers, "yes." The camera is behind her, so her mouth isn't seen on-screen, but there is a notable pause before the next bit of dialogue. See more »

Connections

Referenced in Intolerable Cruelty (2003) See more »

Soundtracks

Going Under (Love & Insanity Dub) - K&D Sessions
Written by Glyn Bush, Richard Whittingham and Patrick Plummer
Performed by Rockers Hi-Fi
Courtesy of Warner Bros. Records Inc./Warner Music Company
By Arrangement with Warner Special Products
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User Reviews

Technically great, acting's great, the whole damn thing's great
30 March 2001 | by the_eggmanSee all my reviews

It certainly has been a good 12 months for director Stephen Soderbergh, hasn't it? Erin Brockovich, probably the most underrated film of last year, eventually got the recognition Soderbergh, Roberts +Co deserved, as did this film, a chilling account of drug trafficking in North and Central America. As seen in 'Erin Brockovich', Soderbergh often deals with people under immense pressure, and this is quite evident here, telling the story of a new US drug control officer (Michael Douglas) whose daughter is rapidly becoming a drug addict (Erika Christensen). It also shows us the struggles of a drug trafficker's society wife (Catherine Zeta-Jones), whose husband is facing a conviction, and also that of a cop accused of corruption. The direction is superb throughout, speaking in tones, very believable tones, and contrasting atmospheres. The portrayal of Mexico, as a behind-the-scenes nightmare world of seediness, humidity (you can almost FEEL the heat) and as a place where one murder matters not, is handled excellently, Soderbergh quite cleverly using sepiatones to convey the mood. This high standard, which is often difficult to maintain in a movie of its length (2 ½ hours) is maintained, and while at times it borders on arty, it is done thoughtfully, incisively and effectively, the scenes of importance delivered in tense, muted tones. Javier Rodriguez's (Benicio Del Toro) character and personality is both strong and incredibly well-acted - the quiet, thick skinned yet razor-sharp mind suiting his environment perfectly, and his acting is often crucial to the moods set in the film, for example in creating the tense, unearthly atmosphere of Mexico. This quiet confidence is also a key part of one of the film's many underlying messages, namely a study in resourcefulness and where it gets us, particularly in Catherine Zeta-Jones' character, a trophy wife of a drug trafficker who is under arrest. Resourceful as she is, it takes her down the darkest and lowest moral alleyways, and this can be compared to 'Erin Brockovich', where another stressed woman used a different kind of soul and fighting spirit to get results. This film also deals with family life, and the movie cliché of 'daddy never being around' is handled exceptionally well. This time the daddy is the newly-instated drugs officer (Michael Douglas) fighting drugs on two fronts: the Mexican Border and his own home, as he struggles to keep his adolescent daughter on the straight and narrow. The characters are all strong and well acted, I can't put my finger on a single bad performance, but Benicio Del Toro is by far the best on show and his Oscar was well deserved. Michael Douglas proves again that he's a class act, as does Catherine Zeta-Jones and strength in depth is clear all round. All in all, then, a great film, combining good acting, clever psychological undertones and classy direction, which particularly stands out. Combining an ability to keep us interested with the snappy, modern style which he has brought to the movies today - this film is a gripping account and a very comprehensive display of Soderbergh's impressive arsenal of film knowledge, understanding and talent.


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Frequently Asked Questions

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Details

Country:

USA | Mexico | Germany

Language:

English | Spanish

Release Date:

5 January 2001 (USA) See more »

Also Known As:

Traffik See more »

Filming Locations:

California, USA See more »

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Box Office

Budget:

$48,000,000 (estimated)

Opening Weekend USA:

$184,725, 31 December 2000

Gross USA:

$124,115,725

Cumulative Worldwide Gross:

$207,515,725
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Company Credits

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Technical Specs

Runtime:

| (rough cut)

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
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