American Masters (1985– )
7.5/10
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Hitchcock, Selznick and the End of Hollywood 

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1 nomination. See more awards »

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Cast

Episode credited cast:
David O. Selznick ... Himself (archive footage)
Alfred Hitchcock ... Himself (archive footage)
Peter Bogdanovich ... Himself.
Rest of cast listed alphabetically:
Judith Anderson ... (archive footage)
Ingrid Bergman ... (archive footage)
Raymond Burr ... (archive footage)
Leo G. Carroll ... (archive footage)
Michael Chekhov ... (archive footage)
Paula Cohen Paula Cohen ... Herself
Joan Fontaine ... (archive footage)
Cary Grant ... (archive footage)
Gene Hackman ... Himself - Narrator (voice)
Lois Hanby Lois Hanby ... Herself
Al Hirschfeld Al Hirschfeld ... Himself
Louis Jordan ... (archive footage)
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Storyline

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Details

Country:

USA

Language:

English

Release Date:

1 November 1999 (USA) See more »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The episode won an Emmy Award for Outstanding Nonfiction Series. See more »

Connections

Features Gone with the Wind (1939) See more »

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User Reviews

 
Most interesting history lesson
31 July 2002 | by Mort-31See all my reviews

This excellent documentary interweaves the biographies of two highly different but equally important characters of cinema history: David O. Selznick, producer, and Alfred Hitchcock, director. Both stories are indeed worth being told and where they meet and go on together, the film gets even more interesting. Employees of Selznick and co-operators of Hitchcock remember; biographers and historians present their expert comments and archive photographs underline the history lesson. This film really helps to convey a quite comprehensive understanding of the film industry around the 1940s, an idea who David Selznick was and how he used to work (all those memos!) and maybe also a new view on genius Alfred Hitchcock.

One thing struck me a little strange and made me develop some doubts on whether everything said in the film was perfectly true: Hitchcock was portrayed in a positive manner throughout, whereas Selznick had to be the bad guy in most of the cases. It's not impossible that director and writer Michael Epstein had his particular sympathies. But on the other hand I can imagine that producers at this fairly early time in movie history really showed such obvious symptoms of megalomania.


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