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Minority Report (2002)

PG-13 | | Action, Crime, Mystery | 21 June 2002 (USA)
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In a future where a special police unit is able to arrest murderers before they commit their crimes, an officer from that unit is himself accused of a future murder.

Director:

Steven Spielberg

Writers:

Philip K. Dick (short story), Scott Frank (screenplay) | 1 more credit »
Popularity
604 ( 81)
Nominated for 1 Oscar. Another 20 wins & 89 nominations. See more awards »

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Cast

Cast overview, first billed only:
Tom Cruise ... Chief John Anderton
Max von Sydow ... Director Lamar Burgess
Steve Harris ... Jad
Neal McDonough ... Fletcher
Patrick Kilpatrick ... Knott
Jessica Capshaw ... Evanna
Richard Coca ... Pre-Crime Cop
Keith Campbell ... Pre-Crime Cop
Kirk B.R. Woller ... Pre-Crime Cop
Klea Scott ... Pre-Crime Cop
Frank Grillo ... Pre-Crime Cop
Anna Maria Horsford ... Casey
Sarah Simmons Sarah Simmons ... Lamar Burgess' Secretary
Eugene Osment ... Jad's Technician
James Henderson ... Office Worker
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Storyline

In the year 2054 A.D. crime is virtually eliminated from Washington D.C. thanks to an elite law enforcing squad "Precrime". They use three gifted humans (called "Pre-Cogs") with special powers to see into the future and predict crimes beforehand. John Anderton heads Precrime and believes the system's flawlessness steadfastly. However one day the Pre-Cogs predict that Anderton will commit a murder himself in the next 36 hours. Worse, Anderton doesn't even know the victim. He decides to get to the mystery's core by finding out the 'minority report' which means the prediction of the female Pre-Cog Agatha that "might" tell a different story and prove Anderton innocent. Written by Soumitra

Plot Summary | Plot Synopsis

Taglines:

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Motion Picture Rating (MPAA)

Rated PG-13 for violence, brief language, some sexuality and drug content | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English | Swedish

Release Date:

21 June 2002 (USA) See more »

Also Known As:

Total Recall 2 See more »

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Box Office

Budget:

$102,000,000 (estimated)

Opening Weekend USA:

$35,677,125, 23 June 2002

Gross USA:

$132,072,926

Cumulative Worldwide Gross:

$358,372,926
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby | DTS | SDDS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

When Gideon says that the contained prisoners are "busy, busy, busy," this may be a reference to "Cat's Cradle" by Kurt Vonnegut, Jr.: "'Busy, busy, busy,' is what we Bokononists whisper whenever we think of how complicated and unpredictable the machinery of life really is." See more »

Goofs

The jacket that Agatha is holding, disappears and reappears on her shoulder during the car journey. See more »

Quotes

Howard Marks: [about to murder his wife and her lover] I forgot my glasses. You know how blind I am without them.
See more »

Crazy Credits

In Memory of Michael Macias See more »

Alternate Versions

For the U.S. theatrical release, the 20th Century Fox logo appeared before the Dreamworks logo at the beginning of the film, and the poster credits said, "Twentieth Century Fox and Dreamworks Pictures present." Since the U.S. version's home video/DVD rights are owned by Dreamworks, the Dreamworks logo at the beginning of the movie appears before the 20th Century Fox logo, and the back of the box's cover art says, "Dreamworks Pictures and Twentieth Century Fox present." See more »

Connections

Referenced in Nostalgia Critic: Can an Ending Ruin a Film? (2016) See more »

Soundtracks

Moon River
(1961)
Music by Henry Mancini
Lyrics by Johnny Mercer
Performed by Henry Mancini & His Orchestra
Courtesy of the RCA Records Label, a unit of BMG Music
Under license from BMG Special Products
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Frequently Asked Questions

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User Reviews

Action/thriller with Signature Highlights from Spielberg to Cruise
21 June 2002 | by argvSee all my reviews

Minority Report is the latest film from Stephen Spielberg that stars Tom Cruise as a cop from the year 2054, who works in the pre-crime division of the Washington D.C police department. The division's ability to stop murders before they happen is based on the psychic ability of three people who were mutant byproducts of a failed genetic program designed to help babies born from drug-dependent mothers. Cruise's character, John Anderton, is motivated by the loss of his own son, who was abducted and murdered six years earlier. Accordingly, he's a strong supporter of the controversial program, whose opponents feel it could potentially make an error and people might be wrongfully convicted, if not potentially rehabilitated. That action begins when Anderton is identified as a future killer, and he hits the road running. This may sound a little like The Fugitive, but in this case, you don't know if the man on the run is--or, rather, will be--guilty.

Based on a short story by futurist Phillip K. Dick, author of Blade Runner, the atmosphere of a dark world with high technology having gotten out of hand, almost as though it snuck up on us without our knowing, remains the theme. To remind us that we aren't controlled by technology, but are nonetheless overrun by it, there are frequent references to current-day familiarities, such as department stores and restaurants, such as The Gap and McDonalds, where impressively entertaining high-tech mass marketing gadgets know what you've purchased before and offer new suggestions for consideration. (Sounds like a visit to amazon.com?) Spielberg lightens up the tone with his signature wit and humorous quips and visuals now and then, as opposed to Ridley Scott's more serious and consistently dark visualization portrayed in Blade Runner.

As a plotline, Minority Report is intelligent, has a good consistent flow, isn't always predictable (at least not that long before it happens), has many twists and turns with legitimate dead-ends, and above all, tells a plausible story (even if the basic premise itself requires considerable suspension of disbelief). As Anderton begins to unravel the true story about the corruption behind the pre-crime program, he is lead even further towards his destination as predicted by the `pre-cognitives' who predicted his crime. To tell any more of the story would disclose too much; besides, it isn't necessary. You know all you need to know here.

The best parts of the movie are so good – from the high-tech special effects to the light-hearted humorous moments to the good, steady flow of the action and plotline – that the problems with the film are easily forgiven. That said, my main gripe is the presumption that, in the future, anyone convicted of a crime before it happens is immediately sent to a state of suspended animation, an alternative form of the death penalty. This is obviously one of the main sources of controversy within the storyline, but anyone can see that, in almost all cases, the predicted murders were not premeditated, if not potentially accidental, in which case, psychological counseling and some form of probation would be enough. There's nothing to suggest in the film that the context is a police state, which would allow the premise to make sense. Yet, so much of the movie is based on this premise, that may be bothersome to the discerning viewer. There are many such similar oversimplifications, each of which could be quite easily solved with a minor change or a quick dialog line or two, hence a mild sense of sloppiness in direction.

Still, in the end, these didn't bother me that much. I still had a great time, and enjoyed it as the frivolous and wonderfully playful action/thriller it was intended to be.


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